Law 14 from The 48 Laws of Power by Robert Greene; Pose as a friend, work as a spy (Full Text)

Sounds bad, eh?

Well…

Well, it is, at least it is not something that I myself would want to do. But that is just me. But I can tell you all something that is important; there are many crafty, clever, and evil people who follow this rule to the letter.

I can include an ex-business partner who only wanted to get into my wife’s pants (or skirt), a couple of work colleagues who would perform run-arounds to disparage me in their pursuit for career growth, and a couple of family members that have an unsavory two-faced attitude about life.

So to best prepare you for these individuals, you must understand how they think and how their Modus Operandi works.

Thus this article…

LAW 14

POSE AS A FRIEND, WORK AS A SPY

JUDGMENT

Knowing about your rival is critical. Use spies to gather valuable information that will keep you a step ahead. Better still: Play the spy yourself. In polite social encounters, learn to probe. Ask indirect questions to get people to reveal their weaknesses and intentions. There is no occasion that is not an opportunity for artful spying.

OBSERVANCE OF THE LAW

Joseph Duveen was undoubtedly the greatest art dealer of his time—from 1904 to 1940 he almost single-handedly monopolized America’s millionaire art-collecting market. But one prize plum eluded him: the industrialist Andrew Mellon. Before he died, Duveen was determined to make Mellon a client.

Duveen’s friends said this was an impossible dream.

Mellon was a stiff, taciturn man.

The stories he had heard about the congenial, talkative  Duveen rubbed him the wrong way—he had made it clear he had no desire to meet the man.

Yet Duveen told his doubting friends, “Not only will Mellon buy from me but he will buy only from me.”

For several years he tracked his prey, learning the man’s habits, tastes, phobias.

To do this, he secretly put several of Mellon’s staff on his own payroll, worming valuable information out of them.

By the time he moved into action, he knew Mellon about as well as Mellon’s wife did.

In 1921 Mellon was visiting London, and staying in a palatial suite on the third floor of Claridge’s Hotel.

Duveen booked himself into the suite just below Mellon’s, on the second floor.

He had arranged for his valet to befriend Mellon’s valet, and on the fateful day he had chosen to make his move, Mellon’s valet told Duveen’s valet, who told Duveen, that he had just helped Mellon on with his overcoat, and that the industrialist was making his way down the corridor to ring for the lift.

Duveen’s valet hurriedly helped Duveen with his own overcoat.

Seconds later, Duveen entered the lift, and lo and behold, there was Mellon.

“How do you do, Mr. Mellon?” said Duveen, introducing himself. “I am on my way to the National Gallery to look at some pictures.”

How uncanny—that was precisely where Mellon was headed.

And so Duveen was able to accompany his prey to the one location that would ensure his success.

He knew Mellon’s taste inside and out, and while the two men wandered through the museum, he dazzled the magnate with his knowledge.

Once again quite uncannily, they seemed to have remarkably similar tastes.

Mellon was pleasantly surprised: This was not the Duveen he had expected.

The man was charming and agreeable, and clearly had exquisite taste.

When they returned to New York, Mellon visited Duveen’s exclusive gallery and fell in love with the collection.

Everything, surprisingly enough, seemed to be precisely the kind of work he wanted to collect.

For the rest of his life he was Duveen’s best and most generous client.

Interpretation

A man as ambitious and competitive as Joseph Duveen left nothing to chance.

What’s the point of winging it, of just hoping you may be able to charm this or that client?

It’s like shooting ducks blindfolded.

Arm yourself with a little knowledge and your aim improves.

Mellon was the most spectacular of Duveen’s catches, but he spied on many a millionaire.

By secretly putting members of his clients’ household staffs on his own payroll, he would gain constant access to valuable information about their masters’ comings and goings, changes in taste, and other such tidbits of information that would put him a step ahead.

A rival of Duveen’s who wanted to make Henry Frick a client noticed that whenever he visited this wealthy New Yorker, Duveen was there before him, as if he had a sixth sense.

To other dealers Duveen seemed to be everywhere, and to know everything before they did.

His powers discouraged and disheartened them, until many simply gave up going after the wealthy clients who could make a dealer rich.

Such is the power of artful spying: It makes you seem all-powerful, clairvoyant.

Your knowledge of your mark can also make you seem charming, so well can you anticipate his desires.

No one sees the source of your power, and what they cannot see they cannot fight.

Rulers see through spies, as cows through smell, Brahmins through scriptures and the rest of the people through their normal eyes. 

Kautilya, Indian philosopher third century B. C.

KEYS TO POWER

In the realm of power, your goal is a degree of control over future events. Part of the problem you face, then, is that people won’t tell you all their thoughts, emotions, and plans.

Controlling what they say, they often keep the most critical parts of their character hidden—their weaknesses, ulterior motives, obsessions.

The result is that you cannot predict their moves, and are constantly in the dark.

The trick is to find a way to probe them, to find out their secrets and hidden intentions, without letting them know what you are up to.

This is not as difficult as you might think.

A friendly front will let you secretly gather information on friends and enemies alike.

Let others consult the horoscope, or read tarot cards: You have more concrete means of seeing into the future.

The most common way of spying is to use other people, as Duveen did. The method is simple, powerful, but risky: You will certainly gather information, but you have little control over the people who are doing the work.

Perhaps they will ineptly reveal your spying, or even secretly turn against you.

It is far better to be the spy yourself, to pose as a friend while secretly gathering information.

The French politician Talleyrand was one of the greatest practitioners of this art.

He had an uncanny ability to worm secrets out of people in polite conversation.

A contemporary of his, Baron de Vitrolles, wrote,

“Wit and grace marked his conversation. He possessed the art of concealing his thoughts or his malice beneath a transparent veil of insinuations, words that imply something more than they express. Only when necessary did he inject his own personality.” 

The key here is Talleyrand’s ability to suppress himself in the conversation, to make others talk endlessly about themselves and inadvertently reveal their intentions and plans.

Throughout Talleyrand’s life, people said he was a superb conversationalist—yet he actually said very little.

