Playing around with CrAIyon

OK, so as of late, I have been experimenting with this “new” kind of Artificial Intelligence system. This one takes a sentence, a statement and then generates art from it. It’s fun, cool and quite an amusement. Something that I am just starting to “toy around with”.

2023 04 26 11 11
2023 04 26 11 11

And here’s my first attempt…

First trial

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2023 04 26 11 13

My images

I just screen-shot them…

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2023 04 26 11 a16
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2023 04 26 11 16

Second Trial

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2023 04 26 11 19

The image matrix

2023 04 26 11 20s
2023 04 26 11 20s
2023 04 26 11 20a
2023 04 26 11 20a

Your Turn

Go click on this link to try it yourself…

CrAIyon

Playing around with Stable-diffusion

OK, so as of late, I have been experimenting with this “new” kind of Artificial Intelligence system. This one takes a sentence, a statement and then generates art from it. It’s fun, cool and quite an amusement. Something that I am just starting to “toy around with”.

This is pretty good. Style options are not present, though.

2023 04 26 10 38
2023 04 26 10 38

The first try pictures

4 rabbit
4 rabbit
3 rabbit
3 rabbit
2 rabbit
2 rabbit
1 rabbit
1 rabbit

My second try

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2023 04 26 10 42

My second try pictures

biff 4
biff 4
biff 3
biff 3
biff 2
biff 2
biff 1
biff 1

My third try

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2023 04 26 10 54

My pictures from the third try

pres 4
pres 4
pres 3
pres 3
pres 2
pres 2
pres 1
pres 1

My fourth try

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2023 04 26 10 58a

The images

a4
a4
a3
a3
a2
a2
a1
a1

My fifth try

2023 04 26 11 06
2023 04 26 11 06

The images

in 4
in 4
in 3
in 3
in 2
in 2
in 1
in 1

Your Turn

Go click on this link to try it yourself…

Stable-diffusion

Playing around with runwayML

OK, so as of late, I have been experimenting with this “new” kind of Artificial Intelligence system. This one takes a sentence, a statement and then generates art from it. It’s fun, cool and quite an amusement. Something that I am just starting to “toy around with”.

Personally, I do not like the results…

2023 04 25 15 40
2023 04 25 15 40
2023 04 25 15 39
2023 04 25 15 39
2023 04 25 15 38e
2023 04 25 15 38e
2023 04 25 15 38
2023 04 25 15 38
2023 04 25 15 37
2023 04 25 15 37
2023 04 25 15 36
2023 04 25 15 36

Your Turn

Go click on this link to try it yourself…

RunwayML

Playing around with Dreamstudio.AI

OK, so as of late, I have been experimenting with this “new” kind of Artificial Intelligence system. This one takes a sentence, a statement and then generates art from it. It’s fun, cool and quite an amusement. Something that I am just starting to “toy around with”.

This one takes a little bit of time to figure out and work with, but it’s not that difficult.

You upload a “seeder” image. Blur it to represent the amount of change you want, pick a style. Write a description and the AI does the rest…

2023 04 25 15 10
2023 04 25 15 10

Here’s some examples when I typed in a sentence, and then clicked on the style icon…

I think that it is fun.

3136204005 tomato soup and cheese sandwich xl beta v2 2 2
3136204005 tomato soup and cheese sandwich xl beta v2 2 2
2151311876 tomato soup and cheese sandwich xl beta v2 2 2
2151311876 tomato soup and cheese sandwich xl beta v2 2 2

Now, let’s put a completely different image in the system. Everything else stays the same…

2023 04 25 15 16
2023 04 25 15 16

Some notes

This is part of a much larger “package” of tools for image manipulation and what-not. All in all it holds promise.

Go HERE to see the full “toolbox”.

Money issues

You need to purchase “credits’ to continue using this product.

It shows promise, but playing around for ten minutes isn’t enough time for me to judge it’s worth and utility.

I probably will get back to it and play around some more. Just not right now. I have others that I will evaluate before then.

2023 04 25 15 22
2023 04 25 15 22

Your Turn

Go click on this link to try it yourself…

DreamstudioAI

Playing around with Pixlr-X

OK, so as of late, I have been experimenting with this “new” kind of Artificial Intelligence system. This one takes a sentence, a statement and then generates art from it. It’s fun, cool and quite an amusement. Something that I am just starting to “toy around with”.

