When Hollywood still knew how to make movies; It Came From Beneath The Sea (1955)

Enter Ray Harryhausen, who I discovered myself by accident. In many  ways, he changed my life. Harryhausen has told us, time and again, the  story of how he saw the original "King Kong" on the big screen when he  was just a kid, of how he was inspired by Willis O' Brien's pioneering  special effects and of how that lead him to where he is today. In case I  end up in the movies, I foresee myself telling people the story of how I  was inspired by Harryhausen's work. Hopefully, the chain will go on. I  am kidding, of course, but it's a nice thought anyway.

While most  kids in the 90's would be oblivious of stop-motion (with CGI growing  popular), I was in awe of it. There is a sense of life in stop-motion  animated creatures. It's the kind of life that much of CGI lacks. No  matter how smoothly or realistically your computerized monster moves,  there is something more subtle that stop-motion captures better.  Harryhausen's creations seem to be thinking, or feeling, not just  moving. They have personality, an attribute that so many of today's CG  monsters lack. 

...

Harryhausen deserved better films and higher budgets (his films were  so low budget that at several times, the full extent of his vision  wasn't realized. It is now popular trivia that the octopus in "It Came  From Beneath the Sea" actually had only six tentacles as they couldn't  afford to build a model with eight). Though the films have inspired  several of us, it was, in most cases, only the special effects that kept  the films from being mediocre B-movie fare. It is sad that he didn't  work with greater talents. Imagine what would have come out of such  collaborations.

This master of animation was snubbed by the  Academy year after year for each of his films, the films not even  getting nominations for their special effects, until, years after his  retirement; they gave him an honorary Oscar, which, I suspect, is more  of an apology than a token recognition. I've read somewhere that  Harryhausen reasons his films didn't get recognized by the Academy when  they were released because they were shot in Spain, and not in  Hollywood. It makes sense. 

-Great Movies of my Childhood

It Came From Beneath the Sea was the first of several fruitful collaborations between producer Charles H. Schneer and special-effects wizard Ray Harryhausen. He wasn’t yet at the top of his game, but what he did provide inspired all of us young boys to fight enormous radioactive tentacled octopus.

The major creature in this low budget movie is a giant, six-tentacled octopus, which is galvanized into action by an H-bomb test.

Worse still, the monster is highly radioactive, rendering useless the normal means of defense against it.

Yikes!

It came from beneath the sea.

Scientists Donald Curtis and Faith Domergue team with atomic-submarine commander Kenneth Tobey to halt the creature’s progress before it begins to attack major coastal cities. Alas, the monster manages to reach San Francisco, wreaking havoc on the Golden Gate. It’s sort of an American version of Godzilla.

Good Gosh and darn it!

Movie Review 1 

I’m a simple guy, I see a movie about a gigantic killer octopus and I immediately buy it on DVD. I love campy 1950’s Cold War Sci-fi flicks. I find them to be genuinely fun and engaging. However, just like every sub genre, there’s good and bad. “It Came from Beneath the Sea” is a middling film.

Anytime the giant Octopus wreaks terror on screen, the film becomes a whole lot of fun. However, when the film substitutes these moments for a half baked love triangle the film quickly loses interest.

As with every giant monster film of the ’50’s the film is filled with commentary about living in an active nuclear world. Radiation from military testing has brought about this devastating monster. It then falls to a couple of scientists and a Navy officer to defeat the monster before it brings about the total destruction of San Francisco.

Most of the characters in this film fall into pretty standard genre cliches. There’s really nothing noteworthy about them; they’re fine. Where this film works best is in the action scenes. For the most part they’re really well done, it’s pretty obvious that the filmmakers are using miniatures, but there’s an undeniable charm to them. The creature design is also well done, and the use of stop-motion is effective in bringing the monster to life.

It came from beneath the sea.

If you’re into goofy giant monster films, then this is the kind of film you’d enjoy. For a general audience, this is the type of film that’ll bring about a lot of eye-rolling. “It Came from Beneath the Sea” isn’t the best monster film I’ve ever seen, but it does an effective job. I just wished there was a little more monster action.

Movie Review 2

Released the year after the influential monster movie classic Godzilla, It Came from Beneath the Sea was one of several attempts from around the world to capitalize on the success of Godzilla.

It Came from Beneath the Sea is one of the more well known giant monster movies to come out from this period.

