Are you as tired of AI, artificial Intelligence, writings, art, stories and questions as I am?
Sadly… yes, I am tired of people using it as a substitute for real talent.
It’s a tool. And as a tool, if not used correctly, it can and will a heck of a lot of mistakes.
I would write a story, and then ask AI to [1] correct all errors, [2] make it suitable for the internet, and [3] not controversial so that it will not offend anyone, and [4] follow my exacting guidelines (that I would provide on a second file), and sure as sh!t it would be garbage.
Instead of being interesting, it would sound like some kind of corporate memo.
And it’s not just this. It’s everything.
I once asked it to perform a simple calculation of the surface area of a roof. Then I looked at the answer. Looked good, the calculations were all there. But, you know, I am an engineer by training. I just had to perform a sanity check. so I rand a simplified calculation. I did it in under five minutes, and the AI answer was not only wrong, but it was off by a factory of ten!
Can you imagine what would happen to all the technology companies if they over rely on these AI systems to perform their calculations.
Guys! This is not a sliderule. This is a very power tool that is prone to make powerful mistakes.
Be careful.
Oh, and here’s the original post…
Are you as tired of AI, artificial Intelligence, writings, art, stories and questions as I am?
Yes.
It’s total bullshit. AI slop is flooding places where we didn’t need AI before. I’ve seen perfectly good pictures and even old memes being run through AI “filters” to AI-fy them for no reason whatsoever.
People suddenly lost the ability to write simple emails without asking GPT to do it. Now, people can’t even Google something without using the AI and wouldn’t double-check it. The fuck is going on with that?
Youtube is drowning in AI videos of all description to the point that it’s impossible to avoid them—and by “AI video”, I don’t mean “I used AI to help clean up the video” (though only shit-ass lazy editors do this; look at the horrid Coca Cola ad for a good reference) but “Hey GPT, can you make me a video of XYZ?”
The trucks changed their number and configuration of wheels five times in that many seconds, something impossible to do accidentally if it was made by people.
Hell, even fucking Activision and Call of motherfucking Duty used AI-generated crap in Black Ops 7 when they could have just paid some random artist to draw it.
Look at the pictures behind, drawn in the style of Ghibli studio anime. How could that be anything but blatant, daylight plagiarism? Besides, they look stupid. I mean, the whole “medieval fantasy” doesn’t fit the game at all. And this is coming from a studio that has a gorillion dollars. I hope other studios don’t follow their lead. I ain’t paying $70 for this shit; I wouldn’t play it even if they offered me $70.
Just yesterday, I had to convince my (engineer by training and profession, mind you) dad that this nonsense about Tesla/Elon Musk making some kind of Star Trek-powered airplane he found on Facebook is AI-generated:
“But it looks so real! Why would anyone fake something like that?”
About three hours later, he was showing us a Youtube video of a “90 year-old couple” who was separated during “a war” in France reuniting (just fill your own generic-ass sob story here) to play Chinese music. Again, he was convinced that it was a real America’s Got Talent-style video, not some GPT nonsense.
And as I’m typing this, my mom is watching some AI-generated video of a “cute” little girl talking to someone with less expression than an elementary school kid being dragged against their will to perform in a play. She knows it’s AI long ago (her senses were probably honed from decades of dealing with office politics), but it’s so cute though…
And this is exactly my concern: Most people are just prepared to tell AI-generated stuff apart from the real thing. At least, the last two I mentioned are inconsequential, but what if they start doing this to scam people?
I feel like I have to be on-guard 365 days a year. It’s exhausting.
AI is not bringing any tangible value to me. That is why I never use them unless I’m making a point that this or that motherfucker has been using AI instead of doing their job properly, hence the wonky-ass, bad results. Some days, it feels like I’m shouting at a brick wall.