2023 04 25 11 35
2023 04 25 11 35

Here’s some examples when I typed in a sentence, and then clicked on the style icon…

I think that it is fun.

Some of my art renderings…

I just set up a brief sentence (I only have five tries), and then conducted variations…

2023 04 25 11 33y
2023 04 25 11 33y
2023 04 25 11 33b
2023 04 25 11 33b
2023 04 25 11 33s
2023 04 25 11 33s
2023 04 25 11 32re
2023 04 25 11 32re
2023 04 25 11 32
2023 04 25 11 32
2023 04 25 11 31
2023 04 25 11 31
2023 04 25 11 31a
2023 04 25 11 31a

Your Turn

Go click on this link to try it yourself…

Pixlr-X

Playing around with Dream by Wombo

OK, so as of late, I have been experimenting with this “new” kind of Artificial Intelligence system. This one takes a sentence, a statement and then generates art from it. It’s fun, cool and quite an amusement. Something that I am just starting to “toy around with”.

The capabilities of artificial intelligence just keep expanding, and this includes different kinds of art. We’re going to introduce you to an app that lets you create digital images with the help of AI technology.

Dream by Wombo is available for mobile and online, but the former has more to offer. Learn how to use this AI artwork mobile app and what you can expect from it in just a few steps.
2023 04 25 12 05
2023 04 25 12 05

Here’s some examples when I typed in a sentence, and then clicked on the style icon…

2023 04 25 12 08
2023 04 25 12 08

I think that it is fun.

Now, I did all of this on my computer. But you don’t need to. You can download the APP.

Summary on this…

It’s good.

It’s free, though you can buy a premium subscription.

It produces basic, recognizable art. The art style is cute / childish / basic illustration. Suitable for graphics, presentations and children’s books.

It makes nice renderings of cats and kittens. And after all, if you cannot render a kitty, then what is your value?

APP

This app is perfect for decorating books, websites, walls, or custom playlist art without hiring a professional illustrator or graphic designer. It’s fast and easy.

Whether you’re on your phone or computer, Dream by Wombo’s AI can quickly produce stunning images in an artistic style of your choice with a simple prompt.

The browser-based version is simple enough to use and has a Mint as NFT option, while it lets you download or buy a print of your AI artwork. The mobile app, however, puts more tools at your disposal.

We’re going to show you how to use Dream by Wombo on your smartphone or tablet, step by step. But first, make sure you have the app.

Download: Dream by Wombo for AndroidiOS (Free)

Some of my art renderings…

dream TradingCard37
dream TradingCard37
dream TradingCard13
dream TradingCard13
dream TradingCard12
dream TradingCard12
dream TradingCard26
dream TradingCard26
dream TradingCard25
dream TradingCard25
dream TradingCard24
dream TradingCard24
dream TradingCard23
dream TradingCard23
dream TradingCard22
dream TradingCard22
dream TradingCard21
dream TradingCard21
dream TradingCard20
dream TradingCard20
dream TradingCard19
dream TradingCard19
dream TradingCard18
dream TradingCard18
dream TradingCard17
dream TradingCard17
dream TradingCard16
dream TradingCard16
dream TradingCard30
dream TradingCard30
dream TradingCard36
dream TradingCard36
dream TradingCard35
dream TradingCard35
dream TradingCard34
dream TradingCard34
dream TradingCard33
dream TradingCard33
dream TradingCard32
dream TradingCard32
dream TradingCard31
dream TradingCard31
dream TradingCard29
dream TradingCard29
dream TradingCard28
dream TradingCard28
dream TradingCard15
dream TradingCard15
dream TradingCard14
dream TradingCard14
dream TradingCard11
dream TradingCard11
dream TradingCard10
dream TradingCard10
dream TradingCard9
dream TradingCard9
dream TradingCard8
dream TradingCard8
dream TradingCard7
dream TradingCard7
dream TradingCard6
dream TradingCard6
dream TradingCard5
dream TradingCard5
dream TradingCard40
dream TradingCard40
dream TradingCard39
dream TradingCard39
dream TradingCard38
dream TradingCard38
dream TradingCard4
dream TradingCard4
dream TradingCard3
dream TradingCard3
dream TradingCard2
dream TradingCard2
dream TradingCard1
dream TradingCard1
dream TradingCard
dream TradingCard

Your Turn

Go click on this link to try it yourself…

Dream

Playing around with Nightcafe

OK, so as of late, I have been experimenting with this “new” kind of Artificial Intelligence system. This one takes a sentence, a statement and then generates art from it. It’s fun, cool and quite an amusement. Something that I am just starting to “toy around with”.