He never talked about his own ideas; he got others to reveal theirs.

He would organize friendly games of charades for foreign diplomats, social gatherings where, however, he would carefully weigh their words, cajole confidences out of them, and gather information invaluable to his work as France’s foreign minister.

At the Congress of Vienna (1814-1815) he did his spying in other ways: He would blurt out what seemed to be a secret (actually something he had made up), then watch his listeners’ reactions.

He might tell a gathering of diplomats, for instance, that a reliable source had revealed to him that the czar of Russia was planning to arrest his top general for treason.

By watching the diplomats’ reactions to this made-up story, he would know which ones were most excited by the weakening of the Russian army—perhaps their governments had designs on Russia?

As Baron von Stetten said, “Monsieur Talleyrand fires a pistol into the air to see who will jump out the window.”

If you have reason to suspect that a person is telling you a lie, look as though you believed every word he said. This will give him courage to go on; he will become more vehement in his assertions, and in the end betray himself. Again, if you perceive that a person is trying to conceal something from you, but with only partial success, look as though you did not believe him. The opposition on your part will provoke him into leading out his reserve of truth and bringing the whole force of it to bear upon your incredulity.

ARTHUR SCHOPENHAUER, 1788-1860

During social gatherings and innocuous encounters, pay attention.

This is when people’s guards are down.

By suppressing your own personality, you can make them reveal things.

The brilliance of the maneuver is that they will mistake your interest in them for friendship, so that you not only learn, you make allies.

Nevertheless, you should practice this tactic with caution and care.

If people begin to suspect you are worming secrets out of them under the cover of conversation, they will strictly avoid you.

Emphasize friendly chatter, not valuable information.

Your search for gems of information cannot be too obvious, or your probing questions will reveal more about yourself and your intentions than about the information you hope to find.

A trick to try in spying comes from La Rochefoucauld, who wrote,

“Sincerity is found in very few men, and is often the cleverest of ruses— one is sincere in order to draw out the confidence and secrets of the other.” 

By pretending to bare your heart to another person, in other words, you make them more likely to reveal their own secrets.

Give them a false confession and they will give you a real one.

Another trick was identified by the philosopher Arthur Schopenhauer, who suggested vehemently contradicting people you’re in conversation with as a way of irritating them, stirring them up so that they lose some of the control over their words.

In their emotional reaction they will reveal all kinds of truths about themselves, truths you can later use against them.

Another method of indirect spying is to test people, to lay little traps that make them reveal things about themselves.

Chosroes II, a notoriously clever seventh-century king of the Persians, had many ways of seeing through his subjects without raising suspicion.

If he noticed, for instance, that two of his courtiers had become particularly friendly, he would call one of them aside and say he had information that the other was a traitor, and would soon be killed.

The king would tell the courtier he trusted him more than anyone, and that he must keep this information secret.

Then he would watch the two men carefully.

If he saw that the second courtier had not changed in his behavior toward the king, he would conclude that the first courtier had kept the secret, and he would quickly promote the man, later taking him aside to confess,

“I meant to kill your friend because of certain information that had reached me, but, when I investigated the matter, I found it was untrue.” 

If, on the other hand, the second courtier started to avoid the king, acting aloof and tense, Chosroes would know that the secret had been revealed.

He would ban the second courtier from his court, letting him know that the whole business had only been a test, but that even though the man had done nothing wrong, he could no longer trust him.

The first courtier, however, had revealed a secret, and him Chosroes would ban from his entire kingdom.

It may seem an odd form of spying that reveals not empirical information but a person’s character.

Often, however, it is the best way of solving problems before they arise.

By tempting people into certain acts, you learn about their loyalty, their honesty, and so on.

And this kind of knowledge is often the most valuable of all: Armed with it, you can predict their actions in the future.

Image:

The Third Eye of the Spy. In the land of

the two-eyed, the third eye gives you the omniscience

of a god. You see further than others, and you see deeper into them. Nobody is

safe from the eye but you.

Authority:

Now, the reason a brilliant sovereign and a wise general conquer the enemy whenever they move, and their achievements surpass those of ordinary men, is their foreknowledge of the enemy situation. This “foreknowledge” cannot be elicited from spirits, nor from gods, nor by analogy with past events, nor by astrologic calculations. It must be obtained from men who know the enemy situation—from spies. 

(Sun-tzu, The Art of War, fourth century B.C.)

REVERSAL

Information is critical to power, but just as you spy on other people, you must be prepared for them to spy on you.

One of the most potent weapons in the battle for information, then, is giving out false information.

As Winston Churchill said,

“Truth is so precious that she should always be attended by a bodyguard of lies.” 

You must surround yourself with such a bodyguard, so that your truth cannot be penetrated.

By planting the information of your choice, you control the game.

In 1944 the Nazis’ rocket-bomb attacks on London suddenly escalated.

Over two thousand V-1 flying bombs fell on the city, killing more than five thousand people and wounding many more.

Somehow, however, the Germans consistently missed their targets.

Bombs that were intended for Tower Bridge, or Piccadilly, would fall well short of the city, landing in the less populated suburbs.

This was because, in fixing their targets, the Germans relied on secret agents they had planted in England.

They did not know that these agents had been discovered, and that in their place, English-controlled agents were feeding them subtly deceptive information.

The bombs would hit farther and farther from their targets every time they fell.

By the end of the campaign they were landing on cows in the country.

By feeding people wrong information, then, you gain a potent advantage.

While spying gives you a third eye, disinformation puts out one of your enemy’s eyes.

A cyclops, he always misses his target.

Conclusion

Do not be a fake friend. What ever advantage that it might provide to you, will be offset by an equal degradation in your other relationships.

Don’t do it.

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Any Friend of Nicholas Nickleby’s Is a Friend of Mine (full text) by Ray Bradbury.

This is a lovely short story by Ray Bradbury. It's a fun, and easy quick read. The arrival in a small town of a stranger who calls himself 'Charles Dickens' makes a magical and lasting change in the lives of an imaginative 12-year-old boy and a loving young woman. It's a great read and fun escapist reading. 