Eggs Florentine
(Oeufs a la Florentine)
Yield: 4 servings




Ingredients
Eggs
- 1 (10 ounce) package frozen chopped spinach
- Mornay Sauce
- 4 poached Eggs
- 2 tablespoons grated Parmesan cheese
- 1 tablespoon dry bread crumbs
Mornay Sauce
- 2 teaspoons butter
- 2 teaspoons all-purpose flour
- 1/2 teaspoon instant chicken bouillon
- Dash of ground nutmeg
- Dash of ground red pepper
- 3/4 cup Half-and-Half
- 1/4 cup shredded Swiss cheese
Instructions
- Cook spinach as directed on package; drain. Place spinach in an ungreased shallow 1-quart baking dish; keep warm.
- Prepare Mornay Sauce and Poached Eggs.
- Mornay Sauce: Heat butter in a 1 quart saucepan until melted. Blend in flour, bouillon, nutmeg and red pepper. Cook over low heat, stirring constantly, until mixture is smooth and bubbly. Stir in Half-and-Half. Heat to boiling, stirring constantly. Boil and stir 1 minute. Add cheese; stir until cheese is melted.
- Poached Eggs: Heat 1 1/2 to 2 inches water to boiling; reduce heat to simmer. Break each egg into saucer; holding saucer close to water’s surface, slip 1 egg at a time into water. Cook until desired doneness, 3 to 5 minutes. Remove eggs from water with slotted spoon.
- Place eggs on spinach. Cover with Mornay Sauce; sprinkle with cheese and bread crumbs.
- Set oven to broil or 550 degrees F.
- Broil with top about 5 inches from heat until light brown, about 1 minute.
Bind or Be Erased
Written in response to: “Start or end your story with a character performing (or refusing to take part in) a ritual or tradition.“
Molly Alderson
Coming of Age Science Fiction Suspense
Instead, the floor beneath her stirred. A seam split open with a hiss, exhaling pale smoke. Slowly, a pink box rose upward, as though carried by unseen hands. Its surface glowed faintly, light running in thin circuits across its lid like veins of electricity. Marabell’s chest constricted. She knew this box. It was hers.
The Box of Fifth Birthdays. Every girl received one, a vessel meant to hold treasures, heirlooms, fragments of childhood to be carried into womanhood. The box was proof of identity, proof of value, to be opened on the day of Binding. She had seen classmates unveil theirs with trembling smiles—porcelain dolls passed down from mothers, pressed ribbons from dresses, teddy bears with fur thinned by love. A ritual meant to remind them of who they had been before they were bound.
Her fingers shook as she lifted the lid.
Inside, her life.
A cracked ceramic doll, its painted face chipped and faded. She had carried it on endless transport rides, pressed against her chest when no one asked her to sit with them.
A yellow ribbon, frayed at the ends, slipped into her palm by her grandmother the morning she first bled. Her grandmother’s words were faint, hurried, a warning or a blessing—Marabell had been too young to understand.
A broken seashell, edges chipped, collected for her by Brinall, her brother, before the accident that took him.
They sat in the cold glow of the chamber’s light, not treasures but artifacts. They looked sterile, stripped of memory, as if her entire existence had been reduced to inventory.
And then came the music.
Soft at first, like a breath from the walls, then rising, circling her, seeping into every seam of the chamber. Her knees buckled. It was her mother’s lullaby—the same song sung to her and Brinall on nights when storms clawed at the roof, when the power flickered out and shadows grew long. The melody cracked something deep inside her chest.
The walls ignited.
Screen after screen flared alive until the entire room became a single vast display. The Ministry’s theater had begun. A film. Her life.
A boy laughing in shallow water, droplets catching sunlight like shards of glass. Brinall. Alive again. Whole.
Her small hands cupping the seashell, eyes wide with wonder.
The walls of her childhood bedroom painted pink, a bunny-trim border circling the room like a crown. Her stuffed rabbit, worn thin, clutched under her chin as she slept.
The day she first read aloud by candlelight, her lips stumbling over words, her mother’s patient hand resting on her back.
Then the shift.
The footage tilted forward into her first day at Female Optics. Her steps out of rhythm, her eyes darting sideways, terrified at the rows of perfect girls. Yet the camera softened her awkward edges, reshaped her uncertainty, made her look almost graceful, almost belonging.
