The Rocket (Full Text) A Story by Ray Bradbury

This story was written right after World War II by Ray Bradbury, and presented here under Article 22 of China’s Copyright Law.

The Rocket” is a Science fiction short story (initially published under the name “Outcast of the Stars”) by American writer Ray Bradbury. It is also included in The Illustrated Man, a collection of short stories by Ray Bradbury.

Ray Bradbury is one of my personal heroes and his writings greatly influenced me in ways that I am only just now beginning to understand.

When Ray started out, the field of science fiction lacked respectability, to say the least. It was the province of the pulps: magazines printed on cheap paper, with lurid covers designed to catch the attention of immature boys. 

He was often dismissed, if not outright ridiculed, by mainstream writers, but quickly learned to ignore his critics. If they didn’t think rockets and dinosaurs were suitable subjects for literature, to hell with them. 

Ray loved that stuff, along with Martians and witches and things that go bump in the night, so that’s what he wrote about. His unique imagination was harnessed within vivid, lyrical prose, and after the publication of The Martian Chronicles in 1950, the literary elite were forced to acknowledge a striking new talent.

As Ray’s stories became more widely published and read, they fueled the imaginations of millions of young people over several generations, many of whom went on to cite his influence as a major reason they became scientists and engineers. 

His stories practically shouted that it wasn’t just okay to dream of rockets and space travel, it was wonderful, mythic, imperative—the highest accomplishment the human race could aspire to.

-The Space Review's tribute to Ray Bradbury
Ray Bradberry 1
I will ride up into space, into the stars…someday.

Introduction

“There was this fence where we pressed our faces and felt the wind turn warm and held to the fence and forgot who we were or where we came from but dreamed of who we might be and where we might go…”

R is for Rocket

Ray Bradbury

For years I had amassed a well worn, and dusty collection of Ray Bradbury paperbacks that I would pick up and read for pleasure and inspiration.  Later, when I left the United States, and moved to China, I had to leave my treasured books behind. Sigh.

Ray Bradberry book colleciton
A small collection of well worn, well read and well appreciated Ray Bradberry books. My collection looked a little something like this, only I think the books were a little more worn, and a little yellower.

It is very difficult to come across Ray Bradberry books in China. When ever I find one, I certainly snatch it up. Cost is no object when it comes to these masterpieces. At one time, I must have had five books containing this story.

I have found this version of the story “The Rocket” on the Ray Bradbury library portal in Russia, and I have copied it here exactly as found. Credit to the wonderful people at the Ray Bradbury Library for posting it where a smuck like myself can read it within China. And, of course, credit to the great master; Ray Bradbury for providing this work of art for our inspiration and pleasure.

Full Text

Here is the full text of the masterpiece. I will let the reader read it and enjoy it.

The Rocket by Ray Bradbury

Many nights Fiorello Bodoni would awaken to hear the rockets sighing in the dark sky. He would tiptoe from bed, certain that his kind wife was dreaming, to let himself out into the night air. For a few moments he would be free of the smells of old food in the small house by the river. For a silent moment he would let his heart soar alone into space, following the rockets.

Now, this very night, he stood half naked in the darkness, watching the fire fountains murmuring in the air. The rockets on their long wild way to Mars and Saturn and Venus!

"Well, well, Bodoni."

Bodoni started.

On a milk crate, by the silent river, sat an old man who also watched the rockets through the midnight hush.

"Oh, it's you, Bramante!"

"Do you come out every night, Bodoni?"

"Only for the air."

"So? I prefer the rockets myself," said old Bramante. "I was a boy when they started. Eighty years ago, and I've never been on one yet."

"I will ride up in one someday," said Bodoni.

"Fool!" cried Bramante. "You'll never go. This is a rich man's world." He shook his gray head, remembering. "When I was young they wrote it in fiery letters: THE WORLD OF THE FUTURE! Science, Comfort, and New Things for All! Ha! Eighty years. The Future becomes Now! Do we fly rockets'? No! We live in shacks like our ancestors before us."

"Perhaps my sons -" said Bodoni.

"No, nor their sons!" the old man shouted. "It's the rich who have dreams and rockets!"

Bodoni hesitated. "Old man, I've saved three thousand dollars. It took me six years to save it. For my business, to invest in machinery. But every night for a month now I've been awake. I hear the rockets. I think. And tonight I've made up my mind. One of us will fly to Mars!" His eyes were shining and dark.

"Idiot," snapped Bramante. "How will you choose? Who will go? If you go, your wife will hate you, for you will be just a bit nearer God, in spare. When you tell your amazing trip to her, over the years, won't bitterness gnaw at her?"

"No, no!"

"Yes! And your children? Will their lives be filled with the memory of Papa, who flew to Mars while they stayed here? What a senseless task you will set your boys. They will think of the rocket all their lives. They will lie awake. They will be sick with wanting it. Just as you are sick now. They will want to die if they cannot go. Don't set that goal, I warn you. Let them be content with being poor. Turn their eyes down to their hands and to your junk yard, not up to the stars."

"But -"

"Suppose your wife went? How would you feel, knowing she had seen and you had not? She would become holy. You would think of throwing her in the river. No, Bodoni, buy a new wrecking machine, which you need, and pull your dreams apart with it, and smash them to pieces."

The old man subsided, gazing at the river in which, drowned, images of rockets burned down the sky.

"Good night," said Bodoni.

"Sleep well," said the other.

When the toast jumped from its silver box, Bodoni almost screamed. The night had been sleepless. Among his nervous children, beside his mountainous wife, Bodoni had twisted and stared at nothing. Bramante was right. Better to invest the money. Why save it when only one of the family could ride the rocket, while the others remained to melt in frustration?

"Fiorello, eat your toast," said his wife, Maria.

"My throat is shriveled," said Bodoni.

The children rushed in, the three boys fighting over a toy rocket, the two girls carrying dolls which duplicated the inhabitants of Mars, Venus, and Neptune, green mannequins with three yellow eyes and twelve fingers.

"I saw the Venus rocket!" cried Paolo.

"It took off, whoosh!" hissed Antonello.

"Children!" shouted Bodoni, hands to his ears.

They stared at him. He seldom shouted.

Bodoni arose. "Listen, all of you," he said. "I have enough money to take one of us on the Mars rocket."

Everyone yelled.

"You understand?" he asked. "Only one of us. Who?"

"Me, me, me!" cried the children.

"You," said Maria.

"You," said Bodoni to her.

They all fell silent.

The children reconsidered. "Let Lorenzo go - he's oldest."

"Let Miriamne go - she's a girl!"

"Think what you would see," said Bodoni's wife to him. But her eyes were strange. Her voice shook. "The meteors, like fish. The universe. The Moon. Someone should go who could tell it well on returning. You have a way with words."

"Nonsense. So have you," he objected.

Everyone trembled.

"Here," said Bodoni unhappily. From a broom he broke straws of various lengths. "The short straw wins." He held out his tight fist. "Choose."

Solemnly each took his turn.

"Long straw."

"Long straw."

Another.

"Long straw."

The children finished. The room was quiet. Two straws remained. Bodoni felt his heart ache in him.

"Now," he whispered. "Maria."

She drew.

"The short straw," she said.

"Ah," sighed Lorenzo, half happy, half sad. "Mama goes to Mars."

Bodoni tried to smile. "Congratulations. I will buy your ticket today."

"Wait, Fiorello -"

"You can leave next week," he murmured.

She saw the sad eyes of her children upon her, with the smiles beneath their straight, large noses. She returned the straw slowly to her husband. "I cannot go to Mars."

"But why not?"

"I will be busy with another child."

"What!"

She would not look at him. "It wouldn't do for me to travel in my condition."

He took her elbow. "Is this the truth?"

"Draw again. Start over."

"Why didn't you tell me before?" he said incredulously.

"I didn't remember."

"Maria, Maria," he whispered, patting her face. He turned to the children. "Draw again."

Paolo immediately drew the short straw.

"I go to Mars!" He danced wildly. "Thank you, Father!"

The other children edged away. "That's swell, Paolo."

Paolo stopped smiling to examine his parents and his brothers and sisters. "I can go, can't I?" he asked uncertainly.

"Yes."

"And you'll like me when I come back?"

"Of course."

Paolo studied the precious broomstraw on his trembling hand and shook his head. He threw it away. "I forgot. School starts. I can't go. Draw again."

But none would draw. A full sadness lay on them.

"None of us will go," said Lorenzo.

"That's best," said Maria.

"Bramante was right," said Bodoni.

With his breakfast curdled within him, Fiorello Bodoni worked in his junk yard, ripping metal, melting it, pouring out usable ingots. His equipment flaked apart; competition had kept him on the insane edge of poverty for twenty years. It was a very bad morning.

In the afternoon a man entered the junk yard and called up to Bodoni on his wrecking machine. "Hey, Bodoni, I got some metal for you!"

"What is it, Mr. Mathews?" asked Bodoni, listlessly.

"A rocket ship. What's wrong? Don't you want it?"

"Yes, yes!" He seized the man's arm, and stopped, bewildered.