It is free to read and you do not have to jump through any hoops to register, apply to bore through a pay-wall, or give out any personal information. Free means free. Enjoy.

Imagine a summer that would never end.

Nineteen twenty-nine.

Imagine a boy who would never grow up.

Me.

Imagine a barber who was never young.

Mr. Wyneski.

Imagine a dog that would live forever.

Mine.

Imagine a small town, the kind that isn’t lived in anymore.

Ready?

Begin…


Green Town, Illinois … Late June.

Dog barking outside a one-chair barbershop.

Inside, Mr. Wyneski, circling his victim, a customer snoozing in the steambath drowse of noon.

Inside, me, Ralph Spaulding, a boy of some twelve years, standing still as an iron Civil War statue, listening to the hot wind, feeling all that hot summer dust out there, a bakery world where nobody could be bad or good, boys just lay gummed to dogs, dogs used boys for pillows under trees that lazed with leaves which whispered in despair: Nothing Will Ever Happen Again.

The only motion anywhere was the cool water dripping from the huge coffin-sized ice block in the hardware store window.

The only cool person in miles was Miss Frostbite, the traveling magician’s assistant, tucked into that lady-shaped long cavity hollowed in the ice block displayed for three days now without they said, her breathing, eating, or talking. That last, I thought, must have been terrible hard on a woman.

Nothing moved in the street but the barbershop striped pole which turned slowly to show its red, white, and then red again, slid up out of nowhere to vanish nowhere, a motion between two mysteries.

“…hey…”

I pricked my ears.

“…something’s coming…”

“Only the noon train, Ralph.” Mr. Wyneski snicked his jackdaw scissors, peering in his customer’s ear. “Only the train that comes at noon.”

“No…” I gasped, eyes shut, leaning. “Something’s really coming…”

I heard the far whistle wail, lonesome, sad. enough to pull your soul out of your body.

“You feel it, don’t you, Dog?”

Dog barked.

Mr. Wyneski sniffed. “What can a dog feel?”

“Big things. Important things. Circumstantial coincidences. Collisions you can’t escape. Dog says. I say. We say.”

“That makes four of you. Some team.” Mr. Wyneski turned from the summer-dead man in the white porcelain chair. “Now, Ralph, my problem is hair. Sweep.”

I swept a ton of hair. “Gosh, you’d think this stuff just grew up out of the floor.”

Mr. Wyneski watched my broom. “Right! I didn’t cut all that. Darn stuff just grows, I swear, lying there. Leave it a week, come back, and you need hip boots to trod a path.” He pointed with his scissors. “Look. You ever see so many shades, hues, and tints of forelocks and chin fuzz? There’s Mr. Tompkins’s receding hairline. There’s Charlie Smith’s topknot. And here, here’s all that’s left of Mr. Harry Joe Flynn.”

I stared at Mr. Wyneski as if he had just read from Revelations. “Gosh, Mr. Wyneski, I guess you know everything in the world!”

“Just about.”

“I—I’m going to grow up and be—a barber!”

Mr. Wyneski, to hide his pleasure, got busy.

“Then watch this hedgehog, Ralph, peel an eye. Elbows thus, wrists so! Make the scissors talk! Customers appreciate. Sound twice as busy as you are. Snickety-snick, boy, snickety-snick. Learned this from the French! Oh, yes, the French! They do prowl about the chair light on their toes, and the sharp scissors whispering and nibbling, Ralph, nibbling and whispering, you hear!”

“Boy!” I said, at his elbow, right in with the whispers and nibbles, then stopped: for the wind blew a wail way off in summer country, so sad, so strange.

“There it is again. The train. And something on the train…”

“Noon train don’t stop here.”

“But I got this feeling—”

“The hair’s going to grab me. Ralph…”

I swept hair.

After a long while I said, “I’m thinking of changing my name.”

Mr. Wyneski sighed. The summer-dead customer stayed dead.

“What’s wrong with you today, boy?”

“It’s not me. It’s the name is out of hand. Just listen. Ralph.” I grrred it. “Rrrralph.”

“Ain’t exactly harp music…”

“Sounds like a mad dog.” I caught myself.

“No offense, Dog.”

Mr. Wyneski glanced down. “He seems pretty calm about the whole subject.”

“Ralph’s dumb. Gonna change my name by tonight.”

Mr. Wyneski mused. “Julius for Caesar? Alexander for the Great?”

“Don’t care what. Help me, huh, Mr. Wyneski? Find me a name…”

Dog sat up. I dropped the broom.

For way down in the hot cinder railroad yards a train furnaced itself in, all pomp, all fire-blast shout and tidal churn, summer in its iron belly bigger than the summer outside.

“Here it comes!”

“There it goes,” said Mr. Wyneski.

“No, there it doesn’t go!”

It was Mr. Wyneski’s turn to almost drop his scissors.

“Goshen. Darn noon train’s putting on the brakes!”

We heard the train stop.

“How many people getting off the train, Dog?”

Dog barked once.

Mr. Wyneski shifted uneasily. “U.S. Mail bags—”

“No … a man! Walking light. Not much luggage. Heading for our house. A new boarder at Grandma’s, I bet. And he’ll take the empty room right next to you, Mr. Wyneski! Right, Dog?”

Dog barked.

“That dog talks too much,” said Mr. Wyneski.

“I just gotta go see, Mr. Wyneski. Please?”

The far footsteps faded in the hot and silent streets.

Mr. Wyneski shivered.

“A goose just stepped on my grave.”

Then he added, almost sadly:

“Get along, Ralph.”

“Name ain’t Ralph.”

“Whatchamacallit … run see … come tell the worst.”

“Oh, thanks, Mr. Wyneski, thanks!”


I ran. Dog ran. Up a street, along an alley, around back, we ducked in the ferns by my grandma’s house. “Down, boy.” I whispered. “Here the Big Event comes, whatever it is!”

