The world is full of different frequencies, and harmony isn’t about everyone liking the same song, but about ensuring no one’s nest is rattled apart by the beat

Just surrender.

This already happened many times during the Chinese Civil War.

Whether it was the Communist or Nationalist armies, when fighting the Japanese they often fought to the last man.

But in a civil war, both sides are Han Chinese. Surrendering carries no ideological burden.

The Communist forces, after capturing Nationalist soldiers, would give them a sum of money and a travel pass, allowing them to return home.

But when the Nationalists captured Communist soldiers, they would usually torture them to death.

This resulted in Nationalist soldiers having a very strong impulse to surrender, while Communist soldiers would rather fight to the end than suffer physical torment.

I cannot understand this foolish battlefield policy of the Nationalists!

Mao Zedong attached great importance to the humane treatment of prisoners and elevated it to the level of formal policy.

By the way, prisoners of war could also voluntarily join the Communist forces, and through this, the Communists gained 3 million seasoned soldiers.

I once read a memoir in which a Nationalist soldier, after being captured, was given three silver dollars as travel expenses. That amount was roughly enough to pay for three sumptuous banquets in Beijing at the time.

He got a mischievous idea: instead of going home, he randomly joined another Nationalist unit, got captured again, and received another three silver dollars…

He repeated this cycle five times and made a tidy little fortune.

However, the Communist forces didn’t really suffer a loss, because captured weapons could not be taken away. A rifle with sufficient ammunition — sometimes even grenades or a machine gun — was worth far more than three silver dollars!

There are two things foreigners may not know:

  1. When retired Taiwanese soldiers travel to the mainland, they can use their Taiwanese military retirement ID to get free admission at certain tourist sites. I once saw a guy’s video bragging that he saved a 70-yuan ticket (about 10 USD).
  2. Some Taiwanese soldiers have secretly signed agreements with the mainland. If war breaks out, they would turn their guns around or desert, and the mainland promises they will receive rewards afterward depending on the situation. One person was caught and was going to be sentenced, and he complained that it was because his superior had signed the secret agreement first, and he merely followed.

Sir Whiskerton and the Phonk Phobia

Ah, dear reader, you’ve returned once again to join me, Sir Whiskerton, in another delightfully absurd adventure! Today’s tale is one of sonic skirmishes, maternal panic, and the deep, philosophical divide between what one creature calls music and another calls “obscene vibrations.” It was a conflict that rattled the very foundations of the henhouse and my patience. So, adjust your volume and prepare for the bass-heavy tale of The Phonk Phobia.

The Cracking Point

It began on a perfectly pleasant morning. The sun was shining, the birds were chirping, and from the barn, a new, ground-shaking track from DJ Fader Fuzz was entering its final, earth-quaking drops. This particular piece, titled “Dirt Nap,” was a masterpiece of Agri-Phonk, featuring a bassline sampled from a slamming barn door and a rhythmic scratch that was, in fact, the sound of Rufus vigorously digging for a bone.

I was appreciating the technical complexity from a safe distance when a screech of pure, unadulterated outrage cut through the mix.

“MY EGGS! MY PRECIOUS, FRAGILE MASTERPIECES!”

Doris the Hen came storming out of the henhouse, her feathers puffed up in apocalyptic fury. Behind her, Harriet and Lillian flapped in a synchronized panic.

“The vibrations!” Doris squawked, pointing a trembling wing at the barn. “That… that noise is jiggling my yolks! It’s an assault on poultry artistry! I demand it cease!”

“Cease! It’s dreadful!” Harriet clucked.

“Dreadful! My shell has a wobble!” Lillian cried, fainting directly into a conveniently placed pile of hay.

I investigated. Sure enough, a gentle, persistent tremor was running through the henhouse, causing the eggs in their nests to quiver with every booming wub-wub.

The Protest and the Pig

Doris, never one to suffer in silence, organized a protest. She and her entourage marched in a tight, furious circle in front of the barn, holding signs painted with berry juice that read: “CRACK DOWN ON NOISE!” and “MAKE MUSIC QUIET AGAIN!”

“We demand a return to light classical music!” Doris declared. “Something by that nice fellow, Mootzart! Not this… this auditory earthquake!”

From his mud pit, Porkchop the Pig watched the proceedings with utter delight. “I don’t see the problem,” he snorted, rolling over to let the vibrations ripple through the mud. “Ooh, that’s the spot. It’s a natural jacuzzi! Best thing since sliced… well, since sliced anything!”

Meanwhile, inside the barn, the music came to an abrupt halt. The Most Feline looked up from their writing pad, annoyed.