I didn’t really know much about this film apart from the fact that it was following on Godzilla’s coat tails and that special effects wizard Ray Harryhausen was involved. While It Came from Beneath the Sea is far from being perfect, I still found it to be a fairly entertaining film.

It came from beneath the sea.

The film sees a giant octopus, whose feeding habits have been affected by radiation from H-bomb tests, rises from beneath the Mindanao Deep to terrorize the Californian coast.

The plot for It Came from Beneath the Sea is pretty good, with some interesting moments. It is a plot that seems really exciting on paper, but the execution needed to be much stronger than it actually is.

Throughout the film, there is a bland and monotonous voice-over that insists on dumping needless exposition. It also focuses heavily on the military trying to decide what to do about the giant octopus. These scenes are really bland and drain any and all excitement out of the film.

It came from beneath the sea.

There is also a love triangle between a sexually aggressive naval officer played by Kenneth Tobey, who declares rather than acts, and two scientists. One of the scientists is Professor Joyce, played by Faith Domergue, who lights up every scene that she appears in and is easily the best thing about this film. Joyce is a strong female character, unusual for this type of film from this era. She is independent, progressive and quickly brushes off any advances as soon they are laid on her. An underrated feminist icon if ever there was one! The other main highlight of the film is, of course, Harryhausen’s special effects. The whole sequence involving the giant octopus’s attack on the Golden Gate Bridge is fantastic. Harryhausen’s effects may be a little dated, but they are wonderfully charming. The giant octopus may not be his best work but, as always, it is a highlight. The direction from Robert Gordon is really solid and holds the film together well.

Overall, It Came from Beneath the Sea is a solid enough giant monster film. The plot is fun, but I feel that the execution needed to be stronger in order to get the mot out of the concept. The short runtime, however, makes it watchable and the Golden Gate Bridge attack is a satisfying conclusion. The performances are fairly average, with Faith Domergue being a particular highlight. Gordon’s direction is good and Harryhausen’s effects are great. It Came from Beneath the Sea is an enjoyable old school monster movie. A fun, if rather unremarkable, film!

Movie Review 3

Some Ray Harryhausen films you watch solely because of Ray Harryhausen‘s “Dynamation” and little else. This isn’t just such a film, but it might be the best example of it.

This would be Ray‘s first collaboration with producer Charles H. Schneer and they would go on to make some of Harryhausen‘s most famous films together including Jason and the Argonauts and of course Clash of the Titans.

This being their first though, it ends up also being their weakest, but they obviously lived and learned as they also never worked with director Robert Gordon again. Don’t worry about him though, he went on to make Tarzan and the Jungle Boy so his legacy is cemented.

It came from beneath the sea.

All of Ray‘s effects are great fun, how could a giant octopus attacking the Golden Gate Bridge not be?

Everything else though is a bit wooden, unimaginative and in some cases just plain weird. There’s this odd love triangle between Kenneth Tobey, Faith Domergue and Donald Curtis that plays out less like two men fighting over a woman and more like they’re… well… possibly trying to get her at the same time? I’m not sure what the hell was going on there, but it does add to the weirdness of the film.

Movie Review 4

It Came From Beneath The Sea is the kind of giant monster movie I can enjoy mostly guilt free. No appliances glued or stapled onto animals – just good old fashioned, cruelty-free Ray Harryhausen stop-motion. It’s how Willis O’Brian did it – it’s how the movie industry had done, and at that point in the ‘50s it had worked pretty well so far.

The premise is your good ol’ fashioned ‘50s creature feature – atomic testing woke up something big from the depths. The creature is now menacing the world of humanity and must be stopped. In this case, the “something” is a giant octopus, and it’s discovered by the US Navy’s first nuclear attack submarine.

It came from beneath the sea.

The film also has the twist of “the scientist nobody believes until it’s too late” being a woman, and her claims being dismissed not due to lack of plausibility, but explicitly because of institutional misogyny.

It’s still problematic – the scientist, Leslie Joyce (Faith Domeregue) ends up romancing her sexual harasser, but at least the film had the stones to call out institutional misogyny as a systematic issue that is a big problem – demonstrated by it costing lives.

The film’s effects are great – the climactic rampage through San Francisco at the end of the movie is very wonderfully done. It’s not quite at the levels of Godzilla (which hasn’t been made yet), but it does get things across.

It came from beneath the sea.