And down the street and up the walk and up the steps at a brisk jaunt came this man who swung a cane and carried a carpetbag and had long brown-gray hair and silken mustaches and a goatee, politeness all about him like a flock of birds.

On the porch near the old rusty chain swing, among the potted geraniums, he surveyed Green Town.

Far away, maybe, he heard the insect hum from the barbershop, where Mr. Wyneski, who would soon be his enemy, told fortunes by the lumpy heads under his hands as he buzzed the electric clippers. Far away, maybe, he could hear the empty library where the golden dust slid down the raw sunlight and way in back someone scratched and tapped and scratched forever with pen and ink, a quiet woman like a great lonely mouse burrowed away. And she was to be part of this new man’s life, too, but right now…

The stranger removed his tall moss-green hat, mopped his brow, and not looking at anything but the hot blind sky said:

“Hello, boy. Hello, dog.”

Dog and I rose up among the ferns.

“Heck. How’d you know where we were hiding?”

The stranger peered into his hat for the answer. “In another incarnation, I was a boy. Time before that, if memory serves, I was a more than usually happy dog. But…!” His cane rapped the cardboard sign BOARD AND ROOM thumbtacked on the porch rail. “Does the sign say true, boy?”

“Best rooms on the block.”

“Beds?”

“Mattresses so deep you sink down and drown the third time, happy.”

“Boarders at table?”

“Talk just enough, not too much.”

“Food?”

“Hot biscuits every morning, peach pie noon, shortcake every supper!”

The stranger inhaled, exhaled those savors.

“I’ll sign my soul away!”


“I beg your pardon?!” Grandma was suddenly at the screen door, scowling out.

“A manner of speaking, ma’am.” The stranger turned. “Not meant to sound un-Christian.”

And he was inside, him talking, Grandma talking, him writing and flourishing the pen on the registry book, and me and Dog inside, breathless, watching, spelling:

“C.H.”

“Read upside down, do you, boy?” said the stranger, merrily, giving pause with the inky pen.

“Yes, sir!”

On he wrote. On I spelled:

“A.R.L.E.S. Charles!”

“Right.”

Grandma peered at the calligraphy. “Oh, what a fine hand.”

“Thank you, ma’am.” On the pen scurried. And on I chanted. “D.I.C.K.E.N.S.”

I faltered and stopped. The pen stopped. The stranger tilted his head and closed one eye, watchful of me.

“Yes?” He dared me, “What, what?”

“Dickens!” I cried.

“Good!”

“Charles Dickens, Grandma!”

“I can read, Ralph. A nice name…”

“Nice?” I said, agape. “It’s great! But … I thought you were—”

“Dead?” The stranger laughed. “No. Alive, in fine fettle, and glad to meet a recognizer, fan, and fellow reader here!”


And we were up the stairs, Grandma bringing fresh towels and pillowcases and me carrying the carpetbag, gasping, and us meeting Grandpa, a great ship of a man, sailing down the other way.

“Grandpa,” I said, watching his face for shock. “I want you to meet … Mr. Charles Dickens!”

Grandpa stopped for a long breath, looked at the new boarder from top to bottom, then reached out, took hold of the man’s hand, shook it firmly, and said:

“Any friend of Nicholas Nickleby’s is a friend of mine!”

Mr. Dickens fell back from the effusion, recovered, bowed, said. “Thank you, sir,” and went on up the stairs, while Grandpa winked, pinched my cheek, and left me standing there, stunned.

In the tower cupola room, with windows bright, open, and running with cool creeks of wind in all directions, Mr. Dickens drew off his horse-carriage coat and nodded at the carpetbag.

“Anywhere will do, Pip. Oh, you don’t mind I call you Pip, eh?”

“Pip?!” My cheeks burned, my face glowed with astonishing happiness. “Oh, boy. Oh, no, sir. Pip’s fine!”

Grandma cut between us. “Here are your clean linens, Mr…?”

“Dickens, ma’am.” Our boarder patted his pockets, each in turn. “Dear me, Pip, I seem to be fresh out of pads and pencils. Might it be possible—”

He saw one of my hands steal up to find something behind my ear. “I’ll be darned,” I said, “a yellow Ticonderoga Number 2!” My other hand slipped to my back pants pocket. “And hey, an Iron-Face Indian Ring-Back Notepad Number 12!”

“Extraordinary!”

“Extraordinary!”

Mr. Dickens wheeled about, surveying the world from each and every window, speaking now north, now north by east, now east, now south:

“I’ve traveled two long weeks with an idea. Bastille Day. Do you know it?”

“The French Fourth of July?”

“Remarkable boy! By Bastille Day this book must be in full flood. Will you help me breach the tide gates of the Revolution, Pip?”

“With these?” I looked at the pad and pencil in my hands.

“Lick the pencil tip, boy!”

I licked.

“Top of the page: the title. Title.” Mr. Dickens mused, head down, rubbing his chin whiskers. “Pip, what’s a rare fine title for a novel that happens half in London, half in Paris?”

“A—” I ventured.

“Yes?”

“A Tale,” I went on.

“Yes?!”

“A Tale of … Two Cities?!”


“Madame!” Grandma looked up as he spoke. “This boy is a genius!”

“I read about this day in the Bible,” said Grandma. “Everything Ends by noon.”

“Put it down, Pip.” Mr. Dickens tapped my pad. “Quick. A Tale of Two Cities. Then, mid-page. Book the First. ‘Recalled to Life.’ Chapter 1. ‘The Period.’”

I scribbled. Grandma worked. Mr. Dickens squinted at the sky and at last intoned:

“It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the Season of Light, it was the season of Darkness, it was the spring of hope, it was the winter—”

“My,” said Grandma, “you speak fine.”

“Madame.” The author nodded, then, eyes shut, snapped his fingers to remember, on the air. “Where was I, Pip?”

“It was the winter,” I said, “of despair.”

Very late in the afternoon I heard Grandma calling someone named Ralph, Ralph, down below. I didn’t know who that was. I was writing hard.