2023 04 25 16 02
2023 04 25 16 02

My first attempt

2023 04 25 16 05
2023 04 25 16 05

Alteration 1

2023 04 25 16 07
2023 04 25 16 07

The results

mWh6BvWZ0AmfFCN7Xq5O 4 rjccz
mWh6BvWZ0AmfFCN7Xq5O 4 rjccz
mWh6BvWZ0AmfFCN7Xq5O 3 oc4qj
mWh6BvWZ0AmfFCN7Xq5O 3 oc4qj
mWh6BvWZ0AmfFCN7Xq5O 1 1miqo
mWh6BvWZ0AmfFCN7Xq5O 1 1miqo
mWh6BvWZ0AmfFCN7Xq5O grid
mWh6BvWZ0AmfFCN7Xq5O grid

Alteration 2

Rabbits instead of cats. Same style generator.

2023 04 25 16 13
2023 04 25 16 13

The results

NTl4T9TmgngkShCwLqfF 4 7cmm7
NTl4T9TmgngkShCwLqfF 4 7cmm7
NTl4T9TmgngkShCwLqfF 3 agt6a
NTl4T9TmgngkShCwLqfF 3 agt6a
NTl4T9TmgngkShCwLqfF 2 ipm8q
NTl4T9TmgngkShCwLqfF 2 ipm8q
NTl4T9TmgngkShCwLqfF 1 p0t5n
NTl4T9TmgngkShCwLqfF 1 p0t5n
NTl4T9TmgngkShCwLqfF grid
NTl4T9TmgngkShCwLqfF grid

Alteration 3

Changed the preset to Anime.

2023 04 25 16 15
2023 04 25 16 15

Your Turn

Go click on this link to try it yourself…

NightCafe

Playing around with DeepAI

OK, so as of late, I have been experimenting with this “new” kind of Artificial Intelligence system. This one takes a sentence, a statement and then generates art from it. It’s fun, cool and quite an amusement. Something that I am just starting to “toy around with”.

2023 04 24 21 22
2023 04 24 21 22

DeepAI offers an easy-to-use text-to-image generator that produces decent results with the right prompts. There are many image styles on offer, and almost half of those are free.

The free ones include basic text-to-image, cute creatures, fantasy worlds, cyberpunk, old, renaissance painting, and abstract, among a few others.

All of these styles produce images according to that theme, pretty much like the other tools on this list. However, among these styles, there is a logo generator as well that you can use to produce interesting logo ideas. It’s particularly useful for artists who are looking for inspiration to build on or to overcome a block.

Here’s some examples when I typed in a sentence, and then clicked on the style icon…

2023 04 24 20 12
2023 04 24 20 12

Pretty good.

You need to play with it, because if you use the wrong feed generation icon, your images won’t look “right”.

Here, I used the architectural icon for a house-based sentence…

2023 04 24 21 01
2023 04 24 21 01

I think that it is fun.

Some of my art renderings…

This one tuned out pretty good…

8R6PLiBj
8R6PLiBj
a 88aa0g
a 88aa0g
kEKcarf7
kEKcarf7
IepYGqeH
IepYGqeH
YANr vfv
YANr vfv
kT8YfW85
kT8YfW85
07pjuIFb
07pjuIFb
kBYZqMFq
kBYZqMFq
QrFSv12X
QrFSv12X
M7niZQZu
M7niZQZu
frELcIXz
frELcIXz
feYmB5U1
feYmB5U1
H9Cdw I9
H9Cdw I9
NT7GkYt0
NT7GkYt0
8YbCW0eT
8YbCW0eT
X7O4 E04
X7O4 E04
l180aZdx
l180aZdx
QTPwZBYd
QTPwZBYd
W Pq5g5n
W Pq5g5n
LKQApQFE
LKQApQFE
86Cp0M2U
86Cp0M2U
7H4p0ejU
7H4p0ejU
ppYTQpTe
ppYTQpTe
WbFEboto
WbFEboto
NvD97LPe
NvD97LPe
hrk7DX6O
hrk7DX6O
56mcsTds
56mcsTds
c6k fKPu
c6k fKPu
vuA4OUB7
vuA4OUB7
2afEpM8D
2afEpM8D

Your Turn

Go click on this link to try it yourself…

DeepAI

Awesome Movies – Army of Darkness

Happy Easter everyone. I hope that you are spending time together with loved one, relaxing and chilling out. For the Metallic-family, we went out and visited a couple of new malls, and ate some fine delicious Thai food, and some mild Hunan food. With wine and beer. Of course.