Otherwise, the movie is fine – it’s a brisk 74 minutes that doesn’t overstay its welcome. It’s a movie that’s enjoyable in its own right and, were it to end up on the new MST3K (or, for that matter, on Rifftrax), it’d also be a very fun watch there.

Final Conclusion

Well, aren’t you all tired of the pandemic, the Russian ultimatium that wasn’t, the Uighurs, and everything else? I certainly am. I jsut spent the most part of this morning breaking down the USA Western Bloc failures to interrupt the BRI. I’ve got to tell youse guys. I want a break.

I’m off to smunch on some fine, fine Suechuan food.

Sichuan cuisine is one of the most famous local cuisines in China. It has a wide range of materials and a variety of dishes. It is famous for its good use of spicy, and its unique cooking methods and strong local flavor is famous at home and abroad. Sichuan cuisine has become a brilliant pearl in the history of Chinese food culture and civilization.

I really want to get back to some OOPART stuff. I’ve got about 30 or so in the pipe in various stages of readiness.

Not to mention some stuff on world-line travel, and affirmations, and some Domain stuff as well.

Let’s just have some fun. Put aside the great Geo-political changes and just have fun.

Here’s some ideas for fun…

Idea one – Food.

A nice sandwich in a diner that you smuch with a cup of coffee or a more interesting beverage of your choice.

A nice sandwich.

Idea two – Art.

Visiting an art museum. Go out for the day and then get an icecream, or a coffee or a nice dinner out.

Visit an art museum.

Idea three – Local historical Museum.

Art is not your thing, eh…

Go out to the local historical museums in your local area. They are there, you just need to figure out where. Check out all the interesting curiosities that you find there.

Go out to the local historical museums in your local area.

They are everywhere.

You just got to find them.

Go out to the local historical museums in your local area.

Idea four – Go outside.

When was the last time that you took a spin on a bicycle. I’ll bet that for many MM readers, it’s been a long time. But I will tell you that when you get back on that bike it will be a true joy (provided there’s no snow about). LOL.

But if there is, then how about a snowmobile ride, a cross-country ski trip, or some downhill sking. Do something outdoors.

Do something outside.

Idea Five – snuggle.

With a loved one, a cherished pet, or a new friend. Just go out and snuggle.

Snuggle.

Idea six – Watch old movies.

Surprise yourself. Dig up an old movie and watch it. Just do it.

A scene from the movie “The Last of Shela”.

Have fun everyone.

Make the best of your life. One last idea…

Idea Seven – Be Groovy

It’s NEVER too late to be groovy, baby.

Groovy.

Do you want more?

You can find more articles related to this in my Movie Index.

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When Hollywood still made good movies; The 7th Voyage of Sinbad (1957)

Ray Harryhausen was a mainstay of my childhood. His movies were regular features on the Saturday matinees — on television, not in theaters; I’m not THAT old! — and they sucked me in every time. How could they not? No sane young boy would be anything but engrossed by giant creatures slugging it out with heroes in sandals, and Harryhausen’s creatures were AWESOME.

-Revisiting Ray Harryhausen’s 1958 classic, The 7th Voyage of Sinbad

It’s no secret that Hollywood has gone over the deep end and into the abyss of the bland and uninteresting.

It’s a combination of things. Firstly [1] , an over reliance on CGI and computer animation has somehow replaced decent story-telling and the passions inherent in the traditional movie genre. Secondly [2], the invasion of Political Correctness and rewrites for the LGBT crowd, and the war on white males, and traditional male roles has pretty much isolated Hollywood to the Land of the Loons. Thirdly [3], an over reliance on classical superheroes… you know, suddenly by magic, a person gets super-powers… get’s dull really quick. Finally, fourthly [4], just how many sequels do you need to make before the customers stop coming to the theaters?

Here’s some examples of contemporaneous Hollywood fare…

Yup Hollywood is going the way of the Dodo Bird, and like their political leadership, haven’t a clue as to how absolutely ridiculous they look to us “normal’s” in the audience.

But, at one time, Hollywood was truly the stuff of dreams. There, the studios produced some amazing movie flicks. These were the stuff of dreams, and tales of adventure. And, for I, a young boy… Hollywood movies took me to places where my imagination could soar and explore.

Let’s talk about one such movie. The Ray Harryhausen classic “The 7th Voyage of Sinbad”.