A minute later, Grandpa called, “Pip!”

I jumped. “Yes, sir!”

“Dinnertime, Pip,” said Grandpa, up the stairwell.

I sat down at the table, hair wet, hands damp. I looked over at Grandpa. “How did you know … Pip?”

“Heard the name fall out the window an hour ago.”

“Pip?” said Mr. Wyneski, just come in, sitting down.

“Boy,” I said. “I been everywhere this afternoon. The Dover Coach on the Dover Road. Paris! Traveled so much I got writer’s cramp! I—”

“Pip” said Mr. Wyneski, again.

Grandpa came warm and easy to my rescue.

“When I was twelve, changed my name—on several occasions.” He counted the tines on his fork. “Dick. That was Dead-Eye Dick. And … John. That was for Long John Silver. Then: Hyde. That was for the other half of Jekyll—”

“I never had any other name except Bernard Samuel Wyneski,” said Mr. Wyneski, his eyes still fixed to me.

“None?” cried Grandpa, startled.

“None.”

“Have you proof of childhood, then, sir?” asked Grandpa. “Or are you a natural phenomenon, like a ship becalmed at sea?”

“Eh?” said Mr. Wyneski.

Grandpa gave up and handed him his full plate.

“Fall to, Bernard Samuel, fall to.”

Mr. Wyneski let his plate lie. “Dover Coach…?”

“With Mr. Dickens, of course,” supplied Grandpa. “Bernard Samuel, we have a new boarder, a novelist, who is starting a new book and has chosen Pip there, Ralph, to work as his secretary—”

“Worked all afternoon,” I said. “Made a quarter!”

I slapped my hand to my mouth. A swift dark cloud had come over Mr. Wyneski’s face.

“A novelist? Named Dickens? Surely you don’t believe—”

“I believe what a man tells me until he tells me otherwise, then I believe that. Pass the butter,” said Grandpa.

The butter was passed in silence.

“…hell’s fires…” Mr. Wyneski muttered.

I slunk low in my chair.


Grandpa, slicing the chicken, heaping the plates, said, “A man with a good demeanor has entered our house. He says his name is Dickens. For all I know that is his name. He implies he is writing a book. I pass his door, look in, and, yes, he is indeed writing. Should I run tell him not to? It is obvious he needs to set the book down—”

“A Tale of Two Cities!” I said.

“A Tale!” cried Mr. Wyneski, outraged, “of Two—”

“Hush,” said Grandma.

For down the stairs and now at the door of the dining room there was the man with the long hair and the fine goatee and mustaches, nodding, smiling, peering in at us doubtful and saying, “Friends…?”

“Mr. Dickens,” I said, trying to save the day. “I want you to meet Mr. Wyneski, the greatest barber in the world—”

The two men looked at each other for a long moment.

“Mr. Dickens,” said Grandpa. “Will you lend us your talent, sir, for grace?”

We bowed our heads. Mr. Wyneski did not.

Mr. Dickens looked at him gently.

Muttering, the barber glanced at the floor.

Mr. Dickens prayed:

“O Lord of the bounteous table, O Lord who furnishes forth an infinite harvest for your most respectful servants gathered here in loving humiliation, O Lord who garnishes our feast with the bright radish and the resplendent chicken, who sets before us the wine of the summer season, lemonade, and maketh us humble before simple potato pleasures, the lowborn onion and, in the finale, so my nostrils tell me, the bread of vast experiments and fine success, the highborn strawberry shortcake, most beautifully smothered and amiably drowned in fruit from your own warm garden patch, for these, and this good company, much thanks. Amen.”

“Amen,” said everyone but Mr. Wyneski.

We waited.

“Amen, I guess,” he said.


O what a summer that was!

None like it before in Green Town history.

I never got up so early so happy ever in my life! Out of bed at five minutes to, in Paris by one minute after … six in the morning the English Channel boat from Calais, the White Cliffs, sky a blizzard of seagulls, Dover, then the London Coach and London Bridge by noon! Lunch and lemonade out under the trees with Mr. Dickens, Dog licking our cheeks to cool us, then back to Paris and tea at four and…

“Bring up the cannon, Pip!”

“Yes, sir!”

“Mob the Bastille!”

“Yes, sir!”

And the guns were fired and the mobs ran and there I was, Mr. C. Dickens A-l First Class Green Town, Illinois, secretary, my eyes bugging, my ears popping, my chest busting with joy, for I dreamt of being a writer some day, too, and here I was unraveling a tale with the very finest best.

“Madame Defarge, oh how she sat and knitted, knitted, sat—”

I looked up to find Grandma knitting in the window.

“Sidney Carton, what and who was he? A man of sensibility, a reading man of gentle thought and capable action…”

Grandpa strolled by mowing the grass.

Drums sounded beyond the hills with guns; a summer storm cracked and dropped unseen walls…

Mr. Wyneski?

Somehow I neglected his shop, somehow I forgot the mysterious barber pole that came up from nothing and spiraled away to nothing, and the fabulous hair that grew on his white tile floor…


So Mr. Wyneski then had to come home every night to find that writer with all the long hair in need of cutting, standing there at the same table thanking the Lord for this, that, and t’other, and Mr. Wyneski not thankful. For there I sat staring at Mr. Dickens like he was God until one night:

“Shall we say grace?” said Grandma.

“Mr. Wyneski is out brooding in the yard,” said Grandpa.

“Brooding?” I glanced guiltily from the window.

Grandpa tilted his chair back so he could see.

“Brooding’s the word. Saw him kick the rose bush, kick the green ferns by the porch, decide against kicking the apple tree. God made it too firm. There, he just jumped on a dandelion. Oh, oh. Here he comes, Moses crossing a Black Sea of bile.”

The door slammed. Mr. Wyneski stood at the head of the table.

“I’ll say grace tonight!”

He glared at Mr. Dickens.

“Why, I mean,” said Grandma. “Yes. Please.”

Mr. Wyneski shut his eyes tight and began his prayer of destruction:

“O Lord, who delivered me a fine June and a less fine July, help me to get through August somehow.