Later on, it’s a nice long relaxing afternoon with some silly and easy to watch movies to chill to. Please let’s dust off this crazy movie and pop it in the VCR. Listen to the tape a whirl, and watch the movie with a bowl of chips and a chill out attitude.

The Background

The Evil Dead series, both in the cinematic and television forms, has a marvelously delirious history. An original film financed on a shoestring budget that plays its horror-centric tone mostly straight but with a few chuckle inducing moments, a sequel that is in essence a remake of the original and was originally supposed to follow the plot of the third film, said third film that goes off in a completely different direction, and now a TV series, 22 years later, that makes no reference to the third installment for legal reasons, therefore technically continuing the story of the first film but unquestionably borrowing the slapstick, overly comedic identity of the third movie. Few popular franchises can claim to having a developmental history has complicated and hard fought as Evil Dead, although one would struggle to consider that a virtue. All that being said, Army of Darkness, which premiered in 1992 but was only released wide in February of 1993, is arguably the most interesting, unique and important entry.

-popoptiq

The Characters

  • Ash – Our legendary demon-slaying, lady-killing, chainsaw-wielding, S-Mart employee. Oh, and he also accidentally invented breakdancing by slipping on milk curd.
  • Sheila – She knows that the best way to catch a man’s eye is to slap the snot out of him. She also knows that the best way to keep a man is to bear him male children, and not to have syphilis.
  • Arthur – Noble born leader of the blighted lands, a real goody-goody two-shoes.
  • Wiseman – One of the worst things about the dark ages is that the world was filled with all sorts of evil spirits, fantastic monsters, and eldritch magic. The Wiseman’s job was to know the weakness of every possible supernatural peril. “Silver weapons, running water, garlic, a charm made from the toe of a saint” – those sorts of things. Everybody else knew that the old freaks were just making it up as they went along, but nobody cared, so long as the wards worked.
  • Duke Henry – Red haired and bearded leader of the northern kingdoms.
  • Bad Ash – Created after Ash swallows a tiny version of himself, then grows two heads, then splits into two people…oh forget it, he’s an evil and rotting version of Ash. Turned into a firework.
  • Little Ash’s – These miniature menaces terrorize Ash for a while. Some get stomped, one gets eaten.
  • The Army of the Dead – Hundreds of skeletons that are chopped to bits, blown apart, or crushed.

The Plot

The Army of Darkness is a remarkably silly movie. And it is just perfect to watch on lazy Easter Afternoons.

The beginning of “Army of Darkness” makes a slight adjustment to the end of Evil Dead 2. Originally, Ash is sucked through the wormhole, gets dumped out somewhere in time south of the Renaissance, blasts a flying Deadite, and is immediately worshipped as a delivering saint by a group of medieval warriors. Here we have Ash mistaken as part of Duke Henry’s army, the force that Lord Arthur has just routed from the field of battle. Poor Ash finds himself a prisoner of Lord Arthur, locked in a stock and told to schlep it along.

Back in those days there were not any federally-funded maximum security prisons. Heck, there were not even any small continents or large islands so that a country of Queen-loving citizens could banish their criminals (and the criminals’ children, and their children, and so on) to lifelong incarceration upon the too-big-for-an-island / sort-of-small-to-be-a-continent. Lord Arthur’s solution to this conundrum is that the last of Duke Henry’s men are to be tossed into the Pit. Inside the Pit are Deadites. Obviously, Ash does not want to go into the Pit, but that is exactly where he gets pushed. Things look really bad for our hero, but the Wiseman tosses Ash his chainsaw as a Deadite closes in for the kill. Armed with his trusty chainsaw, Ash is more than a match for any demon. The Deadite quickly becomes just plain old dead.