“My creative process is being disrupted by avian hysterics,” MC Scratches sniffed.

“Bruh, they’re harshing the vibe,” Lil’ Paws agreed, his energetic tail drooping.

DJ Fader Fuzz simply tilted his head, his large headphones amplifying the sound of the protest. “Analysis: The target audience is experiencing a negative physical reaction to frequencies below 80 Hertz.”

The Quest for Egg-Safe Phonk

A lesser artist might have surrendered. Fader Fuzz saw it as an engineering challenge.

“I shall create ‘Egg-Safe Phonk,’” he announced in his low purr. “All the aesthetic grit, with none of the destructive resonance.”

For the rest of the day, the farm was subjected to a series of bizarre sonic experiments. He tried removing the bass entirely, resulting in a track that sounded like “a angry mosquito in a tin can,” as Porkchop put it. He tried pitching the bass up several octaves, which made it sound like a chipmunk with a terrible attitude. It was Phonk with its teeth pulled, and The Most Feline were appalled.

“This is anemic!” Scratches moaned. “Where is the weight? The gravity?”

“It’s got no soul, man!” Paws cried.

The protest, hearing the feeble new versions, only grew more confident. Doris began lecturing a confused butterfly on the virtues of the harpsichord.

The Hatching and the Harmony

Just as the stalemate seemed permanent, nature intervened. A faint tap-tap-tapping came from the henhouse. One by one, Doris’s precious eggs began to hatch.

But the chicks that emerged were… different. They didn’t cheep. They didn’t scurry to their mother. They simply stood in their shells, their tiny bodies swaying. Then, from the barn, Fader Fuzz, in a moment of frustration, let a single, pure, and deeply resonant BOOM escape his speakers.

The chicks’ heads snapped up. And in perfect, tiny unison, they began to bob their heads. Bop. Bop. Bop.

They were, to Doris’s horror, the coolest chicks on the farm. They only responded to deep bass. A gentle clucking earned no reaction, but a sub-bass rumble would send them into a contented, synchronized head-bobbing trance.

Doris stared, her protest signs falling from her wings. Her babies… her legacy… were Phonk fans.

The Moral of the Story

A compromise was reached. Fader Fuzz agreed to angle his speakers away from the henhouse and to keep the bass at a level that was “vibrational, not vacational.” In return, Doris and the hens grudgingly tolerated the music, especially since it was the only thing that seemed to soothe the chicks at bedtime.

The moral of the story, dear reader, is this: Compromise is key; one group’s noise is another group’s music. The world is full of different frequencies, and harmony isn’t about everyone liking the same song, but about ensuring no one’s nest is rattled apart by the beat.

As for Porkchop, he commissioned Fader Fuzz to create a special “Mud Jacuzzi Mix,” and is now the most relaxed pig in three counties. And the chicks? They’re forming a duo with Lil’ Paws. They’re called The Yolk-rockers.

The End.

I asked that question a long time ago to a captain on a long circumnavigation. He said the crew prefers a pilot cabin (and crew quarters) in the middle of the ship’s length; a century ago that was also a habit.

If an ocean ship sails over the wild waves, the mid-length movements are still tolerable. Sailors get used to the “sea disease” but everything has a limit.

In these ships, the cargo section is divided into two compartments, in front of and behind the superstructure with a wheelhouse on it. That turned out not to be useful for loading and unloading. The engine compartment was also either at the very rear at the great distance from the driving cabin and the crew quarters or in the middle with a very long propeller shaft to the rear because the ship’s propeller was on the back of —, that long axle was a source of malfunctions. So both options are bad.

This created a design with a wheelhouse at the stern…

Or at the bow at the front.

A wheelhouse at the front gives the helmsman a better overview, but in a storm this is inhumane —. When the bow hits a large wave, the crew is sometimes launched half a meter up.

Choucroute Garni

Literally “garnished cabbage,” this classic Alsatian dish features mellow sauerkraut garnished indeed-with a wealth of smoked meats. Serve an Alsatian white wine with this dish, and lightly buttered rye bread or pumpernickel.