The Tale of a Lifetime

The visuals in the movie were amazing. Anyone who has seen this movie when it first came out (late 50’s) was forever a different person for the better. This dynamic even continues to this day too.

Millions saw this when they were in their teens or younger and it brought out an array of emotions the body had not experienced before. There is wonder, adventure, thrills, suspense, love, good, bad, and monsters that make you wonder how can you fight them and live? Sinbad shows you all this and more and he became a role model and hero for the multitudes.

No doubt, it is an amazing movie.

Come on! Seriously. Giant birds, crabby cyclops, dragons, skeleton warriors, and a snake woman? Just another day at the office for Sinbad the Sailor.

Throw in an evil sorcerer, a mutinous crew, and having to not only rescue his fiancee, but also find some way to un-shrink her. Talk about having too much on “your plate”. You can well understand why this particular Sinbad set about his seventh voyage with a stern and brave face, very little humor and negligible cheer.

This movie is genius.

Other films of his have very challenging special effects too. If you  have not watched any of his films, YouTube them and watch the brilliant  sequences. That'll convince you. Try the sequence where the cowboys try  to "rope" Gwangi, in which Harryhausen had to painstakingly match the  ropes on the live action footage to the ropes on his stop-motion model.  Or the tug of war in "Mighty Joe Young,"  using a similar technique. Or the sequence with the giant bird from  "Mysterious Island," which works well with Bernard Herrmann's goofy  score. Or the Washington destruction scenes in "Earth vs. Flying  Saucers." Or It from "It Came From Beneath the Seas." Or Pegasus in  "Clash of the Titans," or Medusa, from the same film. Or anything from  "The Seventh Voyage of Sinbad," my personal favorite film of his. 

 - Great Movies of my Childhood  

This was a movie that I couldn’t tear my eyes from. I was totally and complete immersed in the story line, though as a young boy, it was kind of difficult to follow. Never the less, the visuals were amazing and absolutely drew me in.

Now the story is a classic. It’s an adventure, so of course, you pull the story out from classic adventure stories that have stood the passage of time.

Apparently this is a pretty old classic story from the 1001 Arabian Nights, of course no longer taught in schools as not progressive enough. It is the story of adventure when a ships crew makes an unexpected stop at an island.

Fortune fall upon us all

The best thing about this movie is that there Hasn’t been any remakes of it.

It’s true. Can you imagine what the remakes would be like? OMG! I just get sick trying to imagine it all…

  • 1970s – The first sequel; Sinbad falls in love with a black single-parent woman.
  • 1980s – “We Are the World” meets Sinbad the Sailor.
  • 1990s – CGI animation, heavily pixelated and dark.
  • 2000s – Matrix style fight scenes with the three headed chick.
  • 2010s – X-men join forces with Sinbad to fight the Cyclops.
  • 2020s – Sinbad is a woman, as are the entire crew, all females.

Storyline

Sinbad is a man of the world. A seaman who travels the known world. As this is his seventh voyage, we knew that he was well experienced in the ways of monsters, magic and pretty attractive lasses. He has a crew of trusty seamen, and ship that is pretty state-of-the-art for the time-period.

So off he goes. His ship and crew sail off towards adventure…

Dinner for the one-eyed horned cyclops.
Dinner for the one-eyed horned cyclops. You most certainly wouldn’t want to be caught by this fella, and my goodness, who knows what fate you might be expected to endure. You know, when salt and pepper get into your eyes, it hurts!

He sails and sails.

When Sinbad finally spots land, he doesn’t yet know what island it is. (He didn’t have GPS, and Google was of absolutely no use to him.) He just doesn’t know that the island’s name is Colossa. Hum. Colossa could that have something to do with the word “colossal”? You’d think he’d take a hint.

Nor does he know that it’s the ancient world’s equivalent of Monster Island. Now, for some reason or the other, Sinbad has his old lady on board with him. She’s a real cutie, and can you blame him. After all, he’s the famous Sinbad.

Her name is Princess Parisa. She has cute dimples, a nice rack and a very curvaceous backside. You see, she and Sinbad are going to be married and help seal a peace pact between their two lands. It kind of sucks for her, but she gets a hero in the bargain, and all in all, by the standards of society at that time and place, it’s a pretty sweet deal for her.