After he climbs out of the pit, Ash recovers his sawed-off double-barreled shotgun, and then berates the unwashed masses of medieval citizenry (nobles, serfs, and vassals). The good Lord Arthur finds it difficult to say no to a man who carries a boomstick and who eats soul-eating Deadites for lunch. The nobleman can only glare as Ash takes up residence in the central keep, and sets about enjoying the service of the serving wenches. Even a surprise visit by a Deadite hag just further cements Ash in place as a royal thorn in Arthur’s royal side.

For his part, Ash effectively tells Arthur and the Wiseman that they can have the Middle Ages. All that Ash wants to do is go home. He does take a break from yearning for 1992 long enough to construct a mechanical iron hand to replace the one he lost in “Evil Dead 2.” He also puts aside his animosity towards Sheila (they had a rough start) and starts making it with the “Doth do maketh my heart warm with thy presence” sort of stuff.

I am not sure why Ash insists on returning to the present. Maybe he wants to avoid cholera, syphilis, and the Black Plague, but he will be doing that at the expense of a lot of quality time that could be spent eating grapes and wenching. Ah, wenching. Out of everything the Middle Ages stood for, I miss wenching the most. If you ever make it to 784 AD, make sure that you sample the wenches.

The Wiseman finally convinces Ash that the only way he can ever get back home is by undertaking a quest to recover the Necromonicon from a haunted graveyard. Now, Ash is an extremely groovy kind of guy, but he has a hard enough time staying out of Deadite-spawned trouble in his own living room. Mucking around in the land of the dead is going to have serious consequences. The first of those is that Ash gets chased around the haunted forest that is near the haunted graveyard by invisible motorcycles. The second issue created by Ash’s foray into the world of spirits, spells, and specters takes place inside an old windmill. A shattered mirror turns into a mob of tiny troublemaking Ash clones! They poke him with forks, drop things on his head, and generally make Ash wish that he had never had children of any sort. Once he gets the little hellions under control, Ash then has to deal with his alternate Deadite ego, Bad Ash.

One boomstick later, there is only one Ash standing. He is a bad-a**, but not Bad Ash.

Ash does finally reach the graveyard and recover the book (after dealing with two cursed imitation tomes). However, he does not correctly take possession of the Book of the Dead. Yep, Ash flubs “klaatu barada nikto.” As a result, the dead are woken from their endless sleep. Hundreds of skeletons assemble themselves into a massive army, with Bad Ash assuming command as the undead horde’s general. Now Lord Arthur has something worse than the proto-Scots and Deadite intrusions to deal with. Social Security was not created until the 20th Century; figuring out what to do about hundreds of the walking dead who refuse to stay in their graves is a big problem for a medieval noble.

Actually, Arthur and Ash decide to solve the problem the way that most problems were solved during the Middle Ages: they will have a battle!

To prepare for the battle, Ash and the other defenders of Arthur’s castle turn to the textbooks that were in the trunk of Ash’s car (the vehicle was also sucked back in time). I must say, Ash pursued some unusual subjects in college. How often does someone get to say, “That semester of ‘Steam Power 101’ really paid off!” in their life? Unfortunately, the hero has to make his preparations for Ragnarok without indulging in the time-honored tradition of pre-battle nookie, because Sheila is whisked away by a Deadite gargoyle. The next time that Ash sees his gentle lady, she is a Deadite witch and a real ball-breaker.

The Army of Darkness that attacks the castle finds itself on the receiving end of exploding arrows, catapult-lobbed bombs, and even a car that looks like the result of an Oldsmobile having sex with a windmill. Bones are crushed by the human defenders, but the walls are eventually breached, and Ash has a final skin-shedding reckoning with Bad Ash. The evil army is routed, and the only thing left for Ash to do is to go home to his own time. There are two different endings to this movie. In one, we see Ash back at S-Mart, defending the customers and employees from a surprise Deadite incursion. In the other, Ash hits the Rip Van Winkle bottle a little too much and sleeps well past doomsday.

I like “Evil Dead 2” more than “Army of Darkness.” Yet, this is an entertaining cult film. You could even call it a gruesomely groovy comedy. The movie is filled with Three Stooges-style slapstick, and the head-bangs and eye-pokes are so well done that I get nostalgic to watch some old Stooges’ shorts. Still, the reason that everybody loves Ash is that he has some great lines, the likes of which haven’t been seen since the Stallone and Schwarzenegger action films of the 1980s, and he delivers them with style.