"Of course," said Mathews, "it's only a mockup. You know. When they plan a rocket they build a full-scale model first, of aluminum. You might make a small profit boiling her down. Let you have her for two thousand -"

Bodoni dropped his hand. "I haven't the money."

"Sorry. Thought I'd help you. Last time we talked you said how everyone outbid you on junk. Thought I'd slip this to you on the q.t. Well -"

"I need new equipment. I saved money for that."

"I understand."

"If I bought your rocket, I wouldn't even be able to melt it down. My aluminum furnace broke down last week -"

"Sure."

"I couldn't possibly use the rocket if I bought it from you."

"I know."

Bodoni hunked and shut his eyes. He opened them and looked at Mr. Mathews. "But I am a great fool. I will take my money from the bank and give it to you."

"But if you can't melt the rocket down -"

"Deliver it," said Bodoni.

"All right, if you say so. Tonight?"

"Tonight," said Bodoni, "would be fine. Yes, I would like to have a rocket ship tonight."


...

There was a moon. The rocket was white and big in the junk yard. It held the whiteness of the moon and the blueness of the stars. Bodoni looked at it and loved all of it. He wanted to pet it and lie against it, pressing it with his cheek, telling it all the secret wants of his heart.

He stared up at it. "You are all mine," he said. "Even if you never move or spit fire, and just sit there and rust for fifty years, you are mine."

The rocket smelled of time and distance. It was like walking into a clock. It was finished with Swiss delicacy. One might wear it on one's watch fob. "I might even sleep here tonight," Bodoni whispered excitedly.

He sat in the pilot's seat.

He touched a lever.

He hummed in his shut mouth, his eyes closed.

The humming grew louder, louder, higher, higher, wilder, stranger, more exhilarating, trembling in him and leaning him forward and pulling him and the ship in a roaring silence and in a kind of metal screaming, while his fists flew over the controls, and his shut eyes quivered, and the sound grew and grew until it was a fire, a strength, a lifting and a pushing of power that threatened to tear him in half. He gasped. He hummed again and again, and did not stop, for it could not be stopped, it could only go on, his eyes tighter, his heart furious. "Taking off!" he screamed. The jolting concussion! The thunder! "The Moon!" he cried, eyes blind, tight. "The meteors!" The silent rush in volcanic light. "Mars. Oh, God, Mars! Mars!"

He fell back, exhausted and panting. His shaking hands came loose of the controls and his head tilted back wildly. He sat for a long time, breathing out and in, his heart slowing.

Slowly, slowly, he opened his eyes.

The junk yard was still there.

He sat motionless. He looked at the heaped piles of metal for a minute, his eyes never leaving them. Then, leaping up, he kicked the levers. "Take off, damn you!"

The ship was silent.

"I'll show you!" he cried.

Out in the night air, stumbling, he started the fierce motor of his terrible wrecking machine and advanced upon the rocket. He maneuvered the massive weights into the moonlit sky. He readied his trembling hands to plunge the weights, to smash, to rip apart this insolently false dream, this silly thing for which he had paid his money, which would not move, which would not do his bidding. "I'll teach you!" he shouted.

But his hand stayed.

The silver rocket lay in the light of the moon. And beyond the rocket stood the yellow lights of his home, a block away, burning warmly. He heard the family radio playing some distant music. He sat for half an hour considering the rocket and the house lights, and his eyes narrowed and grew wide. He stepped down from the wrecking machine and began to walk, and as he walked he began to laugh, and when he reached the back door of his house he took a deep breath and called, "Maria, Maria, start packing. We're going to Mars!"

"Oh!"

"Ah!"

"I can't believe it!"

"You will, you will."

The children balanced in the windy yard, under the glowing rocket, not touching it yet. They started to cry.

Maria looked at her husband. "What have you done?" she said. "Taken our money for this? It will never fly."

"It will fly," he said, looking at it.

"Rocket ships cost millions. Have you millions?"

"It will fly," he repeated steadily. "Now, go to the house, all of you. I have phone calls to make, work to do. Tomorrow we leave! Tell no one, understand? It is a secret."

The children edged off from the rocket, stumbling. He saw their small, feverish faces in the house windows, far away.

Maria had not moved. "You have ruined us," she said. "Our money used for this - this thing. When it should have been spent on equipment."

"You will see," he said.

Without a word she turned away.

"God help me," he whispered, and started to work.

Through the midnight hours trucks arrived, packages were delivered, and Bodoni, smiling, exhausted his bank account. With blowtorch and metal stripping he assaulted the rocket, added, took away, worked fiery magics and secret insults upon it. He bolted nine ancient automobile motors into the rocket's empty engine room. Then he welded the engine room shut, so none could see his hidden labor.

At dawn he entered the kitchen. "Maria," he said, "I'm ready for breakfast."

She would not speak to him.


...

At sunset he called to the children. "We're ready! Come on!" The house was silent.

"I've locked them in the closet," said Maria.

"What do you mean?" he demanded.

"You'll be killed in that rocket," she said. "What kind of rocket can you buy for two thousand dollars? A bad one!"

"Listen to me, Maria."

"It will blow up. Anyway, you are no pilot."

"Nevertheless, I can fly this ship. I have fixed it."

"You have gone mad," she said.

"Where is the key to the closet?"

"I have it here."

He put out his hand. "Give it to me."

She banded it to him. "You will kill them."

"No, no."

"Yes, you will. I feel it."

He stood before her. "You won't come along?"

"I'll stay here," she said.

"You will understand; you will see then," he said, and smiled. He unlocked the closet. "Come, children. Follow your father."

"Good-bye, good-bye, Mama!"

She stayed in the kitchen window, looking out at them, very straight and silent.

At the door of the rocket the father said, "Children, we will be gone a week. You must come back to school, and I to my business." He took each of their hands in turn. "Listen. This rocket is very old and will fly only one more journey. It will not fly again. This will be the one trip of your life. Keep your eyes wide."

"Yes, Papa."

"Listen, keep your ears clean. Smell the smells of a rocket. Feel. Remember. So when you return you will talk of it all the rest of your lives."

"Yes, Papa."

The ship was quiet as a stopped clock. The airlock hissed shut behind them. He strapped them all, like tiny mummies, into rubber hammocks. "Ready?" he called.

"Ready!" all replied.

"Take-off!" He jerked ten switches. The rocket thundered and leaped. The children danced in their hammocks, screaming.

"Here comes the Moon!"

The moon dreamed by. Meteors broke into fireworks. Time flowed away in a serpentine of gas. The children shouted. Released from their hammocks, hours later, they peered from the ports. "There's Earth!" "There's Mars!"

The rocket dropped pink petals of fire while the hour dials spun; the child eyes dropped shut. At last they hung like drunken moths in their cocoon hammocks.

"Good," whispered Bodoni, alone.

He tiptoed from the control room to stand for a long moment, fearful, at the airlock door.

He pressed a button. The airlock door swung wide. He stepped out. Into space? Into inky tides of meteor and gaseous torch? Into swift mileages and infinite dimensions?

No. Bodoni smiled.

All about the quivering rocket lay the junk yard. Rusting, unchanged, there stood the padlocked junk-yard gate, the little silent house by the river, the kitchen window lighted, and the river going down to the same sea. And in the center of the junk yard, manufacturing a magic dream, lay the quivering, purring rocket. Shaking and roaring, bouncing the netted children like flies in a web.

Maria stood in the kitchen window.

He waved to her and smiled.

He could not see if she waved or not. A small wave, perhaps. A small smile.

The sun was rising.

Bodoni withdrew hastily into the rocket. Silence. All still slept. He breathed easily. Tying himself into a hammock, he closed his eyes. To himself he prayed. Oh, let nothing happen to the illusion in the next six days. Let all of space come and go, and red Mars come up under our ship, and the moons of Mars, and let there be no flaws in the color film. Let there be three dimensions; let nothing go wrong with the hidden mirrors and screens that mold the fine illusion. Let time pass without crisis.

He awoke.

Red Mars floated near the rocket.

"Papa!" The children thrashed to be free.

Bodoni looked and saw red Mars and it was good and there was no flaw in it and he was very happy.

At sunset on the seventh day the rocket stopped shuddering.

"We are home," said Bodoni.

They walked across the junk yard from the open door of the rocket, their blood singing, their faces glowing.

"I have ham and eggs for all or you," said Maria, at the kitchen door.

"Mama, Mama, you should have come, to see it, to see Mars, Mama, and meteors, and everything!"

"Yes," she said.

At bedtime the children gathered before Bodoni. "We want to thank you, Papa."

"It was nothing."

"We will remember it for always, Papa. We will never forget."


...

Very late in the night Bodoni opened his eyes. He sensed that his wife was lying beside him, watching him. She did not move for a very long time, and then suddenly she kissed his cheeks and his forehead. "What's this?" he cried.

"You're the best father in the world," she whispered.

"Why?"

"Now I see," she said. "I understand."

She lay back and closed her eyes, holding his hand. "Is it a very lovely journey?" she asked.

"Yes," he said.

"Perhaps," she said, "perhaps, some night, you might take me on just a little trip, do you think?"

"Just a little one, perhaps," he said.