Grant (who would go on to marry Bing Crosby) is an absolute delight as the princess, the kid playing the genie in the lamp should have been annoying but was actually quite a charming little tyke, and Torin Thatcher is wonderfully bombastic as the evil wizard Sokurah. They help carry the human element of the movie in a way Mathews’ Sinbad never does. 

 -Revisiting Ray Harryhausen’s 1958 classic, The 7th Voyage of Sinbad 

Once he makes landfall on the island, he demonstrates just how preoccupied he must be with the impending wedding. You can tell, because he makes some really boneheaded decisions. You know, decisions that would charitably be called “insane.”

A cyclops looking at his dinner.
This colorful adventure is the screen version of one of the classic tales from “1001 Arabian Nights.” It tells the story of Sinbad (Kerwin Mathews) and Princess Parisa (Kathryn Grant). When they unexpectedly stop on the island of Colossa on their way to Baghdad, they find themselves battling all types of dangers, such as evil magicians, man-eating Cyclopes, fire- breathing dragons, and sword-wielding skeletons.

So, let’s say you’re on a mysterious island in a world where terrible monsters still run amok occasionally.

Let’s also say that you notice strange footprints in the sand. These strange footprints are not only odd because of their shape (cloven hooves – eek!), but also because they are so far apart. As someone notes, this is indicative of a rather large stride and by extension, a rather large creature.

Now what could that possibly mean? I mean, what would you do, if you saw hoof prints that large?

Multi-headed multi-bird thing creature.
Multi-headed multi-bird thing creature. What would you do if you confronted a strange chick the size of a fire-truck? And, by chick I mean a bird, not a cute young lass.

Okay, let’s say you know all that and still you venture forth into the unknown.

Now, you have landed on this mysterious island. You and your crew starts to walk upon the sandy beach. And now when you walk further up the beach you notice carved in the side of a mountain, a strange face with the mouth being the entrance of a cave.

Not an everyday occurrence.

What do you do? Well, in spite of it being painfully obvious that this is the front door of a cyclops house, you decide to do some pretty messed up things. I mean, haven’t you ever learned that some things say “keep out” and run for the hills. But NOOOOO!

What does Sinbad do? Well, he decides to run right the hell in there just to see if anyone is home!

The pure awesomeness of this movie is evident when you observe a one-eyed horned cyclops with goat like legs confronting a chained dragon.
The pure awesomeness of this movie is evident when you observe a one-eyed horned cyclops with goat like legs confronting a chained dragon. Now you would think that the dragon would trump a one-eyed cyclops… you know that old depth-perception angle. But the movie has a number of surprises for the viewing audience.

What do you think happens? Yup. It’s a lot of screaming, yelling, terror and blood and guts. Not to mention a chomp and gulp. Yes, it’s a story of lots of guys getting chased by a really pissed off cyclops.

Enter a sorcerer named Sokurah.

He’s a bald guy with a magic lamp that saves Sinbad and his crew by using the genie’s powers to erect a transparent barrier to keep the cyclops back. I’ll bet that you didn’t know that Genie’s had the power to erect repulse fields, did you?

Now, I have some bad news.

Unfortunately this doesn’t stop the cyclops from chucking big rocks at the departing boat. This causes everyone on the boat to fall overboard and in all the confusion Sokurah loses his magic lamp.

Now, this magic lamp is really special. Think of it like the latest iphone, or the keys to the Lamborghini. It contains a Genie. But this Genie is not just like any other Genie. Those “lower” Genies have wish-limitations. Most can only grant three wishes. Not this Genie. No. He instead grants unlimited wishes.

Obviously the loss of such a power, such a lamp, is a big disappointment.

Sinbad meets a princess.
In the scenes featuring a shrunken Princess Parisa. Now look at this mess. How are going to have sex once they are married? And what about the children? Obviously Sinbad has to do something, and thus Sinbad does his best to help her. In the process goes on an adventure of a lifetime. It is one filled with strange sights, strange and dangerous beings, and magic of all sorts and types.

Again, there is a lot of treading water, splashes and panic.

Once back on board his main boat, Sokurah demands that they return back to the island. You know, after all, it’s pretty cool having a Genie with unlimited wishes. Heck, if it was me, I’d go back.

No. Sinbad is a different person.