Things I learned from this movie

Ash finds himself thrown back in time and must discover the modicum of generosity he never thought he had inside him by fending off hoards of skeleton soldiers and a hulking evil version of himself in order to protect a small but brave kingdom before returning back to present day.
  • In ye olde days “public transportation” meant being chained to the nobleman’s horse and dragged along behind him.
  • Knights often fall for the old “your shoelace is untied” trick.
  • Department store employees know how to construct robotic limbs.
  • The difference between an ear and a pancake is academic.
  • Stonehenge was a public library.
  • Never mumble the magic words.
  • Jay Leno’s chin is the product of an unfortunate childhood accident involving a vacuum.
  • No ex-girlfriend is worth wrecking your car over.
  • When wrestling a skeleton, always remember that they are vulnerable to the backbreaker.

Stuff To Watch For:

Army of Darkness.
  • 5 mins – You know, “The Gods Must Be Crazy” would have been more interesting if the main guy had found a chainsaw instead of that bottle.
  • 10 mins – That guy obviously suffered from high blood pressure.
  • 18 mins – Pretty cheap for a double-barreled shotgun. Hey, did the barrel length just change?
  • 21 mins – You sound like my grandmother.
  • 26 mins – Detroit?
  • 32 mins – We have gone from “The Amazing Colossal Man” to “Gulliver’s Travels” to “The Manster” and now we are on “The Incredible Two-Headed Transplant.” What is next, “The Birds?”
  • 38 mins – Oops, looks like you found the dreaded Hoovernomicon: The Book of the Suck.
  • 51 mins – For a moment there I was worried that a song was coming on.
  • 53 mins – Skeletal musicians: +1 combat result.
  • 65 mins – Amy Winehouse?

Conclusion

Army of Darkness.
It is, in a nutshell, a melding of two films: an Evil Dead film and a medieval fantasy action comedy. No one in their right mind would seriously consider the movie to be an outright horror film. Granted, it features some ingredients that would be right at home in a horror movie, but so much of what Raimi and company want to provide is far more along the lines of an action adventure story soaked in the sort of slapstick humour Raimi is known for being a humungous fan of. 

-popoptiq

Do you want more?

Ai! I have more in my Movie Index here…

MOVIES

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And access to my Master Index

Master Index

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Articles & Links

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The Star by Arthur C Clarke (full text)

This is a nice short story by Arthur C. Clarke. It is titled “The Star”. It’s actually wonderful. It’s the reason why many of us started reading science fiction short stories in the first place.

The Star

From The Nine Billion Names of God: The Best Short Stories of Arthur C. Clarke

It is three thousand light-years to the Vatican. Once, I believed that space could have no power over faith, just as I believed the heavens declared the glory of God’s handwork. Now I have seen that handiwork, and my faith is sorely troubled. I stare at the crucifix that hangs on the cabin wall above the Mark VI Computer, and for the first time in my life I wonder if it is no more than an empty symbol.

I have told no one yet, but the truth cannot be concealed. The facts are there for all to read, recorded on the countless miles of magnetic tape and the thousands of photographs we are carrying back to Earth. Other scientists can interpret them as easily as I can, and I am not one who would condone that tampering with the truth which often gave my order a bad name in the olden days.

The crew were already sufficiently depressed: I wonder how they will take this ultimate irony. Few of them have any religious faith, yet they will not relish using this final weapon in their campaign against me—that private, good-natured, but fundamentally serious war which lasted all the way from Earth. It amused them to have a Jesuit as chief astrophysicist: Dr. Chandler, for instance, could never get over it. (Why are medical men such notorious atheists?) Sometimes he would meet me on the observation deck, where the lights are always low so that the stars shine with undiminished glory. He would come up to me in the gloom and stand staring out of the great oval port, while the heavens crawled slowly around us as the ship turned over and over with the residual spin we had never bothered to correct.

“Well, Father,” he would say at last, “it goes on forever and forever, and perhaps Something made it. But how you can believe that Something has a special interest in us and our miserable little world—that just beats me.” Then the argument would start, while the stars and nebulae would swing around us in silent, endless arcs beyond the flawlessly clear plastic of the observation port.

It was, I think, the apparent incongruity of my position that cause most amusement among the crew. In vain I pointed to my three papers in the Astrophysical Journal, my five in the Monthly Notices of the Royal Astronomical Society. I would remind them that my order has long been famous for its scientific works. We may be few now, but ever since the eighteenth century we have made contributions to astronomy and geophysics out of all proportion to our numbers. Will my report on the Phoenix Nebula end our thousand years of history? It will end, I fear, much more than that.