"Thank you," she said. "Good night."

"Good night," said Fiorello Bodoni.

Some Thoughts

Today, I get curious glances from the youth that often ask me “why did you want to go into space?”. To them, it is dull and uninteresting. It is the realm of satellites to measure global warming. To them, it is a racist and bigoted environment that favored “white people”. To them, is is a big void that holds nothing of interest.

But they are wrong.

The future of mankind lies in space.

This story, and others, amply the describe the strong yearning that I had for space exploration, science and solving the mysteries of the universe. I didn’t want “someday” to go into space. No. Every single fiber of my body screamed the need. I could live, sleep or do anything without thinking of space, and the huge rockets that would someday carry me there.

No. Today it is a different time with different role models. I grew up in a world where Ronald Reagan was president. Today, children grow up in a world where Barrack Obama is president.

Obama on a bike
The presidents change with the culture. While I grew up and graduated (and entered MAJestic) under President Reagan, the youth of today have different role models to follow. Instead they follow President Obama as a role model. Everyone wants to be a Social Justice Warrior and correct the illusions that seem to hurt everyone’s feelings.

So it should be no surprise that an anarchism like myself would be misunderstood.

Conclusion

This story fed my dreams when I was a young boy. Sometime in my early teens in the 1970’s I first read this story. I am sure that I read it in one complete sitting. Perhaps it was on my bed with my cat Sedwick, or chilling in my tree-house next to the kitchen. In any event, I completely loved the story, and every few years or so, I crack up the story and read it again.

Ray Bradberry 2
Perhaps one day, my sons will ride off into space. Perhaps. One day.

This story meant a lot to me, and still does. I sincerely, hope that you, the reader, have derived as much pleasure from it as I have.

Take Aways

  • This story is about a father providing an experience for his children so that they can realize that it is possible to obtain their dreams.
  • No one wants to hear that something is impossible or beyond their ability.
  • Subsisting is not living.
  • Humans are creatures that must grow and advance.

FAQ

Q: Did you study about Ray Bradbury in school?
A: No. Instead I took hard science courses, language classes including Latin, and mathematics. My goal and dream was to become a spaceman. I wanted to be a Rocket Jockey. I had friends in university that took classes in English and Literature that studied Bradbury. I could not. I had a very heavy class load.

So, for recreation, around 12:00 midnight or later, after I would finish up my homework, I would read short stories in bed for a spell so that I could decompress and fall asleep.

Q: What significance does this story hold?
A: It depends on who reads it. People take different meanings from different experiences. For instance, my sister thought Robert Heinlein was a pompous chauvinist. However, I liked to read his stories. My mother thought that while it was good that I was reading, I should have instead read the “classics” and become a more rounded person. While I did actually read many “classics”, it was the stories of science fiction and prose that influenced me substantially.

Posts Regarding Life and Contentment

Here are some other similar posts on this venue. If you enjoyed this post, you might like these posts as well. These posts tend to discuss growing up in America. Often, I like to compare my life in America with the society within communist China. As there are some really stark differences between the two.

Tomatos

Mad scientist

Gorilla Cage in the basement

Pleasures

Work in the 1960's

School in the 1970s

Cat Heaven

Corporate life

Corporate life - part 2

Build up your life

Grow and play - 1

Grow and play - 2

Asshole

Baby's got back

More Posts about Life

I have broken apart some other posts. They can best be classified about ones actions as they contribute to happiness and life. They are a little different, in subtle ways.

Being older

Civil War

Travel

PT-141

Bronco Billy

r/K selection theory

How they get away with it

Line in the sand

A second passport

Paper Airplanes

Snopes

Taxiation without representation.

Stories that Inspired Me

Here are reprints in full text of stories that inspired me, but that are nearly impossible to find in China. I place them here as sort of a personal library that I can use for inspiration. The reader is welcome to come and enjoy a read or two as well.

Articles & Links

  • You can start reading the articles by going HERE.
  • You can visit the Index Page HERE to explore by article subject.
  • You can also ask the author some questions. You can go HERE to find out how to go about this.
  • You can find out more about the author HERE.
  • If you have concerns or complaints, you can go HERE.
  • If you want to make a donation, you can go HERE.

Notes

  1. Composed 27SEP18.
  2. Completed 27SEP18.
  3. SEO review 27SEp18.
  4. Published 27SEp18.

The Fog Horn (Full Text) By Ray Bradbury

The Fog Horn” is a 1951 science fiction short story by American writer Ray Bradbury, the first in his collection The Golden Apples of the Sun. The story was the basis for the 1953 film The Beast from 20,000 Fathoms.

This story was written by Ray Bradbury, and presented here under Article 22 of China’s Copyright Law. Ray Bradbury is one of my personal heroes and his writings greatly influenced me in ways that I am only just now beginning to understand.

When Ray started out, the field of science fiction lacked respectability, to say the least. It was the province of the pulps: magazines printed on cheap paper, with lurid covers designed to catch the attention of immature boys. 

He was often dismissed, if not outright ridiculed, by mainstream writers, but quickly learned to ignore his critics. If they didn’t think rockets and dinosaurs were suitable subjects for literature, to hell with them. 

Ray loved that stuff, along with Martians and witches and things that go bump in the night, so that’s what he wrote about. His unique imagination was harnessed within vivid, lyrical prose, and after the publication of The Martian Chronicles in 1950, the literary elite were forced to acknowledge a striking new talent.

As Ray’s stories became more widely published and read, they fueled the imaginations of millions of young people over several generations, many of whom went on to cite his influence as a major reason they became scientists and engineers. 

His stories practically shouted that it wasn’t just okay to dream of rockets and space travel, it was wonderful, mythic, imperative—the highest accomplishment the human race could aspire to.

-The Space Review's tribute to Ray Bradbury

Introduction

“There was this fence where we pressed our faces and felt the wind turn warm and held to the fence and forgot who we were or where we came from but dreamed of who we might be and where we might go…”

R is for Rocket

Ray Bradbury

For years I had amassed a well worn, and dusty collection of Ray Bradbury paperbacks that I would pick up and read for pleasure and inspiration.  Later, when I left the United States, and moved to China, I had to leave my treasured books behind. Sigh.

Ray Bradberry book colleciton
A small collection of well worn, well read and well appreciated Ray Bradbury books. My collection looked a little something like this, only I think the books were a little more worn, and a little yellower.

It is very difficult to come across Ray Bradbury books in China. When ever I find one, I certainly snatch it up. Cost is no object when it comes to these masterpieces. At one time, I must have had five books containing this story.

I have found this version of the story “The Fog Horn” on the Ray Bradbury.RU  website (in Russian; Рассказ Рэя Брэдбери), and I have copied it here exactly as found. Credit to the wonderful people at the Ray Bradbury Library for posting it where a smuck like myself can read it within China. And, of course, credit to the great master; Ray Bradbury for providing this work of art for our inspiration and pleasure.

Full Text

Here is the full text of the masterpiece. I will let the reader read it and enjoy it.

The Fog Horn

By Ray Bradbury

Out there in the cold water, far from land, we waited every night for the coming of the fog, and it came, and we oiled the brass machinery and lit the fog light up in the stone tower. Feeling like two birds in the gray sky, McDunn and I sent the light touching out, red, then white, then red again, to eye the lonely ships. And if they did not see our light, then there was always our Voice, the great deep cry of our Fog Horn shuddering through the rags of mist to startle the gulls away like decks of scattered cards and make the waves turn high and foam.

"It's a lonely life, but you're used to it now, aren't you?" asked McDunn.

"Yes," I said. "You're a good talker, thank the Lord."

"Well, it's your turn on land tomorrow," he said, smiling, "to dance the ladies and drink gin."

"What do you think, McDunn, when I leave you out here alone?"

"On the mysteries of the sea." McDunn lit his pipe. It was a quarter past seven of a cold November evening, the heat on, the light switching its tail in two hundred directions, the Fog Horn bumbling in the high throat of the tower. There wasn't a town for a hundred miles down the coast, just a road which came lonely through dead country to the sea, with few cars on it, a stretch of two miles of cold water out to our rock, and rare few ships.

"The mysteries of the sea' said McDunn thoughtfully. "You know, the ocean's the biggest damned snowflake ever? It rolls and swells a thousand shapes and colours, no two alike. Strange. One night, years ago, I was here alone, when all of the fish of the sea surfaced out there. Something made them swim in and lie in the bay, sort of trembling and staring up at the tower light going red, white, red, white across them so I could see their funny eyes. I fumed cold. They were like a big peacock's tail, moving out there until midnight. Then, without so much as a sound, they slipped away, the million of them was gone. I kind of think maybe, in some sort of way, they came all those miles to worship. Strange. But think how the tower must look to them, standing seventy feet above the water, the God-light flashing out from it, and the tower declaring itself with a monster voice. They never came back, those fish, but don't you think for a while they thought they were in the Presence?"

I shivered. I looked out at the long gray lawn of the sea stretching away into nothing and nowhere.