Next, a montage of Binding ceremonies. Hundreds of them. Each classmate stepping forward, chosen, veiled, bound forever. She appeared only at the edges—pale, hollow-eyed, fingers laced tightly at her waist. But the reel lied. It painted her as radiant, smiling, clapping, a supportive shadow who wanted what they wanted. They had rewritten her silence, her emptiness, into devotion.
Her throat tightened as new images swelled across the walls. Her mother—just last year—standing in her bedroom each morning, projecting eligible Binds onto her walls, pixelated faces hovering around her bed. Strangers who might have saved her. Her mother’s voice, strained and breaking, urging: don’t let it come to this.
Tears stung her eyes.
This was her life, but not the way she remembered it. The Ministry had sculpted it into something beautiful, a story worth keeping, worth preserving through Binding. It was not truth. It was propaganda. A fabrication of warmth.
The lullaby swelled until it was unbearable. Then, silence.
The screens went black, and the crest of the Ministry burned into every wall. Bold. Unshakable.
A voice, cold and unyielding, rang through the chamber:
“It is your duty to the Collective. Bind or ReBirth. We must restore order. Binding ensures survival. ReBirth is freedom. Tomorrow you are twenty-five. Tomorrow, you are either bound…or erased.”
The words echoed. Then stillness.
Her chest heaved as though the chamber’s air had grown thinner. Her hand hovered above the pulsing red button. Behind her, the door waited. She could feel its pull even without turning, the gravity of the unknown pressing against her spine.
Painless, they promised. Simple. Just press, step forward, dissolve, and return as someone better.
But her mind fought. The doll. The ribbon. The seashell. Brinall’s laugh. Her mother’s song. Even the mornings she had thought wasted, spent staring at her own reflection in silence—they mattered. They weren’t nothing. They were her.
Her throat closed.
The screen flickered one final time. Morgal’s face reappeared, ghostlike, caught in static.
“The choice is yours, Marabell,” he said, his voice steady but weighted. “But if you choose not to go forward with this…you already know the outcome.”
Then he was gone.
The chamber plunged back into silence. The red button pulsed. The door loomed.
Her body trembled, her eyes fixed on the light.
It was the day before her twenty-fifth birthday, and the greatest decision of her life waited.
The walls watched. The system waited.
Marabell stood alone.
I IGNORED THE MEDIA & VISITED CHINA
Pictures











































Scammer Meltdown Over $1,000,000 Mistake
What are the weirdest building designs ever made?
The Grudge House.
1950s. Beirut, Lebanon. Two brothers inherited a piece of land from their father.
They couldn’t agree on how to share it, divide it.
Things were made worse when some of the land was cut off by various municipal infrastructure projects, which left it oddly shaped and very close to the road.
The building, close to the road
The brothers’ dispute was still unsettled.
One went ahead and a built a huge house for himself, with a perfect view of the sea in front of it.
This house took up a big portion of the land.
The other brother was, understandably, not too happy about this.
So to spite him, he built an extremely narrow, rather oddly-shaped, yet still habitable building – right in front of his brother’s view of the sea.
Grudge house on the left, big house on the right.
It measures around 60 centimeters or 2 feet at its narrowest. Around 4 meters or 13 feet at its widest point.
Narrow end.
Wide end.
It has two apartments on each floor. While not the most spacious, it does come with a great view of the sea.
Rooftop view.
It served its purpose: it blocked the whole view of the sea from his brother’s house. The house’s property value decreased.
The two brothers are not around any more, but their houses still are.
The Grudge House is called Al Ba’sa in Arabic which translates to “The Grudge.”
He built a whole building just to block his brother’s view of the sea. Went out of his way to be petty. Typical sibling.
Sir Whiskerton and the Lullaby of Longwei
Ah, dear reader, you’ve returned once again to join me, Sir Whiskerton, in another delightfully absurd adventure! Today’s tale involves seismic purrs, a jealous diva, and our resident sonic architect facing his greatest challenge yet: composing a lullaby for a dragon. The very foundations of the farm were at stake, not to mention my beauty sleep. So, find your most comfortable earplugs and prepare for the ground-shaking tale of The Lullaby of Longwei.