I do not know who gave the nebula its name, which seems to me a very bad one. If it contains a prophecy, it is one that cannot be verified for several billion years. Even the word “nebula” is misleading; this is a far smaller object than those stupendous clouds of mist—the stuff of unborn stars—that are scattered throughout the length of the Milky Way. On the cosmic scale, indeed, the Phoenix Nebula is a tiny thing—a tenuous shell of gas surrounding a single star.

Or what is left of a star. . .

The Rubens engraving of Loyola seems to mock me as it hangs there above the spectrophotometer tracings. What would you, Father, have made of this knowledge that has come into my keeping, so far from the little world that was all the Universe you knew? Would your faith have risen to the challenge, as mine has failed to do?

You gaze into the distance, Father, but I have traveled a distance beyond any that you could have imagined when you founded our order a thousand years ago. No other survey ship has been so far from Earth: we are at the very frontiers of the explored Universe. We set out to reach the Phoenix Nebula, we succeeded, and we are homeward bound with our burden of knowledge. I wish I could lift that burden from my shoulders, but I call to you in vain across the centuries and the light-years that lie between us.

On the book you are holding the words are plain to read. AD MAIOREM DEI GLORIAM, the message runs, but it is a message I can no longer believe. Would you still believe it, if you could see what we have found?

We knew, of course, what the Phoenix Nebula was. Every year, in our Galaxy alone, more than a hundred stars explode, blazing for a few hours or days with hundreds of times their normal brilliance until they sink back into death and obscurity. Such are the ordinary novas—the commonplace disasters of the Universe. I have recorded the spectrograms and light curves of dozens since I started working at the Lunar Observatory.

But three or four times in every thousand years occurs something beside which even a nova pales into total insignificance.

When a star becomes a supernova, it may for a little while outshine all the massed suns of the Galaxy. The Chinese astronomers watched this happen in A.D. 1054, not knowing what it was they saw. Five centuries later, in 1572, a supernova blazed in Cassiopeia so brilliantly that it was visible in the daylight sky. There have been three more in the thousand years that have passed since then.

Our mission was to visit the remnants of such a catastrophe, to reconstruct the events that led up to it, and, if possible, to learn its cause. We came slowly in through the concentric shells of gas that had been blasted out six thousand years before, yet were expanding still. They were immensely hot, radiating even now with a fierce violet light, but were far too tenuous to do us any damage. When the star had exploded, its outer layers had been driven upward with such speed that they had escaped completely from its gravitational field. Now they formed a hollow shell large enough to engulf a thousand solar systems, and at its center burned the tiny, fantastic object which the star had now become—a White Dwarf, smaller than earth, yet weighing a million times as much.

The glowing gas shells were all around us, banishing the normal night of interstellar space. We were flying into the center of the cosmic bomb that had detonated millennia ago and whose incandescent fragments were still hurtling apart. The immense scale of the explosion, and the fact that the debris already covered a volume of space many millions of miles across, robbed the scene of any visible movement. It would take decades before the unaided eye could detect any motion in these tortured wisps and eddies of gas, yet the sense of turbulent expansion was overwhelming.

We had checked our primary drive hours before, and were drifting slowly toward the fierce little star ahead. Once it had been a sun like our own, but it had squandered in a few hours the energy that should have kept it shining for a million years. Now it was a shrunken miser, hoarding its resources as if trying to make amends for its prodigal youth.

No one seriously expected to find planets. If there had been any before the explosion, they would have been boiled into puffs of vapor, and their substance lost in the greater wreckage of the star itself. But we made the automatic search, as we always do when approaching an unknown sun, and presently we found a single small world circling the star at an immense distance. It must have been the Pluto of this vanished Solar System, orbiting on the frontiers of the night. Too far from the central sun ever to have known life, its remoteness had saved it from the fate of all its lost companions.

The passing fires had seared its rocks and burned away the mantle of frozen gas that must have covered it in the days before the disaster. We landed, and we found the Vault.

Its builders had made sure that we should. The monolithic marker that stood above the entrance was now a fused stump, but even the first long-range photographs told us that here was the work of intelligence. A little later we detected the continent-wide pattern of radioactivity that had been buried in the rock. Even if the pylon above the Vault had been destroyed, this would have remained, an immovable and all-but eternal beacon calling to the stars. Our ship fell toward this gigantic bull’s eye like an arrow into its target.