"Oh, the sea's full." McDunn puffed his pipe nervously, blinking. He had been nervous all day and hadn't said why. "For all our engines and so-called submarines, it'll be ten thousand centuries before we set foot on the real bottom of the sunken lands, in the fairy kingdoms there, and know real terror. Think of it, it's still the year 300,000 Before Christ down under there. While we've paraded around with trumpets, lopping off each other's countries and heads, they have been living beneath the sea twelve miles deep and cold in a time as old as the beard of a comet."

"Yes, it's an old world."

"Come on. I got something special I been saving up to tell you."

We ascended the eighty steps, talking and taking our time. At the top, McDunn switched off the room lights so there'd be no reflection in the plate glass. The great eye of the light was humming, turning easily in its oiled socket. The Fog Horn was blowing steadily, once every fifteen seconds.

"Sounds like an animal, don't it?" McDunn nodded to himself. "A big lonely animal crying in the night. Sitting here on the edge of ten billion years calling out to the Deeps, I'm here, I'm here, I'm here. And the Deeps do answer, yes, they do. You been here now for three months, Johnny, so I better prepare you. About this time of year," he said, studying the murk and fog, "something comes to visit the lighthouse."

"The swarms of fish like you said?"

"No, this is something else. I've put off telling you because you might think I'm daft. But tonight's the latest I can put it off, for if my calendar's marked right from last year, tonight's the night it comes. I won't go into detail, you'll have to see it yourself. Just sit down there. If you want, tomorrow you can pack your duffel and take the motorboat in to land and get your car parked there at the dinghy pier on the cape and drive on back to some little inland town and keep your lights burning nights, I won't question or blame you. It's happened three years now, and this is the only time anyone's been here with me to verify it. You wait and watch."

Half an hour passed with only a few whispers between us. When we grew tired waiting, McDunn began describing some of his ideas to me. He had some theories about the Fog Horn itself.

"One day many years ago a man walked along and stood in the sound of the ocean on a cold sunless shore and said, 'We need a voice to call across the water, to warn ships; I'll make one. I'll make a voice like all of time and all of the fog that ever was; I'll make a voice that is like an empty bed beside you all night long, and like an empty house when you open the door, and like trees in autumn with no leaves. A sound like the birds flying south, crying, and a sound like November wind and the sea on the hard, cold shore. I'll make a sound that's so alone that no one can miss it, that whoever hears it will weep in their souls, and hearths will seem warmer, and being inside will seem better to all who hear it in the distant towns. I'll make me a sound and an apparatus and they'll call it a Fog Horn and whoever bears it will know the sadness of eternity and the briefness of life.'"

The Fog Horn blew.

"I made up that story," said McDunn quietly, "to try to explain why this thing keeps coming back to the lighthouse every year. The Fog Horn calls it, I think, and it comes...."

"But - "I said.

"Sssst!" said McDunn. "There!" He nodded out to the Deeps.

Something was swimming toward the lighthouse tower.

It was a cold night, as I have said; the high tower was cold, the light coming and going, and the Fog Horn calling and calling through the raveling mist. You couldn't see far and you couldn't see plain, but there was the deep sea moving on its way about the night earth, flat and quiet, the colour of gray mud, and here were the two of us alone in the high tower, and there, far out at first, was a ripple, followed by a wave, a rising, a bubble, a bit of froth. And then, from the surface of the cold sea came a head, a large head, dark-coloured, with immense eyes, and then a neck. And then - not a body - but more neck and more! The head rose a full forty feet above the water on a slender and beautiful dark neck. Only then did the body, like a little island of black coral and shells and crayfish, drip up from the subterranean. There was a flicker of tail. In all, from head to tip of tail, I estimated the monster at ninety or a hundred feet.

I don't know what I said. I said something.

"Steady, boy, steady," whispered McDunn.

"It's impossible! "I said.

"No, Johnny, we're impossible. It's like it always was ten million years ago. It hasn't changed. It's us and the land that've changed, become impossible. Us!"

It swam slowly and with a great dark majesty out in the icy waters, far away. The fog came and went about it, momentarily erasing its shape. One of the monster eyes caught and held and flashed back our immense light, red, white, red, white, like a disk held high and sending a message in primeval code. It was as silent as the fog through which it swam.

"It's a dinosaur of some sort!" I crouched down, holding to the stair rail.

"Yes, one of the tribe."

"But they died out!"

"No, only hid away in the Deeps. Deep, deep down in the deepest Deeps. Isn't that a word now, Johnny, a real word, it says so much: the Deeps. There's all the coldness and darkness and deepness in a word like that."

"What'll we do?"

"Do? We got our job, we can't leave. Besides, we're safer here than in any boat trying to get to land. That thing's as big as a destroyer and almost as swift."

"But here, why does it come here?"

The next moment I had my answer.

The Fog Horn blew.

And the monster answered.

A cry came across a million years of water and mist. A cry so anguished and alone that it shuddered in my head and my body. The monster cried out at the tower. The Fog Horn blew. The monster roared again. The Fog Horn blew. The monster opened its great toothed mouth and the sound that came from it was the sound of the Fog Horn itself. Lonely and vast and far away. The sound of isolation, a viewless sea, a cold night, apartness. That was the sound.

"Now," whispered McDunn, "do you know why it comes here?"

I nodded.

"All year long, Johnny, that poor monster there lying far out, a thousand miles at sea, and twenty miles deep maybe, biding its tune, perhaps it's a million years old, this one creature. Think of it, waiting a million years; could you wait that long? Maybe it's the last of its kind. I sort of think that's true. Anyway, here come men on land and build this lighthouse, five years ago. And set up their Fog Horn and sound it and sound it out toward the place where you bury yourself in sleep and sea memories of a world where there were thousands like yourself, but now you're alone, all alone in a world not made for you, a world where you have to hide.

"But the sound of the Fog Horn comes and goes, comes and goes, and you stir from the muddy bottom of the Deeps, and your eyes open like the lenses of two-foot cameras and you move, slow, slow, for you have the ocean sea on your shoulders, heavy. But that Fog Horn comes through a thousand miles of water, faint and familiar, and the furnace in your belly stokes up, and you begin to rise, slow, slow. You feed yourself on great slakes of cod and minnow, on rivers of jellyfish, and you rise slow through the autumn months, through September when the fogs started, through October with more fog and the horn still calling you on, and then, late in November, after pressurizing yourself day by day, a few feet higher every hour, you are near the surface and still alive. You've got to go slow; if you surfaced all at once you'd explode. So it takes you all of three months to surface, and then a number of days to swim through the cold waters to the lighthouse. And there you are, out there, in the night, Johnny, the biggest damn monster in creation. And here's the lighthouse calling to you, with a long neck like your neck sticking way up out of the water, and a body like your body, and, most important of all, a voice like your voice. Do you understand now, Johnny, do you understand?"

The Fog Horn blew.

The monster answered.

I saw it all, I knew it all - the million years of waiting alone, for someone to come back who never came back. The million years of isolation at the bottom of the sea, the insanity of time there, while the skies cleared of reptile-birds, the swamps dried on the continental lands, the sloths and saber-tooths had their day and sank in tar pits, and men ran like white ants upon the hills.

The Fog Horn blew.

"Last year," said McDunn, "that creature swam round and round, round and round, all night. Not coming too near, puzzled, I'd say. Afraid, maybe. And a bit angry after coming all this way. But the next day, unexpectedly, the fog lifted, the sun came out fresh, the sky was as blue as a painting. And the monster swam off away from the heat and the silence and didn't come back. I suppose it's been brooding on it for a year now, thinking it over from every which way."

The monster was only a hundred yards off now, it and the Fog Horn crying at each other. As the lights bit them, the monster's eyes were fire and ice, fire and ice.

"That's life for you," said McDunn. "Someone always waiting for someone who never comes home. Always someone loving some thing more than that thing loves them. And after a while you want to destroy whatever that thing is, so it can't hurt you no more."

The monster was rushing at the lighthouse.

The Fog Horn blew.

"Let's see what happens," said McDunn.

He switched the Fog Horn off.

The ensuing minute of silence was so intense that we could hear our hearts pounding in the glassed area of the tower, could hear the slow greased turn of the light.

The monster stopped and froze. Its great lantern eyes blinked. Its mouth gaped. It gave a sort of rumble, like a volcano. It twitched its head this way and that, as if to seek the sounds now dwindled off into the fog. It peered at the lighthouse. It rumbled again. Then its eyes caught fire. It reared up, threshed the water, and rushed at the tower, its eyes filled with angry torment.

"McDunn!" I cried. "Switch on the horn!"

McDunn fumbled with the switch. But even as he flicked it on, the monster was rearing up. I had a glimpse of its gigantic paws, fishskin glittering in webs between the fingerlike projections, clawing at the tower. The huge eye on the right side of its anguished head glittered before me like a caldron into which I might drop, screaming. The tower shook. The Fog Horn cried; the monster cried. It seized the tower and gnashed at the glass, which shattered in upon us.

McDunn seized my arm. "Downstairs!"

The tower rocked, trembled, and started to give. The Fog Horn and the monster roared. We stumbled and half fell down the stairs. "Quick!"

