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Introduction to the art of Peter Ferguson.

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“Meticulously painted, Ferguson’s darkly humorous narratives evoke an achronological magical realism, featuring composite cities and landscapes comprised of everything from from 16th Century European towns to early 20th century Americana (or Canadiana as the case may be),” the gallery says.

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“Meticulously painted, Ferguson’s darkly humorous narratives evoke an achronological magical realism, featuring composite cities and landscapes comprised of everything from from 16th Century European towns to early 20th century Americana (or Canadiana as the case may be),”

“Combining grandiose narratives of the great ages of exploration with a distinctly paranormal bent, Ferguson’s work subtly hovers the line between fantasy, surrealism, and realism without ever falling into either of them fully. Norman Rockwell meets H.P. Lovecraft.”

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“Combining grandiose narratives of the great ages of exploration with a distinctly paranormal bent, Ferguson’s work subtly hovers the line between fantasy, surrealism, and realism without ever falling into either of them fully. Norman Rockwell meets H.P. Lovecraft.”

Peter Ferguson was born in Montreal, Canada in 1968. He set his sights on an illustration career after seeing the movie Star Wars, deciding that he would like to draw spaceships.

After graduating from the Ontario College of Art and Design in Toronto in 1992, he began his career as a professional illustrator, using oil as his medium of choice.

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After graduating from the Ontario College of Art and Design in Toronto in 1992, he began his career as a professional illustrator, using oil as his medium of choice.

Peter’s brilliant ability to conceptualize clients’ ideas as well as his distinctive characters gave him a running start in the editorial and book publishing markets. Since signing with Three in a Box Inc, Peter’s career has grown steadily.

His clients include Marvel Comics, The Royal Shakespeare Company, The Wall Street Journal, The Washington Times, Mojo, Chicago Tribune and the Los Angeles Times. Peter has also illustrated the covers of the popular Sisters Grimm collection.

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Peter’s brilliant ability to conceptualize clients’ ideas as well as his distinctive characters gave him a running start in the editorial and book publishing markets. Since signing with Three in a Box Inc, Peter’s career has grown steadily.

Peter is also a highly sought after fine artist, who’s vividly imaginative works read like a lucid dream of an alternate history, recalling the aesthetic of Dutch Renaissance painting, old National Geographic photography, and 18th century British Naval history.

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Peter is also a highly sought after fine artist, who’s vividly imaginative works read like a lucid dream of an alternate history, recalling the aesthetic of Dutch Renaissance painting, old National Geographic photography, and 18th century British Naval history.

Meticulously painted, Ferguson’s darkly humorous narratives evoke composite cities and landscapes from 16th Century Europe and early 20th century small town Americana (or Canadiana as the case may be).

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Meticulously painted, Ferguson’s darkly humorous narratives evoke composite cities and landscapes from 16th Century Europe and early 20th century small town Americana (or Canadiana as the case may be).

Combining grandiose narratives of the great ages of exploration with a distinctly paranormal bent, Ferguson’s work subtly hovers the line between fantasy, surrealism, and realism without ever falling into either of them fully.

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Combining grandiose narratives of the great ages of exploration with a distinctly paranormal bent, Ferguson’s work subtly hovers the line between fantasy, surrealism, and realism without ever falling into either of them fully.

Luminously painted and complex in their composition, his paintings retain an air of both melancholy and wonder at days gone past.

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Luminously painted and complex in their composition, his paintings retain an air of both melancholy and wonder at days gone past.

He has an enormous gallery on line with all sorts of interesting and amazing art. You can find it HERE (it opens up in a separate link).

Ferguson’s work subtly hovers the line between fantasy, surrealism, and realism without ever falling into either of them fully.

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Ferguson’s work subtly hovers the line between fantasy, surrealism, and realism without ever falling into either of them fully.

Canadian painter Peter Ferguson has been working had a career as a professional illustrator since graduating from the Ontario College of Art and Design in Toronto in 1992. He has been very successful over the years and has had many clients such as Marvel Comics, The Wall Street Journal, and has illustrated the covers of the Sisters Grimm collection.

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Canadian painter Peter Ferguson has been working had a career as a professional illustrator since graduating from the Ontario College of Art and Design in Toronto in 1992. He has been very successful over the years and has had many clients such as Marvel Comics, The Wall Street Journal, and has illustrated the covers of the Sisters Grimm collection.

His personal work is an imaginative mixture of the fantastical and bizarre. The fusion of technical skills and imaginative depictions of characters within the work seems to indicate that strong cultivations of narratives are the premise behind his extraordinary oil paintings.

Links

Art Related Index

This is an index of art that I have found profound, interesting, beautiful or enlightening. In any event, I find that art soothes my soul. I enjoy painting figurative and portraits in oils using the more traditional Flemish technique, but it never really brought me the kind of money I need to live off of. Such is the life of a painter today. Please enjoy.

An experiment of a bird in a vacuum jar.
Robert Williams
Todd Schorr
Mitch O'Connell
Greg (Craola) Simkins.
Mark Ryden
Alan MacDonald
Tokuhiro Kawai.
Jesus Helguera.
Michael Tole
Martin Wittfooth
Ania Tomicka
Bob Dob
Chris Peters
David Lebow.
Jason Limon.
Iva Troj.
Kisung Koh.
Kayla Mahaffrey.

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