The pylon must have been a mile high when it was built, but now it looked like a candle that had melted down into a puddle of wax. It took us a week to drill through the fused rock, since we did not have the proper tools for a task like this. We were astronomers, not archaeologists, but we could improvise. Our original purpose was forgotten: this lonely monument, reared with such labor at the greatest possible distance from the doomed sun, could have only one meaning. A civilization that knew it was about to die had made its last bid for immortality.

It will take us generations to examine all the treasures that were placed in the Vault. They had plenty of time to prepare, for their sun must have given its first warnings many years before the final detonation. Everything that they wished to preserve, all the fruits of their genius, they brought here to this distant world in the days before the end, hoping that some other race would find it and that they would not be utterly forgotten. Would we have done as well, or would we have been too lost in our own misery to give thought to a future we could never see or share?

If only they had had a little more time! They could travel freely enough between the planets of their own sun, but they had not yet learned to cross the interstellar gulfs, and the nearest Solar System was a hundred light-years away. Yet even had they possessed the secret of the Transfinite Drive, no more than a few millions could have been saved. Perhaps it was better thus.

Even if they had not been so disturbingly human as their sculpture shows, we could not have helped admiring them and grieving for their fate. They left thousands of visual records and the machines for projecting them, together with elaborate pictorial instructions from which it will not be difficult to learn their written language. We have examined many of these records, and brought to life for the first time in six thousand years the warmth and beauty of a civilization that in many ways must have been superior to our own. Perhaps they only showed us the best, and one can hardly blame them. But their worlds were very lovely, and their cities were built with a grace that matches anything of man’s. We have watched them at work and play, and listened to their musical speech sounding across the centuries. One scene is still before my eyes—a group of children on a beach of strange blue sand, playing in the waves as children play on Earth. Curious whiplike trees line the shore, and some very large animal is wading in the shallows, yet attracting no attention at all.

And sinking into the sea, still warm and friendly and life-giving, is the sun that will soon turn traitor and obliterate all this innocent happiness.

Perhaps if we had not been so far from home and so vulnerable to loneliness, we should not have been so deeply moved. Many of us had seen the ruins of ancient civilizations on other worlds, but they had never affected us so profoundly. This tragedy was unique. It is one thing for a race to fail and die, as nations and cultures have done on Earth. But to be destroyed so completely in the full flower of its achievement, leaving no survivors—how could that be reconciled with the mercy of God?

My colleagues have asked me that, and I have given what answers I can. Perhaps you could have done better, Father Loyola, but I have found nothing in the Exercitia Spiritualia that helps me here. They were not an evil people: I do not know what gods they worshiped, if indeed they worshiped any. But I have looked back at them across the centuries, and have watched while the loveliness they used their last strength to preserve was brought forth again into the light of their shrunken sun. They could have taught us much: why were they destroyed?

I know the answers that my colleagues will give when they get back to Earth. They will say that the Universe has no purpose and no plan, that since a hundred suns explode every year in our Galaxy, at this very moment some race is dying in the depths of space. Whether that race has done good or evil during its lifetime will make no difference in the end: there is no divine justice, for there is no God.

Yet, of course, what we have seen proves nothing of the sort. Anyone who argues thus is being swayed by emotion, not logic. God has no need to justify His actions to man. He who built the Universe can destroy it when He chooses. It is arrogance—it is perilously near blasphemy—for us to say what He may or may not do.

This I could have accepted, hard though it is to look upon whole worlds and peoples thrown into the furnace. But there comes a point when even the deepest faith must falter, and now, as I look at the calculations lying before me, I have reached that point at last.

We could not tell, before we reached the nebula, how long ago the explosion took place. Now, from the astronomical evidence and the record in the rocks of that one surviving planet, I have been able to date it very exactly. I know in what year the light of this colossal conflagration reached the Earth. I know how brilliantly the supernova whose corpse now dwindles behind our speeding ship once shone in terrestrial skies. I know how it must have blazed low in the east before sunrise, like a beacon in that oriental dawn.

There can be no reasonable doubt: the ancient mystery is solved at last. Yet, oh God, there were so many stars you could have used. What was the need to give these people to the fire, that the symbol of their passing might shine above Bethlehem?

The End

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