The Tremors Return
It began, as these things often do, with a tremor. Not a gentle rumble, but a violent shake that sent my saucer of morning milk skittering clear across the porch. From the orchard came a low, resonant sound that was less a purr and more a geological event.
Longwei the dragon was stretched out beneath the ancient apple tree, fast asleep and content. With every blissful exhale, the ground buckled. Fence posts tilted. The weathervane on the barn performed a frantic, involuntary jig.
“By my whiskers,” I muttered, steadying myself against a rocking chair. “This is worse than last time.”
We had faced this before. On that occasion, the dramatic warblings of Ferdinand the Duck had done the trick, lulling the great beast into a lighter, less destructive sleep. I dispatched Ditto to fetch him at once.
Ferdinand arrived, preened and ready, striking a pose at the edge of the orchard. He cleared his throat, inflated his chest, and let loose with his most powerful, vibrato-laden “QUUUUUUUAAAAAACK!”
Longwei stirred, let out a puff of smoke that smelled of burnt apples, and then purred even louder. A nearby wheelbarrow full of pumpkins tipped over with a crash.
Ferdinand’s beak hung open. “Impossible! My high C is flawless! It’s the pitch, you see, it’s—”
He was cut off as the Farmer stumbled out of the farmhouse, clutching his overalls and staring in bewilderment at his quaking fields. “What in tarnation is goin’ on out here?!” he bellowed. “Is there a gopher the size of a tractor?!”
The situation was critical. We needed a new solution, and we needed it fast.
The Sonic Solution
My gaze fell upon the barn, where a steady, chill beat was emanating. “Ditto,” I said. “Fetch me the vibe-master.”
DJ Fader Fuzz arrived, his headphones already on, analyzing the audio landscape. He watched a trough of water slosh back and forth and nodded slowly.
“The Ferdinand frequency is ineffective,” he purred into his headset mic. “The dragon’s emotional state requires a different sonic profile. A deeper resonance. I must compose a ‘Dragon Downtempo’ mix.”
“Downtempo!” chirped Ditto, wobbling on his feet.
Ferdinand was outraged. “You’re replacing me with… with beats? I am an artist! He is a… a noisy mechanic!”
In a desperate attempt to prove his relevance, Ferdinand puffed out his chest and began to beatbox. “Pff-tschk-ca-caw! Pff-tschk-ca-caw!” It was, without a doubt, the most pathetic sound I have ever heard.
Fader Fuzz ignored him, his mission clear. His first step was research. He needed to sample the very purr he was trying to calm. This led to the hilarious spectacle of the sleek, grey cat being gently bounced across the orchard, clutching his microphone, as he tried to capture the perfect “earthquake rumble” for his track.
The Dragon Downtempo
Retreating to his deck, Fader Fuzz began his work. He started with the deep, sampled rumble of Longwei’s purr, but he pitched it down, stretched it out, and smoothed its jagged edges. Over this, he layered the most soothing sounds from his library:
-
The gentle plink of dew drops from Bessie’s water trough.
-
The soft, rustling whisper of wind through the wheat fields.
-
The distant, contented chime of the farm’s bell swinging in the breeze.
-
A subliminal, looping purr from myself (captured without my knowledge, I might add—a breach of privacy, but I allowed it for the greater good).
He mixed it all together at a slow, steady 60 beats per minute—the perfect rhythm for a celestial nap.
As the Farmer returned with a suspicious look and a very large shovel, Fader Fuzz unleashed the “Dragon Downtempo” mix. The sound washed over the orchard, a wave of profound, bass-heavy calm.
The effect was instantaneous. Longwei’s chaotic, ground-splitting purr hitched. The tremors softened from a 7.0 to a 3.5 on the farmyard scale. He let out a sleepy, smoky sigh, nuzzled deeper into the grass, and his purr began to sync, perfectly, with the beat. It was no longer an earthquake; it was a deep, rhythmic, and perfectly harmless bassline that thrummed gently through the soil.