086671868399a1b80ba3c8b73718f0da
086671868399a1b80ba3c8b73718f0da
88a00b56956c58f338bd6cb5e6e23151
88a00b56956c58f338bd6cb5e6e23151
dww689f25fcdca11ecdaa97b6f7df7db4e
dww689f25fcdca11ecdaa97b6f7df7db4e
Choucroute Garni

Ingredients

  • 4 pounds sauerkraut, refrigerated, rinsed well and drained
  • 1/2 pound bacon, diced
  • 2 large onions, peeled and coarsely chopped
  • 3 carrots, pared and sliced
  • 1/2 cup parsley, chopped
  • 2 bay leaves
  • 10 black peppercorns
  • 10 juniper berries
  • 4 whole clove
  • 3 cups white wine (fruity, Riesling or Mosel)
  • 4 cups chicken broth
  • 1 pound boneless pork loin roast, cubed
  • 1/2 pound ham,cubed
  • 1 pound smoked pork sausage, sliced
  • 1 pound brats, sliced
  • 2 green apples (tart), cored and coarsely chopped

Instructions

  1. In a large Dutch oven, or other kettle with lid, slowly cook bacon with carrots and onion over medium heat, stirring occasionally, about 8 to 10 minutes.
  2. Place parsley, bay leaves, peppercorns, juniper berries and cloves in cheesecloth bag or large tea strainer. Add to pot along with sauerkraut, wine and broth. Bring to a boil; cover and simmer for 1 hour.
  3. Add pork loin, ham, sausage, and bratwurst; simmer another hour.
  4. Add apples and simmer for 20 minutes more.
  5. Serve immediately or refrigerate overnight and reheat to serve.

I played on a cruise ship once for just two weeks (I was subbing for someone short term), but that was enough time to get the picture. Some key things I gathered:

  1. It’s really fun and interesting – for the first few times you do the itinerary. After that, you don’t even bother to get off at port.
  2. There will be attractive dancers/singers/musicians. They will have all slept together.
  3. It’s very easy to get complacent – you have a place to sleep, food, and a gig you can play drunk.
  4. When you started you told yourself you were just going to do it for one 6-month contract (contracts are usually for 4 or 6 months). You were doing it to save money so you got rid of your apartment and car. When the 5th month came, and since you didn’t have an apartment or a car, you figured you’d just do it for one more contract. That was 6 years ago.
  5. You meet interesting people and you learn about foreign countries. A lot of musicians come from Canada, Europe, and Australia, as well as Trinidad/Tobago on warm itineraries (they hire steel drum players for a carribean feel. They’re really good).
  6. You get really good at your instrument from so much performing – usually 6 days a week. You do both solo and small ensemble playing by day, maybe jazz or light classical, then you’re in the showband at night playing rock and pop people can dance to. You have to back guest artists who come on board with their book with just one rehearsal, so your reading improves drastically. You get good in a way you can’t get any other way.
  7. You will have to play “Sailing” by Christopher Cross and “Rock the Boat” by….wait for it………Hughes Corporation. If you knew who did “Rock the Boat,” you should sign up immediately.

All in all, it’s definitely worth playing on a cruise ship – it’s an experience every musician should have. But just for a little while.

Ping pong balls.

Imagine this: the shipper/manufacturer seals the rear of the trailer with mylar, except for a small round hole (about 8″ across) located up near the corner. Into this hole they insert a vent pipe, through which thousands, 10’s of thousands, of ping pong balls are blown into the trailer, filling it to capacity. It’s quite a sight. [These weren’t new, they were rejected off the line for defects and were being sent off to be shredded and recycled into something else]

When I got to the recycle center, they took a long-handled utility knife and cut away the mylar, releasing the “cargo” to go bouncing off in all directions.


One memorable trip with a former co-driver involved heavily armed security and a “blind” load. We had no idea what we had, only that we were going to be escorted by three SUVs with blacked-out windows . We were to stop only for fuel, and only when our escorts allowed. Oh, and no CB radio or cell phones allowed.

When we got where we were going, all we saw was a very nondescript warehouse, in the middle of a “facility” protected by double run chainlink fence with razor wire and more armed guards.

Once we got backed in, set the brakes and gave up the keys to a very serious looking young man, my partner couldn’t contain himself and asked, “Ok, we’re here. You’re armed. We’re completely secure. WHAT IN THE HELL DID WE HAVE??!”

The young man thought for a second, made a discrete radio request and said, “Come with me.”

We walked around to the dock area (after going through another checkpoint) to see a forklift pulling several pallets out of the trailer. On each pallet was a stack of large (3’x4′?) sheets of paper, dumping them into an incinerator. My partner looked at our escort and said, “And?”

“Take a look.”

Each of these pallets was stacked with uncut sheets of $100 bills! And they were being burned?!?!?

Turns out, there was a computer malfunction that no one caught in time and they ran off too many bills of the same series, so the overproduction had to be destroyed.

P.S. My partner tried to get them to stamp one sheet “VOID” and let him take it home for framing.

We were escorted back to the truck to wait while they unloaded the rest of the truck.

When Creeps Won’t Leave Girls Alone