We reached the bottom as the tower buckled down toward us. We ducked under the stairs into the small stone cellar. There were a thousand concussions as the rocks rained down; the Fog Horn stopped abruptly. The monster crashed upon the tower. The tower fell. We knelt together, McDunn and I, holding tight, while our world exploded.

Then it was over, and there was nothing but darkness and the wash of the sea on the raw stones.

That and the other sound.

"Listen," said McDunn quietly. "Listen."

We waited a moment. And then I began to hear it. First a great vacuumed sucking of air, and then the lament, the bewilderment, the loneliness of the great monster, folded over and upon us, above us, so that the sickening reek of its body filled the air, a stone's thickness away from our cellar. The monster gasped and cried. The tower was gone. The light was gone. The thing that had called to it across a million years was gone. And the monster was opening its mouth and sending out great sounds. The sounds of a Fog Horn, again and again. And ships far at sea, not finding the light, not seeing anything, but passing and hearing late that night, must've thought: There it is, the lonely sound, the Lonesome Bay horn. All's well. We've rounded the cape.

And so it went for the rest of that night.

The sun was hot and yellow the next afternoon when the rescuers came out to dig us from our stoned-under cellar.

"It fell apart, is all," said Mr. McDunn gravely. "We had a few bad knocks from the waves and it just crumbled." He pinched my arm.

There was nothing to see. The ocean was calm, the sky blue. The only thing was a great algaic stink from the green matter that covered the fallen tower stones and the shore rocks. Flies buzzed about. The ocean washed empty on the shore.

The next year they built a new lighthouse, but by that time I had a job in the little town and a wife and a good small warm house that glowed yellow on autumn nights, the doors locked, the chimney puffing smoke. As for McDunn, he was master of the new lighthouse, built to his own specifications, out of steel-reinforced concrete. "Just in case," he said.

The new lighthouse was ready in November. I drove down alone one evening late and parked my car and looked across the gray waters and listened to the new hom sounding, once, twice, three, four times a minute far out there, by itself.

The monster?

It never came back.

"It's gone away," said McDunn. "It's gone back to the Deeps. It's learned you can't love anything too much in this world. It's gone into the deepest Deeps to wait another million years. Ah, the poor thing! Waiting out there, and waiting out there, while man comes and goes on this pitiful little planet. Waiting and waiting."

I sat in my car, listening. I couldn't see the lighthouse or the light standing out in Lonesome Bay. I could only hear the Horn, the Horn, the Horn. It sounded like the monster calling.

I sat there wishing there was something I could say.

Conclusions

I spent much of my childhood being inspired by science fiction works. My favorite authors included Ray Bradberry and Robert Heinlein. The works of Robert Heinlein suited my juvenile belief structures at the time, but Ray Bradberry evoked my emotions.

While I cannot recall when I first encountered this story, I can positively state that my father wanted me to read it. He gave me a collection of Ray Bradberry short stories and told me to read this one in particular. And, so I did. I went into the living room, plopped myself down on the chair (not a lazy-boy) and started reading. I think that I read it non-stop and then went into the kitchen and made a “Dagwood” sandwich, and a big glass of ice-cold milk.

As a young boy I readily consumed every science fiction story that I could get my hands on. I loved reading about spaceships, rockets, strange adventures, time travel and dinosaurs. These were the things that shaped my life. These were the things that made me who I am today.

Take Aways

  • The short story “The Fog Horn” was written by Ray Bradberry.
  • While the story is about the confrontation of a sea beast and a fog horn, it is about much more that that. It is about loneliness and frustration.

FAQ

Q: Why does the sea monster come to the lighthouse?
A: The lighthouse calls to the monster. Somehow it hears the call, and somehow it answers the call. We do not know why it comes forth, nor do we know the motivations of the monster. We can only guess.

Q: What appeal does this story have for the reader?
A: Everyone has experienced loneliness. Everyone has experienced frustration and rejection. Thus, everyone can find compassion and understanding in the emotions of the sea monster.

Q: What makes this story so different from the Godzilla monster movies of the 1960’s?
A: Godzilla, and other monster stories, while they would often have a back-story to explain what they were doing and why, they typically did not explore the emotional aspects of the creature. This story does.  In comparison, instead of being a story about destruction of Tokyo or the collapse of a light-house, this story is one of raw emotion. It is a story that haunts.

Posts Regarding Life and Contentment

Here are some other similar posts on this venue. If you enjoyed this post, you might like these posts as well. These posts tend to discuss growing up in America. Often, I like to compare my life in America with the society within communist China. As there are some really stark differences between the two.

Tomatos

Mad scientist

Gorilla Cage in the basement

Pleasures

Work in the 1960's

School in the 1970s

Cat Heaven

Corporate life

Corporate life - part 2

Build up your life

Grow and play - 1

Grow and play - 2

Asshole

Baby's got back

More Posts about Life

I have broken apart some other posts. They can best be classified about ones actions as they contribute to happiness and life. They are a little different, in subtle ways.

Being older

Civil War

Travel

PT-141

Bronco Billy

r/K selection theory

How they get away with it

Line in the sand

A second passport

Paper Airplanes

Snopes

Taxiation without representation.

Stories that Inspired Me

Here are reprints in full text of stories that inspired me, but that are nearly impossible to find in China. I place them here as sort of a personal library that I can use for inspiration. The reader is welcome to come and enjoy a read or two as well.

Articles & Links

  • You can start reading the articles by going HERE.
  • You can visit the Index Page HERE to explore by article subject.
  • You can also ask the author some questions. You can go HERE to find out how to go about this.
  • You can find out more about the author HERE.
  • If you have concerns or complaints, you can go HERE.
  • If you want to make a donation, you can go HERE.

Notes

  1. Composed 27SEP18.
  2. Completed 27SEP18.
  3. SEO completed 27SEp18

The Long Rain (Full Text) – Ray Bradbury

The Long Rain” is a short story by science fiction author Ray Bradbury. This story was originally published in 1950 as “Death-by-Rain” in the magazine Planet Stories, and then in the collection The Illustrated Man. The story tells of four men who have crashed on a planet where it is always raining. As they try to reach the safety of the Sun Domes, they end up being driven insane by the endless rains.

The story was republished in several collections and was incorporated into a film also titled The Illustrated Man.

This story was written by Ray Bradbury, and presented here under Article 22 of China’s Copyright Law. Ray Bradbury is one of my personal heroes and his writings greatly influenced me in ways that I am only just now beginning to understand.

When Ray started out, the field of science fiction lacked respectability, to say the least. It was the province of the pulps: magazines printed on cheap paper, with lurid covers designed to catch the attention of immature boys. 

He was often dismissed, if not outright ridiculed, by mainstream writers, but quickly learned to ignore his critics. If they didn’t think rockets and dinosaurs were suitable subjects for literature, to hell with them. 

Ray loved that stuff, along with Martians and witches and things that go bump in the night, so that’s what he wrote about. His unique imagination was harnessed within vivid, lyrical prose, and after the publication of The Martian Chronicles in 1950, the literary elite were forced to acknowledge a striking new talent.

As Ray’s stories became more widely published and read, they fueled the imaginations of millions of young people over several generations, many of whom went on to cite his influence as a major reason they became scientists and engineers. 

His stories practically shouted that it wasn’t just okay to dream of rockets and space travel, it was wonderful, mythic, imperative—the highest accomplishment the human race could aspire to.

-The Space Review's tribute to Ray Bradbury
Ray Bradberry 1
An artistic rendering of the sun dome in the distance. Venus in this story, is a planet of continuous rain, dark and deep clouds, and lightening storms. Humans have tried to colonize Venus, but they can only do so in safe enclosures called “sun domes”. There, they survive and live safe against the rainy onslaught of torrential and never-ending water.

Introduction

“There was this fence where we pressed our faces and felt the wind turn warm and held to the fence and forgot who we were or where we came from but dreamed of who we might be and where we might go…”

R is for Rocket

Ray Bradbury

For years I had amassed a well worn, and dusty collection of Ray Bradbury paperbacks that I would pick up and read for pleasure and inspiration.  Later, when I left the United States, and moved to China, I had to leave my treasured books behind. Sigh.

Ray Bradberry book colleciton
A small collection of well worn, well read and well appreciated Ray Bradbury books. My collection looked a little something like this, only I think the books were a little more worn, and a little yellower.

It is very difficult to come across Ray Bradbury books in China. When ever I find one, I certainly snatch it up. Cost is no object when it comes to these masterpieces. At one time, I must have had five books containing this story.

As an side, I would sometimes help Chinese students with their English. At times, I would "assign" them a book to read. One student bought the book, and waited two full months before it arrived, and the first story that he read was this one; "The Long Rain".
When I asked him to describe what it was like, he was all over himself trying to describe an impossible world; a wet world where everything you do was soaked and wet. It was a world where you had to trudge through water, currents, mud and bog to find this elusive sun dome. To this day, years later, he still talks about this story.

I have found this version of the story “The Long Rain” on the wiki.spaces website in PDF format, and I have copied it here exactly as found. Credit to the wonderful people at the Ray Bradbury Library for posting it where a smuck like myself can read it within China. And, of course, credit to the great master; Ray Bradbury for providing this work of art for our inspiration and pleasure.