“O Lord, deliver me from mobs and riots in the streets of London and Paris which drum through my room night and morn, chief members of said riot being one boy who walks in his sleep, a man with a strange name and a Dog who barks after the ragtag and bobtail.

“Give me strength to resist the cries of Fraud, Thief, Fool, and Bunk Artists which rise in my mouth.

“Help me not to run shouting all the way to the Police Chief to yell that in all probability the man who shares our simple bread has a true name of Red Joe Pyke from Wilkesboro, wanted for counterfeiting life, or Bull Hammer from Hornbill, Arkansas, much desired for mean spitefulness and penny-pilfering in Oskaloosa.

“Lord, deliver the innocent boys of this world from the fell clutch of those who would tomfool their credibility.

“And Lord, help me to say, quietly, and with all deference to the lady present, that if one Charles Dickens is not on the noon train tomorrow bound for Potters Grave, Lands End, or Kankakee, I shall like Delilah, with malice, shear the black lamb and fry his mutton-chop whiskers for twilight dinners and late midnight snacks.

“I ask, Lord, not mercy for the mean, but simple justice for the malignant.

“All those agreed, say ‘Amen.’”

He sat down and stabbed a potato.

There was a long moment with everyone frozen.

And then Mr. Dickens, eyes shut said, moaning:

“Ohhhhhhhhhh…!”

It was a moan, a cry, a despair so long and deep it sounded like the train way off in the country the day this man had arrived.


“Mr. Dickens,” I said.

But I was too late.

He was on his feet, blind, wheeling, touching the furniture, holding to the wall, clutching at the doorframe, blundering into the hall, groping up the stairs.

“Ohhhhh…”

It was the long cry of a man gone over a cliff into Eternity.

It seemed we sat waiting to hear him hit bottom.

Far off in the hills in the upper part of the house, his door banged shut.

My soul turned over and died.

“Charlie.” I said. “Oh, Charlie.”

Late that night, Dog howled.

And the reason he howled was that sound, that similar, muffled cry from up in the tower cupola room.


“Holy Cow,” I said. “Call the plumber. Everything’s down the drain.”

Mr. Wyneski strode by on the sidewalk, walking nowhere, off and gone.

“That’s his fourth time around the block.” Grandpa struck a match and lit his pipe.

“Mr. Wyneski!” I called.

No answer. The footsteps went away.

“Boy oh boy, I feel like I lost a war,” I said.

“No, Ralph, beg pardon, Pip,” said Grandpa, sitting down on the step with me. “You just changed generals in midstream is all. And now one of the generals is so unhappy he’s turned mean.”

“Mr. Wyneski? I—I almost hate him!”

Grandpa puffed gently on his pipe. “I don’t think he even knows why he is so unhappy and mean. He has had a tooth pulled during the night by a mysterious dentist and now his tongue is aching around the empty place where the tooth was.”

“We’re not in church, Grandpa.”

“Cut the Parables, huh? In simple words, Ralph, you used to sweep the hair off that man’s shop floor. And he’s a man with no wife, no family, just a job. A man with no family needs someone somewhere in the world, whether he knows it or not.”

“I,” I said. “I’ll wash the barbershop windows tomorrow. I-I’ll oil the red-and-white striped pole so it spins like crazy.”

“I know you will, son.”


A train went by in the night.

Dog howled.

Mr. Dickens answered in a strange cry from his room.

I went to bed and heard the town clock strike one and then two and at last three.

Then it was I heard the soft crying. I went out in the hall to listen by our boarder’s door.

“Mr. Dickens?”

The soft sound stopped.

The door was unlocked. I dared open it.

“Mr. Dickens?”

And there he lay in the moonlight, tears streaming from his eyes, eyes wide open staring at the ceiling, motionless.

“Mr. Dickens?”

“Nobody by that name here,” said he. His head moved side to side. “Nobody by that name in this room in this bed in this world.”

“You,” I said. “You’re Charlie Dickens.”

“You ought to know better,” was the mourned reply. “Long after midnight, moving on toward morning.”

“All I know is,” I said, “I seen you writing every day. I heard you talking every night.”

“Right, right.”

“And you finish one book and start another, and write a fine calligraphy sort of hand.”

“I do that.” A nod. “Oh yes, by the demon possessions, I do.”

“So!” I circled the bed. “What call you got to feel sorry for yourself, a world-famous author?”

“You know and I know, I’m Mr. Nobody from Nowhere, on my way to Eternity with a dead flashlight and no candles.”

“Hells bells,” I said. I started for the door. I was mad because he wasn’t holding up his end. He was ruining a grand summer. “Good night!” I rattled the doorknob.

“Wait!”

It was such a terrible soft cry of need and almost pain, I dropped my hand, but I didn’t turn.

“Pip,” said the old man in the bed.

“Yeah?” I said, grouching.

“Let’s both be quiet. Sit down.”

I slowly sat on the spindly wooden chair by the night table.

“Talk to me, Pip.”

“Holy Cow, at three—”

“—in the morning, yes. Oh, it’s a fierce awful time of night. A long way back to sunset, and ten thousand miles on to dawn. We have need of friends then. Friend, Pip? Ask me things.”

“Like what?”

“I think you know.”

I brooded a moment and sighed. “Okay, okay. Who are you?”


He was very quiet for a moment lying there in his bed and then traced the words on the ceiling with a long invisible tip of his nose and said, “I’m a man who could never fit his dream.”

“What?”

“I mean, Pip, I never became what I wanted to be.”

I was quiet now, too. “What’d you want to be?”

“A writer.”

“Did you try?”

“Try!” he cried, and almost gagged on a strange wild laugh. “Try,” he said, controlling himself. “Why Lord of Mercy, son, you never saw so much spit, ink, and sweat fly. I wrote my way through an ink factory, broke and busted a paper company, ruined and dilapidated six dozen typewriters, devoured and scribbled to the bone ten thousand Ticonderoga Soft Lead pencils.”

“Wow!”