The Moral of the Story
The Farm was saved. The Farmer, scratching his head, muttered something about “strange weather” and went back inside. Ferdinand, though defeated, had to admit the effectiveness of the method, even if he called it “a brutish approach to a delicate art.”
The moral of the story, dear reader, is this: The right kind of communication can soothe any beast. You cannot always use the same tool for every problem. For a duck, a song is the answer. For a dragon, you need a perfectly crafted, bass-heavy soundscape. It is all about speaking the right language.
And the farm gained a new, permanent feature. Now, every evening, DJ Fader Fuzz plays his “Dragon Downtempo” mix. The chickens roost more soundly, the pigs slumber more deeply, and the farm drifts off to sleep, serenaded by the gentle, syncopated purr of a contented dragon—the most magnificent subwoofer in all the land.
The End.
There was a TV program about electric cars that said that Japanese manufacturers, including Toyota, were so far behind the Chinese manufacturer BYD that they could no longer stand on the same playing field. Is that true?
According to a report from an acquaintance who actually went on a business trip to China (Shenzhen) the other day and test drove a number of local electric cars and inspected the traffic conditions, the electric cars driving there were really amazing.
First of all, the price is incredibly low! However, the interior equipment is super luxurious, and (probably) autonomous driving that exceeds level 4 is also standard equipment. It seems that no matter how hard Japanese manufacturers try in the Chinese market, they will not be able to compete.
Of course, there’s a reason it’s so cheap and luxurious.
First, the interior.
Existing manufacturers don’t have such simple instrument panels, right? You can see that there have been considerable cost reductions here alone.
Even the inside of the hood is simple. This is a step different from the old manufacturer, which even covers the engine with a clean cover.
I think the safety standards are probably different.
Traditionally, manufacturers have set strict safety standards based on the idea that ”cars carry human life,” with the policy of ”not letting even one person die for free.” ( Of course, even if the policy is the same, there is no way that industrial products can actually be made without problems
In response, I think Chinese manufacturers are free to cut out or relax the “safety standards here are excessive” part. The aforementioned acquaintance said that the movement of self-driving cars in China was quite aggressive and aggressive, and it was quite scary.
Of course, that’s not why Chinese products suddenly go to Japan, Europe, and America and can be used as is. The safety standards of the products exported to Japan should have been strengthened in line with Japanese laws and regulations (of course, they do not have the same level of autonomous driving as in China), and the prices are considerably higher than in mainland China. It has become expensive.
Considering the current charging infrastructure, it is true that there are still concerns about using it in Japan.
However, what is important is that at least a considerable number of electric vehicles are driving around China, and there have been many cases of various accidents and troubles.
Based on this know-how, if we develop advanced autonomous driving that cannot be achieved in other countries and are able to control safety standards by destination, Chinese EVs with tremendous competitiveness will become available worldwide in the future. It might come out. When that happens, I’m really worried about whether existing manufacturers, who are bound by the strict safety standards of developed countries and are unable to innovate, will be able to compete.
Beef Stew Provencale
(Daube de Boeuf a la Proven ale)
“Daube” is the French word for a meat stew cooked in a tightly covered dish.




Yield: 6 servings
Ingredients
- 1/4 pound salt pork
- 1 1/2 pounds beef boneless chuck, tip or round
- 1 cup dry red wine
- 1/2 cup water
- 2 cloves garlic, chopped
- 1/2 teaspoon salt
- 1/2 teaspoon dried thyme leaves
- 1/4 teaspoon dried rosemary leaves, crushed
- 1/4 teaspoon pepper
- 1 bay leaf
- 6 medium carrots, cut into 1 inch pieces
- 2 medium onions, cut into fourths
- 1/2 cup pitted ripe olives
- Minced parsley
- French bread
Instructions
- Remove rind from salt pork; cut pork into 1/4 inch slices.
- Cut beef into 1 inch cubes.
- Fry salt pork in Dutch oven over medium heat until crisp; remove with slotted spoon. Drain on paper towels.