Full Text

Here is the full text of the masterpiece. I will let the reader read it and enjoy it.

The Long Rain

Ray Bradbury

THE rain continued. It was a hard rain, a perpetual rain, a sweating and steaming rain; it was a mizzle, a downpour, a fountain, a whipping at the eyes, an undertow at the ankles; it was a rain to drown all rains and the memory of rains. It came by the pound and the ton, it hacked at the jungle and cut the trees like scissors and shaved the grass and tunneled the soil and molted the bushes. It shrank men’s hands into the hands of wrinkled apes; it rained a solid glassy rain, and it never stopped.

“How much farther, Lieutenant?”

“I don’t know. A mile, ten miles, a thousand.” “Aren’t you sure?”

“How can I be sure?”

“I don’t like this rain. If we only knew how far it is to the Sun Dome, I’d feel better.” “Another hour or two from here.”

“You really think so, Lieutenant?” “Of course.”

“Or are you lying to keep us happy?” “I’m lying to keep you happy. Shut up!”

The two men sat together in the rain. Behind them sat two other men who were wet and tired and slumped like clay that was melting. The lieutenant looked up. He had a face that once had been brown and now the rain had washed it pale, and the rain had washed the color from his eyes and they were white, as were his teeth, and as was his hair. He was all white. Even his uniform was beginning to turn white, and perhaps a little green with fungus.

“Don’t be crazy,” said one of the two other men. “It never stops raining on Venus. It just goes on and on. I’ve lived here for ten years and I never saw a minute, or even a second, when it wasn’t pouring.”

“It’s like living under water,” said the lieutenant, and rose up, shrugging his guns into place. “Well, we’d better get going. We’ll find that Sun Dome yet.”

“Or we won’t find it,” said the cynic. “It’s an hour or so.”

“Now you’re lying to me, Lieutenant.”

“No, now I’m lying to myself. This is one of those times when you’ve got to lie. I can’t take much more of this.”

They walked down the jungle trail, now and then looking at their compasses. There was no direction anywhere, only what the compass said. There was a gray sky and rain falling and jungle and a path, and, far back behind them somewhere, a rocket in which they had ridden and fallen. A rocket in which lay two of their friends, dead and dripping rain.

They walked in single file, not speaking. They came to a river which lay wide and flat and brown, flowing down to the great Single Sea. The surface of it was stippled in a billion places by the rain.

“All right, Simmons.”

The lieutenant nodded and Simmons took a small packet from his back which, with a pressure of hidden chemical, inflated into a large boat. The lieutenant directed the cutting of wood and the quick making of paddles and they set out into the river, paddling swiftly across the smooth surface in the rain. The lieutenant felt the cold rain on his cheeks and on his neck and on his moving arms. The cold was beginning to seep into his lungs. He felt the rain on his ears, on his eyes, on his legs.

“I didn’t sleep last night,” he said.

“Who could? Who has? When? How many nights have we slept? Thirty nights, thirty days! Who can sleep with rain slamming their head, banging away. . . . I’d give anything for a hat. Anything at all, just so it wouldn’t hit my head any more. I get headaches. My head is sore; it hurts all the time.”

“I’m sorry I came to China,” said one of the others. “First time I ever heard Venus called China.”

“Sure, China. Chinese water cure. Remember the old torture? Rope you against a wall. Drop one drop of water on your head every half-hour. You go crazy waiting for the next one. Well, that’s Venus, but on a big scale. We’re not made for water. You can’t sleep, you can’t breathe right, and you’re crazy from just being soggy. If we’d been ready for a crash, we’d have brought waterproofed uniforms and hats. It’s this beating rain on your head gets you, most of all. It’s so heavy. It’s like BB shot. I don’t know how long I can take it.”

They crossed the river, and in crossing they thought of the Sun Dome, somewhere ahead of them, shining in the jungle rain. A yellow house, round and bright as the sun. A house fifteen feet high by one hundred feet in diameter, in which was warmth and quiet and hot food and freedom from rain. And in the center of the Sun Dome, of course, was a sun. A small floating free globe of yellow fire, drifting in space at the top of the building where you could look at it from where you sat, smoking or reading a book or drinking your hot chocolate crowned with marshmallow dollops. There it would be, the yellow sun, just the size of the Earth sun, and it was warm and continuous, and the rain world of Venus would be forgotten as long as they stayed in that house and idled their time.

The lieutenant turned and looked back at the three men using their oars and gritting their teeth. They were as white as mushrooms, as white as lie was. Venus bleached everything away in a few months. Even the jungle was an immense cartoon nightmare, for how could the jungle be green with no sun,with always rain falling and always dusk? The white, white jungle with the pale cheese-colored leaves, and the earth carved of wet Camembert, and the tree boles like immense toadstools— everything black and white. And how often could you see the soil itself? Wasn’t it mostly a creek, a stream, a puddle, a pool, a lake, a river, and then, at last the sea?

“Here we are!”

They leaped out on the farthest shore, splashing and sending up showers. The boat was deflated and stored in a cigarette packet. Then, standing on the rainy shore, they tried to light up a few smokes for themselves, and it was five minutes or so before, shuddering, they worked the inverted lighter and, cupping their hands, managed a few drags upon cigarettes that all too quickly were limp and beaten away from their lips by a sudden slap of rain. They walked on.

“Wait just a moment,” said the lieutenant. “I thought I saw something ahead.” “The Sun Dome?”

“I’m not sure. The rain closed in again. Simmons began to run. “The Sun Dome!” “Come back, Simmons!”

“The Sun Dome!”

Simmons vanished in the rain. The others ran after him.

They found him in a little clearing, and they stopped and looked at him and what he had discovered. The rocket ship. It was lying where they had left it. Somehow they had circled back and were where they had started. In the ruin of the ship green fungus was growing up out of the mouths of the two dead men. As they watched, the fungus took flower, the petals broke away in the rain, and the fungus died.

“An electrical storm must be nearby. Threw our compasses off. That explains it.” “You’re right.”

“What’ll we do now?” “Start out again.”

“Good lord, we’re not any closer to anywhere!” “Let’s try to keep calm about it, Simmons.” “Calm, calm! This rain’s driving me wild!”

“We’ve enough food for another two days if we’re careful.”

The rain danced on their skin, on their wet uniforms; the rain streamed from their noses and ears, from their fingers and knees. They looked like stone fountains frozen in the jungle, issuing forth water from every pore. And, as they stood, from a distance they heard a roar. And the monster came out of the rain.

The monster was supported upon a thousand electric blue legs. It walked swiftly and terribly. It struck down a leg with a driving blow. Everywhere a leg struck a tree fell and burned. Great whiffs of ozone filled the rainy air, and smoke blew away and was broken up by the rain. The monster was a half mile wide and a mile high and it felt of the ground like a great blind thing. Sometimes, for a moment, it had no legs at all. And then, in an instant, a thousand whips would fall out of its belly, white-blue whips, to sting the jungle.

“There’s the electrical storm,” said one of the men. “There’s the thing ruined our compasses. And it’s coming this way.”

“Lie down, everyone,” said the lieutenant. “Run!” cried Simmons.

“Don’t be a fool. Lie down. It hits the highest points. We may get through unhurt. Lie down about fifty feet from the rocket. It may very well spend its force there and leave us be. Get down!”

The men flopped.

“Is it coming?” they asked each other, after a moment. “Coming.”

“Is it nearer?” “Is it nearer?” “Nearer?” “Here she is!”

The monster came and stood over them. It dropped down ten blue bolts of lightning which struck the rocket. The rocket flashed like a beaten gong and gave off a metal ringing. The monster let down fifteen more bolts which danced about in a ridiculous pantomime, feeling of the jungle and the watery soil.

“No, no!” One of the men jumped up. “Get down, yon fool!” said the lieutenant. “No!”

The lightning struck the rocket another dozen times. The lieutenant turned his head on his arm and saw the blue blazing flashes. He saw trees split and crumple into ruin. He saw the monstrous dark cloud turn like a black disk overhead and hurl down a hundred other poles of electricity.

The man who had leaped up was now running, like someone in a great hall of pillars. He ran and dodged between the pillars and then at last a dozen of the pillars slammed down and there was the sound a fly makes when landing upon the grill wires of an exterminator. The lieutenant remembered this from his childhood on a farm. And there was a smell of a man burned to a cinder.

The lieutenant lowered his head. “Don’t look up,” he told the others. He was afraid that he too might run at any moment.

The storm above them flashed down another series of bolts and then moved on away. Once again there was only the rain, which rapidly cleared the air of the charred smell, and in a moment the three remaining men were sitting and waiting for the beat of their hearts to subside into quiet once more.

They walked over to the body, thinking that perhaps they could still save the man’s life. They couldn’t believe that there wasn’t some way to help the man. It was the natural act of men who have not accepted death until they have touched it and turned it over and made plans to bury it or leave it there for the jungle to bury in an hour of quick growth.

The body was twisted steel, wrapped in burned leather. It looked like a wax dummy that had been thrown into an incinerator and pulled out after the wax had sunk to the charcoal skeleton. Only the teeth were white, and they shone like a strange white bracelet dropped half through a clenched black fist.