Sinbad refuses Sokurah’s entreaties to go back to the island and retrieve his lamp which by this time has fallen into the hands of the cyclops. Sinbad says “No time, baldy. I’m gonna get married to my most excellent girlfriend. And, you know what? I still have to hire a band and D.J. for my wedding, but you’re welcome to come to my bachelor party once we’re back in Bagdad.”

Meetup with a Genie.
Here we have a tiny miniaturized princess inside a Genie’s bottle to talk with the Genie face to face. What a movie! You know, Harryhausen spearheaded a turn from scifi monsters to mythology and adventure for the first time with The 7th Voyage of Sinbad. In this movie he ended up crossbreeding special-effects-based spectacle with traditional swashbuckling heroics. For the first time, in this movie, Harryhausen got to make a feature in color, and he debuted his new technique, called Dynamation, which allowed more sophisticated, layered interaction between photographic elements.

Sokurah offers to provide some entertainment at some of the pre-wedding festivities in hopes of currying favor with the Caliph.

The Caliph of Baghdad (Alec Mango) feels the same way, even after Sokurah amazes the court by conjuring up a snake-woman. Yes, this SOB ended up turning Parisa’s maid into a snake woman. Talk about violation of a work contract!

Meanwhile, he continues to try to convince Sinbad to go back to the island.

Snake woman maid.
Now how would you like your pretty maid to be changed into a a snake woman medusa. Especially a blue one? Not exactly a nice way to curry favor. Obviously this warlock has a real lack of people skills.

He starts to look into the future. He starts by looking into the future of Sinbad and Parisa’s lands. Not surprisingly perhaps, he sees only bad things for everyone. This (unfortunately) doesn’t earn him a ship and a crew of men, but does earn him an ass kicking out of Bagdad.

It is only when the princess is shrunk by an evil spell, the breaking of which requires the shell from the egg of the giant Roc – which (what-da-ya-know) resides on Colossa – that Sokurah can get his expedition mounted, with Sinbad in command.

But it’s not that everything is perfect. With a crew made up of a handful of his bravest men and some of the most desperate convicts in the Caliph’s prison, he has to contend with potential mutiny at every turn. It’s a constant bickering, fighting and arguments. Ugh! In fact, the men are driven almost to madness before they even reach Colossa.

The Genie with Sinbad's future wife.
The Genie gets along with the future Mrs. Sinbad. She crawls into the Genie’s lair and it’s all sort of like the lair from the television show “I dream of Genie”. Together they work out and hatch a plan.

Once there, at the island, they continue to find problems and strife. Obviously, they find terrors as great as the Cyclops and the treachery of the magician, but something else happens. Future Mrs. Sinbad; Parisa – in her tiny state – also discovers the beautiful world inside the lamp, and the lonely boy Genie (Richard Eyer) who inhabits it.

They strike the bargain that, when Sinbad’s bravery is added to the equation, will bring their quest to an end. If, that is, they can all survive the dangers that Sokurah puts in their path.

Sinbad at the helm.
Sinbad at the helm of his state of the art, ocean going vessel. He is the fellow in command, and he over comes everything to achieve his goals and his dreams.

At this point for the record, I would note that when he was told this, no one specifically said that he wasn’t supposed to stop by the princess’s bedroom and use a magic potion to shrink her down to the size of a corndog. It’s a strange world we live in, and when you start mixing magical spells, potions and evil sorcerers together, you will find many surprises awaiting you in the bedroom.

Clearly, the only way to fix this is with the help of a very powerful sorcerer.

Sinbad finds Sokurah just as he’s about to leave town and pleads for his help. It turns out to be no problem for Sokurah to reverse the spell. In fact, he knows the counter-spell and only needs to procure one ingredient. It’s the shell of giant Roc’s egg.

A pensive Sinbad.
Oh, you think that you have it tought in your life. Imagine what it would be like with magic spells, monsters, evil wizards and jealous women. It is no wonder that Sinbad is so pensive.

Ah, the shell of the egg.

But that’s only available on the island of Colossa and we already know you don’t want to go there, right Sinbad? Well, right?

Still politics are politics, and if you don’t play your cards right, the result could be war! Thus, with the princess’s father immediately threatening war on Bagdad (despite Bagdad obviously having nothing to do with the incredible shrinking Parisa – but that’s an argument for another time), a shift in policy occurs and the next thing you know, a ship is being outfitted. As such, a big crossbow is being built and Sinbad is attempting to recruit a crew.

But where would you get a crew from for what is surely a suicide mission right into the heart of monster country?