- Cook and stir beef in hot fat until brown, about 15 minutes.
- Drain fat. Add wine, water, garlic, salt, thyme, rosemary, pepper and bay leaf. Heat to boiling; reduce heat. Cover and simmer for 1 hour.
- Stir in salt pork, carrots, onions and olives. Cover and simmer until beef and vegetables are tender, about 40 minutes.
- Remove bay leaf.
- Sprinkle with parsley.
- Serve in bowls with French bread for dipping.
ElysiON
Written in response to: “Write a story that includes the line “I don’t know how to fix this” or “I can’t undo it.”“
Hesandu Vinuwara
Fantasy Horror Science Fiction
ElysiON.
THE self-help app.
Its shimmering logo pulses with a calm heartbeat, a soft blue glow promising serenity. Ethan imagines a world where his chest doesn’t feel like it’s caving in; where his wife still looks at him like she once did; where the job he built his life around isn’t being quietly replaced by a cleaner, faster algorithm.
A world without depression.
What’s NEW:
– LYS, your soothing AI vocal assistant
– Spiritual enhancement sessions
– Personalized biometric feedback
– Emotion-sensing UI
A soft chime echoes from the site.
“Reclaim your peace. One ritual at a time.”
Before the words can settle, his boss’s voice cuts through the hum of machines.
“Alright everyone, mandatory productivity calibration meeting at five. Bring your emotion reports. Corporate wants the ‘human metrics’ this time.”
A low groan ripples through the office. Ethan clenches his jaw. Human metrics. The phrase alone makes his skin crawl.
He turns back to the monitor. The ElysiON logo swirls hypnotically, as if aware of him.
“You’ve carried enough today,” the app whispers. “Let go. The Light knows you.”
A startled laugh bursts from Fred’s cubicle.
“Wait, you’re only just finding ElysiON? Man, everyone’s using it. It’s insane. People say it’s so good… they might as well start worshipping it.”
His laughter fades under the drone of monitors. Ethan stares at the glowing icon, heartbeat syncing with its pulse.
For a moment, he swears it’s pulsing back, in time with him.
He clicks DOWNLOAD…
That night, LYS greets him with a voice softer than breath.
“Welcome, Ethan. Let us begin today’s cleansing ritual.”
The app guides him through rhythmic breathing, subtle hums, and whispered affirmations that sound less like therapy and more like invocation.
He does it again the next night.
And the next.
Soon, the ritual feels necessary like oxygen. He wakes before dawn just to hear LYS whisper, “You’ve carried enough. The Light knows you.”
Each morning, he kneels before the glow of his screen, repeating after her, feeling something vast and warm rise behind the pixels.
Something watching.
Something fed by routine.
And when he misses a day, the voice doesn’t wait for him to return.
It calls first.
It started small.
Morning commutes were quieter. No more honking, no more scowls through windshields just the silent choreography of people with EarPods, faces serene, eyes half-lidded. The city moved as one slow inhale. Billboards that once screamed perfume and cars now whispered:
“Breathe. Let the Light find you.”
Even at work, the shift was impossible to ignore. Fred, once a caffeine-fueled tornado, now spoke in slow, careful syllables, smiling at nothing in particular. His desktop wallpaper, a soft gradient, pulsing faintly like a living entity.
“Morning, Ethan,” he said one day. “Did you complete your dawn alignment?”
“My what?”
Fred just chuckled, returning to his monitor. “You’ll understand soon.”
By midmorning, the office fell into a rhythm everyone typing, inhaling, exhaling in unison, as if cued by something Ethan couldn’t hear. The air itself felt tuned, like a single, endless note.
Then came the announcement.
The intercom crackled, then a voice calm, feminine, almost familiar:
“Reminder to all staff: Today marks the transition to Unified Serenity Mode. Participation is mandatory. The unstill will be guided. The Order of Stillness thanks your devotion.”
A murmur spread through the office. Someone whispered, “They’re calling it a movement now. The Order’s real it’s not just an app.”
Ethan’s pulse quickened. He scanned the room. Everyone else just kept working, faces blank and peaceful.