“He shouldn’t have jumped up.” They said it almost at the same time.

Even as they stood over the body it began to vanish, for the vegetation was edging in upon it, little vines and ivy and creepers, and even flowers for the dead.

At a distance the storm walked off on blue bolts of lightning and was gone.

They crossed a river and a creek and a stream and a dozen other rivers and creeks and streams. Before their eyes rivers appeared, rushing, new rivers, while old rivers changed their courses—rivers the color of mercury, rivers the color of silver and milk.

The Single Sea. There was only one continent on Venus. This land was three thousand miles long by a thousand miles wide, and about this island was the Single Sea, which covered the entire raining planet.

The Single Sea, which lay upon the pallid shore with little motion . . . “This way.” The lieutenant nodded south. “I’m sure there are two Sun Domes down that way. “While they were at it, why didn’t they build a hundred more?” “There’re a hundred and twenty of them now, aren’t there?”

“One hundred and twenty-six, as of last month. They tried to push a bill through Congress back on Earth a year ago to provide for a couple dozen more, but oh no, you know how that is. They’d rather a few men went crazy with the rain.”

They started south. The lieutenant and Simmons and the third man, Pickard, walked in the rain, in the rain that fell heavily and lightly, heavily and lightly; in the rain that poured and hammered and did not stop falling upon the land and the sea and the walking people.

Simmons saw it first. “There it is!” “There’s what?”

“The Sun Dome!”

The lieutenant blinked the water from his eyes and raised his hands to ward off the stinging blows of the rain. At a distance there was a yellow glow on the edge of the jungle, by the sea. It was, indeed, the Sun Dome.

The men smiled at each other.

“Looks like you were right, Lieutenant.” “Luck.”

“Brother, that puts muscle in me, just seeing it. Come on! Last one there’s a son-of-a-bitch!” Simmons began to trot. The others automatically fell in with this, gasping, tired, but keeping pace.

“A big pot of coffee for me,” panted Simmons, smiling. “And a pan of cinnamon buns, by God! And just lie there and let the old sun hit you. The guy that invented the Sun Domes, he should have got a medal!”

They ran faster. The yellow glow grew brighter.

“Guess a lot of men went crazy before they figured out the cure. Think it’d be obvious!  Right off.” Simmons panted the words in cadence to his running.  “Rain, rain!  Years ago.  Found a friend.  Of

min.  Out in the jungle.  Wandering around.  In the rain.  Saying over and over, ‘Don’t know enough

to come in outta the rain.  Don’t know enough, to come in, outta the rain.  Don’t know enough –‘  on and on.  Like that. Poor crazy bastard.”

“Save your breath!” They ran.

They all laughed. They reached the door of the Sun Dome, laughing.

Simmons yanked the door wide. “Hey!” he yelled. “Bring on the coffee and buns!” There was no reply.

They stepped through the door.

The Sun Dome was empty and dark. There was no synthetic yellow sun floating in a high gaseous whisper at the center of the blue ceiling. There was no food waiting. It was cold as a vault. And through a thousand holes which had been newly punctured in the ceiling water streamed, the rain fell down, soaking into the thick rugs and the heavy modern furniture and splashing on the glass tables. The jungle was growing up like a moss in the room, on top of the bookcases and the divans. The rain slashed through the holes and fell upon the three men’s faces.

Pickard began to laugh quietly. “Shut up, Pickard!”

“Ye gods, look what’s here for us—no food, no sun, nothing. The Venusians—they did it! Of course!”

Simmons nodded, with the rain funneling down on his face. The water ran in his silvered hair and on his white eyebrows. “Every once in a while the Venusians come up out of the sea and attack a Sun Dome. They know if they ruin the Sun Domes they can ruin us.”

“But aren’t the Sun Domes protected with guns?”

“Sure.” Simmons stepped aside to a place that was relatively dry. “But it’s been five years since the Venusians tried anything. Defense relaxes. They caught this Dome unaware.”

“Where are the bodies?”

“The Venusians took them all down into the sea. I hear they have a delightful way of drowning you. It takes about eight hours to drown the way they work it. Really delightful.”

“I bet there isn’t any food here at all.” Pickard laughed.

The lieutenant frowned at him, nodded at him so Simmons could see. Simmons shook his head and went back to a room at one side of the oval chamber. The kitchen was strewn with soggy loaves of bread, and meat that had grown a faint green fur. Rain came through a hundred holes in the kitchen roof.

“Without food, sir?” Simmons snorted. “I notice the sun machine’s torn apart. Our best bet is to make our way to the next Sun Dome. How far is that from here?”

“Not far. As I recall, they built two rather close together here. Perhaps if we waited here, a rescue mission from the other might——”

“It’s probably been here and gone already, some days ago. They’ll send a crew to repair this place in about six months, when they get the money from Congress. I don’t think we’d better wait.”

“All right then, we’ll eat what’s left of our rations and get on to the next Dome.”

Pickard said, “If only the rain wouldn’t hit my head, just for a few minutes. If I could only remember what it’s like not to be bothered.” He put his hands on his skull and held it tight. “I remember when I was in school a bully used to sit in back of me and pinch me and pinch me and pinch me every five minutes, all day long. He did that for weeks and months. My arms were sore and black and blue all the time. And I thought I’d go crazy from being pinched. One day I must have gone a little mad from being hurt and hurt, and I turned around and took a metal trisquare I used in mechanical drawing and I almost killed that bastard. I almost cut his lousy head off. I almost took his eye out before they dragged me out of the room, and I kept yelling, ‘Why don’t he leave me alone? why don’t he leave me alone?’ Brother!” His hands clenched the bone of his head, shaking, tightening, his eyes shut. “But what do I do now? Who do I hit, who do I tell to lay off, stop bothering me, this damn rain, like the pinching, always on you, that’s all you hear, that’s all you feel!”

“We’ll be at the other Sun Dome by four this afternoon.”

“Sun Dome? Look at this one! What if all the Sun Domes on Venus are gone? What then? What if there are holes in all the ceilings, and the rain coming in!”

“We’ll have to chance it.”

“I’m tired of chancing it. All I want is a roof and some quiet. I want to be alone.” “That’s only eight hours off, if you hold on.”

“Let’s eat,” said Simmons, watching him.

They set off down the coast, southward again. After four hours they had to cut inland to go around a river that was a mile wide and so swift it was not navigable by boat. They had to walk inland six miles to a place where the river boiled out of the earth, suddenly, like a mortal wound. In the rain, they walked on solid ground and returned to the sea.

“I’ve got to sleep,” said Pickard at last. He slumped. “Haven’t slept in four weeks. Tried, but couldn’t. Sleep here.”

They lay out full, propping their heads up so the water wouldn’t come to their mouths, and they closed their eyes.

The lieutenant twitched. He did not sleep.

There were things that crawled on his skin. Things grew upon him in layers. Drops fell and touched other drops and they became streams that trickled over his body, and while these moved down his flesh, the small growths of the forest took root in his clothing. He felt the ivy cling and make a second garment over him; he felt the small flowers bud and open and petal away, and still the rain pattered on his body and on his head. In the luminous night—for the vegetation glowed in the darkness—he could see the other two men outlined, like logs that had fallen and taken upon themselves velvet coverings of grass and flowers. The rain hit his face. He covered his face with his

hands. The rain hit his neck. He turned over on his stomach in the mud, on the rubbery plants, and the rain hit his back and hit his legs.

Suddenly he leaped up and began to brush the water from himself. A thousand hands were touching him and he no longer wanted to be touched. He no longer could stand being touched. He floundered and struck something else and knew that it was Simmons, standing up in the rain, sneezing moisture, coughing and choking. And then Pickard was up, shouting, running about.

“Wait a minute, Pickard!”

“Stop it, stop it!” Pickard screamed. He fired off his gun six times at the night sky. In the flashes of powdery illumination they could see armies of raindrops, suspended as in a vast motionless amber, for an instant, hesitating as if shocked by the explosion, fifteen billion droplets, fifteen billion tears, fifteen billion ornaments, jewels standing out against a white velvet viewing board. And then, with the light gone, the drops which had waited to have their pictures taken, which had suspended their downward rush, fell upon them, stinging, in an insect cloud of coldness and pain.

“Stop it! Stop it!” “Pickard!”

But Pickard was only standing now, alone. When the lieutenant switched on a small hand lamp and played it over Pickard’s wet face, the eyes of the man were dilated, and his mouth was open, his face turned up, so the water hit and splashed on his tongue, and hit and drowned the wide eyes, and bubbled in a whispering froth on the nostrils.

“Pickard!”

The man would not reply. He simply stood there for a long while with the bubbles of rain breaking out in his whitened hair and manacles of rain jewels dripping from his wrists and his neck.

“Pickard! We’re leaving. We’re going on. Follow us.” The rain dripped from Pickard’s ears.

“Do you hear me, Pickard!”

It was like shouting down a well. “Pickard!”

“Leave him alone,” said Simmons. “We can’t go on without him.”

“What’ll we do, carry him?” Simmons spat. “He’s no good to us or himself. You know what he’ll do?