“You may well say Wow.”

“What did you write?”

“What didn’t I write. The poem. The essay. The play tragique. The farce. The short story. The novel. A thousand words a day, boy, every day for thirty years, no day passed I did not scriven and assault the page. Millions of words passed from my fingers onto paper and it was all bad.”

“It couldn’t have been!”

“It was. Not mediocre, not passing fair. Just plain outright mudbath bad. Friends knew it, editors knew it, teachers knew it, publishers knew it, and one strange fine day about four in the afternoon, when I was fifty, I knew it.”

“But you can’t write thirty years without—”

“Stumbling upon excellence? Striking a chord? Gaze long, gaze hard, Pip, look upon a man of peculiar talent, outstanding ability, the only man in history who put down five million words without slapping to life one small base of a story that might rear up on its frail legs and cry Eureka! we’ve done it!”

“You never sold one story!?”

“Not a two line joke. Not a throwaway newspaper sonnet. Not a want ad or obit. Not a home-bottled autumn pickle recipe. Isn’t that rare? To be so outstandingly dull, so ridiculously inept, that nothing ever brought a chuckle, caused a tear, raised a temper, or discharged a blow. And do you know what I did on the day I discovered I would never be a writer? I killed myself.”

“Killed?!”

“Did away with, destroyed. How? I packed me up and took me away on a long train ride and sat on the back smoking-car platform a long time in the night and then one by one let the confetti of my manuscripts fly like panicked birds away down the tracks. I scattered a novel across Nebraska, my Homeric legends over North, my love sonnets through South Dakota. I abandoned my familiar essays in the men’s room at the Harvey House in Clear Springs, Idaho. The late summer wheatfields knew my prose. Grand fertilizer, it probably jumped up bumper crops of corn long after I passed. I rode two trunks of my soul on that long summer’s journey, celebrating my badly served self. And one by one, slow at first, and then faster, faster, over I chucked them, story after story, out, out of my arms out of my head, out of my life, and down they went, sunk drowning night rivers of prairie dust, in lost continents of sand and lonely rock. And the train wallowed around a curve in a great wail of darkness and release, and I opened my fingers and let the last stillborn darlings fall….

“When I reached the far terminus of the line, the trunks were empty. I had drunk much, eaten little, wept on occasion in my private room, but had heaved away my anchors, deadweights, and dreams, and came to the sliding soft chuffing end of my journey, praise God, in a kind of noble peace and certainty. I felt reborn. I said to myself, why, what’s this, what’s this? I’m—I’m a new man.”

He saw it all on the ceiling, and I saw it, too, like a movie run up the wall in the moonlit night.

“I-I’m a new man I said, and when I got off the train at the end of that long summer of disposal and sudden rebirth, I looked in a fly-specked, rain-freckled gum-machine mirror at a lost depot in Peachgum, Missouri, and my beard grown long in two months of travel and my hair gone wild with wind that combed it this way sane, that way mad, and I peered and stood back and exclaimed softly, ‘Why, Charlie Dickens, is that you?!’

The man in the bed laughed softly.

“‘Why, Charlie,’ said I, ‘Mr. Dickens, there you are!’ And the reflection in the mirror cried out, ‘Dammit, sir, who else would it be!? Stand back. I’m off to a great lecture!’”

“Did you really say that, Mr. Dickens?”


“God’s pillars and temples of truth, Pip. And I got out of his way! And I strode through a strange town and I knew who I was at last and grew fevers thinking on what I might do in my lifetime now reborn and all that grand fine work ahead! For, Pip, this thing must have been growing. All those years of writing and snuffing up defeat, my old subconscious must have been whispering, ‘Just you wait. Things will be black midnight bad but then in the nick of time, I’ll save you!’

“And maybe the thing that saved me was the thing ruined me in the first place: respect for my elders; the grand moguls and tall muckymucks in the lush literary highlands and me in the dry river bottom with my canoe.

“For, oh God, Pip, how I devoured Tolstoy, drank Dostoevsky, feasted on De Maupassant, had wine and chicken picnics with Flaubert and Molière. I gazed at gods too high. I read too much! So, when my work vanished, theirs stayed. Suddenly I found I could not forget their books, Pip!”

“Couldn’t?”

“I mean I could not forget any letter of any word of any sentence or any paragraph of any book ever passed under these hungry omnivorous eyes!”

“Photographic memory!”

“Bull’s-eye! All of Dickens, Hardy, Austen, Poe, Hawthorne, trapped in this old box Brownie waiting to be printed off my tongue, all those years, never knew, Pip, never guessed, I had did it all away. Ask me to speak in tongues. Kipling is one. Thackery another. Weigh flesh. I’m Shylock. Snuff out the light, I’m Othello. All, all, Pip, all!”

“And then? And so?”

“Why then and so, Pip, I looked another time in that fly-specked mirror and said, ‘Mr. Dickens, all this being true, when do you write your first book?’

“‘Now!’ I cried. And bought fresh paper and ink and have been delirious and joyful, lunatic and happy frantic ever since, writing all the books of my own dear self, me, I, Charles Dickens, one by one.

“I have traveled the continental vastness of the United States of North America and settled me in to write and act, act and write, lecturing here, pondering there, half in and then half out of my mania, known and unknown, lingering here to finish Copperfield, loitering there for Dombey and Son, turning up for tea with Marley’s Ghost on some pale Christmas noon. Sometimes I lie whole snowbound winters in little whistle stops and no one there guessing that Charlie Dickens bides hibernation there, then pop forth like the ottermole of spring and so move on. Sometimes I stay whole summers in one town before I’m driven off. Oh, yes, driven. For such as your Mr. Wyneski cannot forgive the fantastic, Pip, no matter how particularly practical that fantastic be.

“For he has no humor, boy.

He does not see that we all do what we must to survive, survive.


“Some laugh, some cry, some bang the world with fists, some run, but it all sums up the same: they make do.

“The world swarms with people, each one drowning, but each swimming a different stroke to the far shore.