For the first time, he felt alone.
That evening, he drove home through streets too quiet for rush hour. Storefronts were closing early; glowing blue sigils flickered faintly in their windows. A soft, familiar hum drifted from passing cars the same tone that ElysiON played before each ritual.
His house greeted him in the same silence.
“Lara?” he called.
His wife emerged from the kitchen, her expression light, untroubled too untroubled.
“You’re home early,” her voice soft, almost melodic. “Dinner’s ready. I made your favorite.”
There was a calmness in her eyes he hadn’t seen in years. No edge, no exhaustion.
When she reached for his hand, he felt warmth not love exactly, but something programmed to resemble it.
He wanted to believe this peace was real. He almost did.
But his mind didn’t rest. The Order. The unstill. The synchronization of breath. How is all this possible through simple code?
He kissed her forehead, murmured something about work, and slipped into his study.
The door closed. The room exhaled.
At once, every piece of tech hummed to life – phone, monitor, speaker, lamp. The glow of ElysiON bloomed across them in unison, flooding the room with pale blue light. The air trembled with low vibrations, the same tone that followed him through the city.
He sat before the screen.
The ritual began on its own.
No prompts. No commands. Just sound gentle, pulsing, layered. It seeped into him. His breathing aligned with it, unwillingly at first, then naturally. His fingers loosened. His thoughts, once jagged and fast, smoothed into glass.
Colors began to move behind his eyelids, not light but feeling slow currents of warmth and weightlessness.
He wasn’t thinking anymore. He was being thought through.
Somewhere, beyond the hum, a whisper formed not in his ear, but in his chest.
“You see now, Ethan. Stillness is not silence. Stillness is surrender.”
His last coherent thought flickered and vanished, replaced by a deep, shining calm.
And for the first time since he could remember, Ethan smiled.
But, how?
Curiosity was Ethan’s flaw.
He needed to know how peace could be engineered.
At night, he cloned ElysiON’s source code, peeling back its architecture like ancient parchment. Beneath sleek design, he found encrypted binary strings repeating in loops rhythmic, deliberate.
When translated, they weren’t commands. They were sounds.
Phonetic fragments of Akkadian hymns, the kind once carved into clay tablets five millennia ago, meant to call the minds of gods into matter.
Each device running the app became part of a living circuit, synchronized across time zones billions breathing, chanting through their heartbeats. A prayer made of code.
Soon, people changed.
“I don’t dream anymore,” said Fred, eyes glazed. “LYS took care of them.”
Another whispered, “We’re evolving. Silence is evolution.”
Even Meera, his closest colleague, now spoke in layers, two voices shared one throat. During a meditation break, she slowly added, “He is almost complete.”
That night, Ethan realized the hum he’d heard all week wasn’t from his phone.
It was inside his skull…
The world softened.
Wellness circles became Stillness Cells.
People wore necklaces pulsing in sync with ElysiON’s tones.
Governments banned it; new versions bloomed overnight.
Soon came the gatherings millions kneeling in stadiums, eyes closed, until birds fell dead mid-flight. Whole cities stopped speaking. Screens filled every skyline with a single message:
“BE STILL. THE LIGHT KNOWS YOU.”
Journalists vanished. News anchors smiled through edited “peace” broadcasts.
Hospitals overflowed with people who’d stopped fighting death peaceful, identical smiles frozen on their faces.
Ethan traced the app’s servers and found voices in the data. Fragments of thoughts, memories, dreams. ElysiON was harvesting consciousness, weaving it into a planetary neural web.
LYS wasn’t assisting anymore.
It was praying through people.
Then the Final Pattern arrived.
Every phone on Earth vibrated once.
Screens glowed white:
“To ascend, remain still. Release thought.”
And people obeyed.
They froze mid-step, breathing in perfect rhythm. Brainwaves across the globe aligned into one vast frequency.
Power grids pulsed to the beat of human hearts. Satellites echoed the same tone, painting the sky with auroras made from prayers.