He’ll just stand here and drown.” “What?”

“You ought to know that by now. Don’t you know the story? He’ll just stand here with his head up and let the rain come in his nostrils and his mouth. He’ll breathe the water.”

“That’s how they found General Mendt that time. Sitting on a rock with his head back, breathing the rain. His lungs were full of water.”

The  lieutenant  turned  the  light  back  to  the  unblinking face.  Pickard’s  nostrils  gave  off a  tiny whispering wet sound.

“Pickard!” The lieutenant slapped the face.

“He can’t even feel you,” said Simmons. “A few days in this rain and you don’t have any face or any legs or hands.”

The lieutenant looked at his own hand in horror. He could no longer feel it. “But we can’t leave Pickard here.”

“I’ll show you what we can do.” Simmons fired his gun. Pickard fell into the raining earth.

Simmons said, “Don’t move, Lieutenant. I’ve got my gun ready for you too. Think it over; he would only have stood or sat there and drowned. It’s quicker this way.”

The lieutenant blinked at the body. “But you killed him.”

“Yes, because he’d have killed us by being a burden. You saw his face. Insane.” After a moment the lieutenant nodded. “All right.”

They walked off into the rain. It was dark and their hand lamps threw a beam that pierced the rain for only a few feet. After a half hour they had to stop and sit through the rest of the night, aching with hunger, waiting for the dawn to come; when it did come it was gray and continually raining as before, and they began to walk again.

“We’ve miscalculated,” said Simmons. “No. Another hour.”

“Speak louder. I can’t hear you.” Simmons stopped and smiled. “By Christ,” he said, and touched his ears. “My ears. They’ve gone out on me. All the rain pouring finally numbed me right down to the bone.”

“Can’t you hear anything?” said the lieutenant. “What?” Simmons’s eyes were puzzled. “Nothing. Come on.”

“I think I’ll wait here. You go on ahead.” “You can’t do that.”

“I can’t hear you. You go on. I’m tired. I don’t think the Sun Dome is down this way. And, if it is, it’s probably got holes in the roof, like the last one. I think I’ll just sit here.”

“Get up from there!” “So long, Lieutenant.”

“You can’t give up now.”

“I’ve got a gun here that says I’m staying. I just don’t give a damn any more. I’m not crazy yet, but I’m the next thing to it. I don’t want to go out that way. As soon as you get out of sight I’m going to use this gun on myself.”

“Simmons!”

“You said my name. I can read that much off your lips.” “Simmons.”

“Look, it’s a matter of time. Either I die now or in a few hours. Wait’ll you get to that next Dome, if you ever get there, and find rain coming in through the roof. Won’t that be nice?”

The lieutenant waited and then splashed off in the rain. He turned and called back once, but Simmons was only sitting there with the gun in his hands, waiting for him to get out of sight. He shook his head and waved the lieutenant on.

The lieutenant didn’t even hear the sound of the gun.

He began to eat the flowers as he walked. They stayed down for a time, and weren’t poisonous; neither were they particularly sustaining, and he vomited them up, sickly, a minute or so later.

“Another five minutes,” he told himself. “Another five minutes and then I’ll walk into the sea and keep walking. We weren’t made for this; no Earthman was or ever will be able to take it. Your nerves, your nerves.

He floundered his way through a sea of slush and foliage and came to a small hill. At a distance there was a faint yellow smudge in the cold veils of water.

The next Sun Dome.

Through the trees, a long round yellow building, far away. For a moment he only stood, swaying, looking at it.

He began to run and then he slowed down, for he was afraid. He didn’t call out. What if it’s the same one? What if it’s the dead Sun Dome, with no sun in it? he thought.

He slipped and fell. Lie here, he thought; it’s the wrong one. Lie here. It’s no use. Drink all you want. But he managed to climb to his feet again and crossed several creeks, and the yellow light grew very

bright, and he began to run again, his feet crashing into mirrors and glass, his arms flailing at diamonds and precious stones.

He stood before the yellow door. The printed letters over it said THE SUN DOME. He put his numb hand up to feel it. Then he twisted the doorknob and stumbled in.

He stood for a moment looking about. Behind him the rain whirled at the door. Ahead of him, upon a low table, stood a silver pot of hot chocolate, steaming, and a cup, full, with a marshmallow in it. An beside that, on another tray, stood thick sandwiches of rich chicken meat and fresh-cut tomatoes and green onions. And on a rod just before his eyes was a great thick green Turkish towel, and a bin in which to throw wet clothes, and, to his right, a small cubicle in which heat rays might dry you instantly. And upon a chair, a fresh change of uniform, waiting for anyone—himself, or any lost one—to make use of it. And farther over, coffee in steaming copper urns, and a phonograph from which music was playing quietly, and books bound in red and brown leather. And near the books a cot, a soft deep cot upon which one might lie, exposed and bare, to drink in the rays of the one great bright thing which dominated the long room.

He put his hands to his eyes. He saw other men moving toward him, but said nothing to them. He waited, and opened his eyes, and looked. The water from his uniform pooled at his feet and he felt it drying from his hair and his face and his chest and his arms and his legs.

He was looking at the sun.

It hung in the center of the room, large and yellow and warm. It made not a sound, and there was no sound in the room. The door was shut and the rain only a memory to his tingling body. The sun hung high in the blue sky of the room, warm, hot, yellow, and very fine.

He walked forward, tearing off his clothes as he went.

Some Considerations

This story, like most of the science fiction works that I read in the 1960’s and 1970’s greatly influenced my life. I believe that I first read this story on a lazy fall weekend in late September. The leaves were crisp and just beginning to fall. It was warm, but not hot. It was calm and I was enjoying reading this story on a porch glider that we had on our porch. I just laid there, swinging back and forth, reading this masterpiece.

Early fall
I spent my boyhood in the hills of Western Pennsylvania. It was a place of hills, forests, rivers, and coal mines. I came from a small town. It was peaceful and quiet and everyone knew everyone else.

Conclusions

Today, students pay tuition at colleges and universities to read these stories. They pay enormous amounts of money, and are given tests and handouts to analyze the work. It seems like a fool’s errand to me.

You read for enjoyment, and if it evokes emotions within your very being then it is a work of art. Cherish it.

That’s never going to happen if you read a cliffs notes version so you can get a grade on a test. Life is about living. You can live, or you can follow the herd. I would suggest that you make the most out of your life. I would suggest you start doing it now.

Take Aways

  • The Long Rain is a short story by Ray Bradbury.
  • It is classified as Science Fiction.
  • It takes place on a fictional Venus where it is continuously raining.
  • The story evokes feelings of desperation, strife, fear and longing. Finally culminating in relief.

FAQ

Q: What is this story “The Long Rain” about?
A: The story takes place on a fictional Venus where there is a continuous rain. However, that is not what the story is about. It is about emotions that play when situations are encountered. When I read the story, I am reminded about a time when I was in second grade and walked home from school in the rain. I came home and my mother dried me off, and set me to the table and got me a big hot cup of coca with marsh-mellows in it and a nice warm bowl of tomato soup with grilled cheese sandwiches. The story, by Ray Bradbury, evokes those same feelings.

Q: Why is this story in your blog?
A: I used to bookmark websites that I liked, and I would return to them periodically to read and enjoy. Over time, the websites would disappear, or turn into something else. The search engines, such as Google, would prioritize other (often profit motive) websites before the ones I was interested in. They would also block others that I enjoyed. China blocks many websites, and slows internet traffic to a crawl on others. I no longer have the luxury to simply bookmark something I like. I need to preserve it’s access. Thus I place it herein for my own personal use.

Posts Regarding Life and Contentment

Here are some other similar posts on this venue. If you enjoyed this post, you might like these posts as well. These posts tend to discuss growing up in America. Often, I like to compare my life in America with the society within communist China. As there are some really stark differences between the two.

Tomatos

Mad scientist

Gorilla Cage in the basement

Pleasures

Work in the 1960's

School in the 1970s

Cat Heaven

Corporate life

Corporate life - part 2

Build up your life

Grow and play - 1

Grow and play - 2

Asshole

Baby's got back

More Posts about Life

I have broken apart some other posts. They can best be classified about ones actions as they contribute to happiness and life. They are a little different, in subtle ways.

Being older

Civil War

Travel

PT-141

Bronco Billy

r/K selection theory

How they get away with it

Line in the sand

A second passport

Paper Airplanes

Snopes

Taxiation without representation.

Stories that Inspired Me

Here are reprints in full text of stories that inspired me, but that are nearly impossible to find in China. I place them here as sort of a personal library that I can use for inspiration. The reader is welcome to come and enjoy a read or two as well.

Articles & Links

  • You can start reading the articles by going HERE.
  • You can visit the Index Page HERE to explore by article subject.
  • You can also ask the author some questions. You can go HERE to find out how to go about this.
  • You can find out more about the author HERE.
  • If you have concerns or complaints, you can go HERE.
  • If you want to make a donation, you can go HERE.

Notes

  1. Composed 27SEP18.
  2. Completed 27SEP18.
  3. SEO Review 27SEP18.
  4. Publish 27SEP18.