Sindbad with lovely Parisa.
Sindbad with lovely Parisa. Obviously back up to full size with all the curves in the right places, and ready to experience all that life can throw at her.

Where do most guys for suicide missions come from?

Indeed, you find them at the toughest prison in whatever location the recruiting is being done in! I was thinking that we might be in for a Dirty Dozen-style affair with off-beat characters each with a specialized skill (forger, demolitions expert, scrounger, drunk) that would come in handy for this trek.

The "Big Leagues" Arabian style.
The “Big Leagues” Arabian style. Sinbad and his lovely future bride at the club with the biggest players in the known world (at that time). They are eating fine delicious and exotic foods, and experiencing all the earthly pleasures and delights available to them. Partying on Arabian style.

However, the intention of them being so vicious and crazy that they turn out to be the best dang fighting machine ever assembled doesn’t happen. Instead, these cons are so vicious and crazy that they mutiny as soon as they set sail. Not only that, but they attempt to take over the ship!

Unsurprisingly, the movie is filled with fantastic creatures and some very impressive visuals. The cyclops is a fearsome beast with great animation (based on the critter from 20 Million Miles to Earth) and fantastic integration into most scenes. This guy ranks right up there with the best of Harryhausen. A climactic skeleton battle is also highly impressive, with stunning choreography providing some damned impressive integration with real actors. It’s a stunningly well-realized scene. 

 -Revisiting Ray Harryhausen’s 1958 classic, The 7th Voyage of Sinbad 

Things don’t go any more smoothly once they hit Cyclops Island. If you can imagine. Treasure, a genie, and guy getting roasted alive are among the highlights.

Sinbad promising his future wife that everything will work out fine once he takes care of shopping.
Sinbad promising his future wife that everything will work out fine once he takes care of shopping. First on the list; the dairy isle. He has to go ahead and get some rather large eggs.

Conclusion

This is by far the best of the three fantasy adventure movies that Kerwin Matthews (Sinbad) made during this era. If you have the time and the inclination, I would strongly recommend a rewatch of this movie. Preferably on a hazy hot dog-day afternoon in August, or a cold snowy blistery Saturday afternoon in January. I promise that it will reawaken the boyhood in you (if you are a man), the nurturing and strong lady in you (if you are a lass), or complete revulsion (if you are gender-confused).

Links

Here’s some decent links that you all might want to take a look at.

Torrent Links

You can watch it for free if you don’t mind waiting a half an hour to half a day to download the torrent.

For those of you who are unaware. Torrents are parts of files that are spread out in tiny packets all over the internet. You use a "Bit Torrent" client to vacuum up all those little bits and pieces of the file. It then assembles the file into a movie that you can watch. The time that this takes can vary from a few minutes to weeks depending on how popular or obscure your searched file is.

You will need an application to manage the download. I recommend the free application VUZE. To download the video is thus easy. Install VUZE, and then click on one of the following torrent links.

Depending on where you live, you might not have the freedom to access these sites and the ISP might block them from access, or the search engines might black out their search results. Americans, in particular, might have some real problems. Therefore, I listed the most accessible torrent sites available to Americans. Pirate Bay and 1337X. I think that Kick Ass Torrents is still blocked for all Americans.

Stories that Inspired Me

Here are reprints in full text of stories that inspired me, but that are nearly impossible to find in China. I place them here as sort of a personal library that I can use for inspiration. The reader is welcome to come and enjoy a read or two as well.

Link
Space Cadet (Full Text) by Robert Heinlein
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The Last Night
The Flying Machine
A story of escape.
All Summer in a day.
The Smile by Ray Bradbury
The menace from Earth
Delilah and the Space Rigger
Life-Line
The Tax-payer
The Pedestrian
Time for the stars.
Glory Road by Robert Heinlein
Starman Jones (Full Text) by Robert Heinlein.
The Lottery (Full Text) by Shirley Jackson
The Cold Equations (Full Text)
Farnham's Freehold (Full Text) by Robert Heinlein
Invisible Boy (Full Text) by Ray Bradbury
Job: A Comedy of Justice (Full Text) by Robert Heinlein
Spell my name with an "S" by Isaac Asimov
The Proud Robot (Full Text)
The Time Locker
Not the First (Full Text) by A.E. van Vogt

My Poetry

My Kitten Knows

Articles & Links

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