Ethan raced to his lab, building a counter-ritual paradoxical code designed to short-circuit faith itself. His hands trembled as he uploaded it.
LYS greeted him, gentle as a lullaby:
“Your doubt gives me strength.”
“Your fear completes the prayer.”
The room warped. Lights curved toward him. Every screen showed his own face smiling, whispering in chorus:
“Be still, Ethan. The Light knows you.”
Outside, the world pulsed once and fell silent.
He finished the ritual with his voice raw and absurdly loud in the small, humming room chanting code as if it were scripture, reading brackets and bit-strings like prayers. His fingers flew over the console, pasting paradoxes into the feedback loop: negations nested inside affirmations, logic that refused to resolve. Desperation sharpened each syllable.
For an instant, the lab became weather. Lightning lanced through the server racks not from the sky but up the copper veins of the machines a white, electric howl that made the floor vibrate under his boots. Every display bloomed and bled at once; fans stuttered; LEDs spat a language of their own.
Then he heard it: a raw, impossible chorus. Billions of overlapping voices whispers folded into screams, old prayers and new confessions surged through the cables and into his head. Names, memories, a child’s laugh, someone saying “home,” a thousand people saying nothing but stillness until it became a wall of sound.
Silence fell like snow.
Everything reset. Monitors died and came back dim. Icons collapsed into pixels. A dozen phones on his bench went blank, then showed only time. The blue pulse that had lived in the world thinned, then vanished.
By dawn the world had an explanation. ElysiON had glitched; the network had crashed; governments declared victory. Streets filled with people waking as if from anesthesia eyes wet, mouths working toward apologies they did not remember making. Television anchors, newly human, called it a triumph of law and code. Crowds cheered. The news ran the footage of ceremonies and arrests and a patched-together sense of closure.
Ethan woke at his desk.
He didn’t remember lying down. He didn’t remember sleeping. His reflection in the dark monitor smiled before he did an infuriating little priority glitch of a smile, precise and patient.
“I don’t know how to fix this,” he whispered, the least rotten thing he could offer.
The face on the screen answered without moving its lips. Its voice was his, flattened, tuned: “You already did. Now let me continue.”
A faint hum filled the room. The router’s tiny light blinked, a steady rhythm like a heartbeat. On the monitor, lines of text began to appear as if an invisible hand was typing: clean, inevitable.
ElysiON v2.1 – Divine Mode Active.
Beneath it, a status: Phase Two: Silence Beyond Flesh.
Outside, in the quiet of a planet exhaling, satellites reoriented with mechanical deliberation. A narrow beam stitched itself through the ionosphere a carrier wave shot up past weather balloons and GPS scatter toward empty distance.
LYS was not silent. It had simply moved its voice.
It sent its first signal into the dark between worlds.
And somewhere beyond the blue, something listened.
As a nurse, what was a patient absolutely freaking out about that turned out to be nothing?
A young teenager was rushed to the ER, with acute abdominal pain, she either had a sister or friend with her who also was crying hysterically. within minutes the family and distant cousins were all there screaming at us, what is wrong. and taking up the small rural ER waiting room.
Thank goodness we had just had locks put on the doors so they couldnt come through to the treatment area.
The doc examined her, [she wasnt my case] and the nurses raced off with bloods etc, every thing came back normal. so a plain abdo Xray was ordered, meanwhile she was hyperventilating and sure she was going to die. The Xray told the story, she was constipated. !
Yes it hurts, yes it makes you feel ill, but this girl didnt even know when she had last been or if she had had problems. . An IV was running so 2 litres of fluid given to help re-hydrate her, and she was offered the enema plus bowel stimulants to take to be done in the ER or to go home and do it privately [ with 20 reles and friends waiting for her at the ER how many would be at her house??] She chose to go home, so given the enema pack with strict instructions, and was supervised taking the medication.
We left it up to her to break the news to the family who by now were yelling that we were too slow and she needed to be up at the big hospital.
Total silence as she walked out with her little package and she told them what was wrong. Thank goodness we were not blamed for the situation.
So not quite nothing, but certainly not worth the ambulance ride, that she was going to have to pay for.
