It’s time for a nice relaxing stroll through some art. This fellow is one of my favorites, but he isn’t one that you would stand in front of one of his pieces and ponder. It’s (rather) the way your feel when you look at his works that matter.

The inspiration for this comes from HERE, and I have reprinted it herein. I hope that you all enjoy the art as much as I have.

As I have repeatedly stated, art is something that evokes and triggers thoughts, and memories. No easy feat when the world we live in is full of things that make us angry, hateful, spiteful, and envious. It is hard for a “thing”; a material object to evoke positive emotions. But that is what art actually is.

Art is a item, or object that causes the viewer or holder to evoke pleasant thoughts and / or emotions.

I have discussed this idea previously. Since psychopathic personalities (and sociopath personalities) are unable to emote, or transfer feelings and emotions from the world around them, they see no value in art. They only thing that they can see is it being used as a medium of currency exchange.

Thus when the rulers or leadership of a nation is comprised with a majority of these sick individuals the value of art becomes replaced with other things. And thus we have the situation that we see today. Art has become a joke, or a medium to exchange and transfer large amounts of money between rich oligarchs instead of being what it was intended to be; an item that stands alone for it’s unique beauty.

I further argue that the oligarchy took over the Western nations some time in the early last century. Say around 1910. Then, they remolded all their governments to become money-making enterprises.

These governments become the property of the 0.001% of the population and where the rest of the population would service them. You can see this in the legislation that they enacted at the time they rose to power. Such as the 16 amendment in the United States, and the creation of World Wars to thin out opposition to their efforts.

For after all, when large adjustments occur in populations, you MUST weed out the most dangerous elements of society. Those tend to be the patriotic, and the traditional elements. However, they are so easily corralled to go to war, that it becomes an easy task to slaughter huge swath’s of them.

But I digress.

When the artist died, the West started to flood the art world with replacement canvasses. Such as this…

This sketch, which the artist made as a student of the Moscow School of Painting, Sculpture and Architecture, was acquired by the Russian Museum, the main repository of Russian art in St. Petersburg. Inspired by his success, Shishkin moved to that city, the then capital, and continued his studies at the Imperial Academy of Arts.

2. View of Valaam Island (Cucco Area), 1859

As a student, he journeyed endlessly through the rocky, forested landscapes of Karelia and painted from nature. For this painting in 1860, he received a gold medal from the Academy and a stipend for a trip to Europe.

3. View in the Vicinity of Dusseldorf, 1865

Shishkin painted this picture in Germany on a commission from collector Nikolai Bykov. As a result of this work, his St. Petersburg alma mater awarded him the title of academician. Pining for his native landscapes, the artist soon returned to Russia.

4. Rye, 1878

On one of his sketches for this canvas, Shishkin wrote: “Expanse, spaciousness, agricultural lands. Rye. God’s grace. Russia’s wealth.” Indeed, it is hard to imagine a landscape more kindred to the Russian soul. Shishkin absorbed the nature around his hometown of Yelabuga (now in the Republic of Tatarstan). The painting was displayed at an exhibition of the Itinerants, where it was bought by Pavel Tretyakov.

5. Stream in a Birch Forest, 1883

Shishkin remained in close contact with the Itinerant artists, who championed realism and folk subjects, and he often took part in their traveling art exhibitions. His close friend Ivan Kramskoy, who painted several portraits of Shishkin, said of his colleague as a landscape painter, “…he is far above all others put together…”

6. Corner of an Overgrown Garden. Goutweed Grass, 1884

The Dusseldorf school of painting instilled in Shishkin a special love for the earthy, unadorned side of nature. His sketches resembling fragments of pictures are nevertheless highly detailed and count as standalone works.

7. Forest Distance, 1884

Shishkin was already a workaholic, but domestic tragedy plunged him ever deeper into his occupation. First, his wife, the mother of his children, passed away. Then, having married a second time, he experienced the same agonizing loss.

8. Oak Trees. Evening, 1887

Shishkin’s paintings of the 1880s show how his artistry was still developing. Although already recognized as a master painter, he never ceased his study of nature. “In artistic endeavor, in the study of nature, you can never close the book, you can never say that you have mastered it thoroughly and there is nothing more to learn,” he wrote.

9. Morning in a Pine Forest, 1889

By far his most famous painting. The work was cordially received by contemporaries, and the famous collector Pavel Tretyakov purchased it for his Moscow gallery. In the Soviet Union (and today), the picture was replicated on the wrapper of a favorite candy, so every Russian knows and loves it.

10. Winter, 1890

Shishkin rarely painted winter themes, preferring a riot of green. Even on this near monochrome canvas, which appears gloomy at first glance, one of the main details is the blue sky.

11. In the Wild North, 1891

This picture is the embodiment of Russian literary romanticism on canvas. It is named after a work by romantic poet Mikhail Lermontov, for which it served as an illustration: In the wild north, there stands alone / A pine tree atop a bare peak…

12. In the Forest of Countess Mordvinova. Peterhof, 1891

In 1892, the now Honorary Professor Shishkin was invited to give a landscape painting workshop at the Imperial Academy of Arts.

13. Ship Grove, 1898

Just six years later, he died right at his easel. In this, one of his last pictures, Shishkin deploys his favorite “treetop cropping” technique. Thus, the forest seems even more spacious, inviting the viewer to step inside.

Art evokes emotions

Normally, I’m not a landscape kind of guy. But every now and then a piece strikes my eye. Maybe it’s special, or has a unique technique or something else. It has some characteristic that “speaks” to me.

I find that many of Ivan’s works hold that characteristic. They all tend to “speak” to me in various ways. They awaken thoughts, memories, or feelings of things or situations that are meaningful to me.

Of course, a person who has never walked into a deep lush forest might find these images alien. The same is true for people who have never been outside on a dark, dark night int he middle of the Winter. For that is what he painted, and for those of us that experienced those things, that is what triggers our emotions.

For instance, the painting “Oak Trees” remind me of being a boy of around 14 years old collecting golf balls in the wood alongside the green-ways of the local golf course. It was like that. Lush crisp air. Clear sharp shadows. Brilliant fall colors. Very nice.

I do hope that you all enjoyed this stroll though art as I have. Have a great and wonderful day.

Do you want more?

I have more posts in my Art Index, here…

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