“And Mr. Wyneski? He makes do with scissors and understands not my inky pen and littered papers on which I would flypaper-catch my borrowed English soul.”

Mr. Dickens put his feet out of bed and reached for his carpetbag.

“So I must pick up and go.”

I grabbed the bag first.

“No! You can’t leave! You haven’t finished the book!”

“Pip, dear boy, you haven’t been listening—”

“The world’s waiting! You can’t just quit in the middle of Two Cities!”

He took the bag quietly from me.

“Pip, Pip…”

“You can’t, Charlie!”

He looked into my face and it must have been so white hot he flinched away.

“I’m waiting,” I cried. “They’re waiting!”

“They…?”

“The mob at the Bastille. Paris! London. The Dover sea. The guillotine!”

I ran to throw all the windows even wider as if the night wind and the moonlight might bring in sounds and shadows to crawl on the rug and sneak in his eyes, and the curtains blew out in phantom gestures and I swore I heard, Charlie heard, the crowds, the coach wheels, the great slicing downfall of the cutting blades and the cabbage heads falling and battle songs and all that on the wind…

“Oh, Pip, Pip…”

Tears welled from his eyes.

I had my pencil out and my pad.

“Well?” I said.

“Where were we, this afternoon, Pip?”

“Madame Defarge, knitting.”

He let the carpetbag fall. He sat on the edge of the bed and his hands began to tumble, weave, knit, motion, tie and untie, and he looked and saw his hands and spoke and I wrote and he spoke again, stronger, and stronger, all through the rest of the night…

“Madame Defarge … yes … well. Take this, Pip. She—”


“Morning, Mr. Dickens!”

I flung myself into the dining-room chair. Mr. Dickens was already half through his stack of pancakes.

I took one bite and then saw the even greater stack of pages lying on the table between us.

“Mr. Dickens?” I said. “The Tale of Two Cities. It’s … finished?”

“Done.” Mr. Dickens ate, eyes down. “Got up at six. Been working steady. Done. Finished. Through.”

“Wow!” I said.

A train whistle blew. Charlie sat up, then rose suddenly, to leave the rest of his breakfast and hurry out in the hall. I heard the front door slam and tore out on the porch to see Mr. Dickens half down the walk, carrying his carpetbag.

He was walking so fast I had to run to circle round and round him as he headed for the rail depot.

“Mr. Dickens, the book’s finished, yeah, but not published yet!”

“You be my executor, Pip.”

He fled. I pursued, gasping.

“What about David Copperfield?! Little Dorrit?!”

“Friends of yours, Pip?”

“Yours, Mr. Dickens, Charlie, oh, gosh, if you don’t write them, they’ll never live.”

“They’ll get on somehow.” He vanished around a corner. I jumped after.

“Charlie, wait. I’ll give you—a new title! Pickwick Papers, sure, Pickwick Papers!”

The train was pulling into the station.

Charlie ran fast.

“And after that, Bleak House, Charlie, and Hard Times and Great—Mr. Dickens, listen—Expectations! Oh, my gosh!”


For he was far ahead now and I could only yell after him:

“Oh, blast, go on! get off! get away! You know what I’m going to do!? You don’t deserve reading! You don’t! So right now, and from here on, see if I even bother to finish reading Tale of Two Cities! Not me! Not this one! No!”

The bell was tolling in the station. The steam was rising. But, Mr. Dickens had slowed. He stood in the middle of the sidewalk. I came up to stare at his back.

“Pip,” he said softly. “You mean what you just said?”

“You!” I cried. “You’re nothing but—” I searched in my mind and seized a thought: “—a blot of mustard, some undigested bit of raw potato—!”

“‘Bah, Humbug, Pip?’”

“Humbug! I don’t give a blast what happens to Sidney Carton!”

“Why, it’s a far, far better thing I do than I have ever done, Pip. You must read it.”

“Why!?”

He turned to look at me with great sad eyes.

“Because I wrote it for you.”

It took all my strength to half-yell back: “So—?”

“So,” said Mr. Dickens, “I have just missed my train. Forty minutes till the next one—”

“Then you got time,” I said.

“Time for what?”

“To meet someone. Meet them, Charlie, and I promise I’ll finish reading your book. In there. In there, Charlie.”

He pulled back.

“That place? The library?!”

“Ten minutes, Mr. Dickens, give me ten minutes, just ten, Charlie. Please.”

“Ten?”

And at last, like a blind man, he let me lead him up the library steps and half-fearful, sidle in.

The library was like a stone quarry where no rain had fallen in ten thousand years.

Way off in that direction: silence.

Way off in that direction: hush.

It was the time between things finished and things begun. Nobody died here.

Nobody was born. The library, and all its books, just were.

We waited, Mr. Dickens and I, on the edge of the silence.

Mr. Dickens trembled. And I suddenly remembered I had never seen him here all summer. He was afraid I might take him near the fiction shelves and see all his books, written, done, finished, printed, stamped, bound, borrowed, read, repaired, and shelved.

But I wouldn’t be that dumb. Even so, he took my elbow and whispered:

“Pip, what are we doing here? Let’s go. There’s…”

“Listen!” I hissed.

And a long way off in the stacks somewhere, there was a sound like a moth turning over in its sleep.

“Bless me,” Mr. Dickens’s eyes widened. “I know that sound.”

“Sure!”

“It’s the sound,” he said, holding his breath, then nodding, “of someone writing.”

“Yes, sir.”

“Writing with a pen. And … and writing…”

“What?”

“Poetry,” gasped Mr. Dickens. “That’s it. Someone off there in a room, how many fathoms deep, Pip, I swear, writing a poem. There! Eh? Flourish, flourish, scratch, flourish on, on, on, that’s not figures, Pip, not numerals, not dusty-dry facts, you feel it sweep, feel it scurry? A poem, by God, yes, sir, no doubt, a poem!”

“Ma’am,” I called.

The moth-sound ceased.

“Don’t stop her!” hissed Mr. Dickens. “Middle of inspiration. Let her go!”

The moth-scratch started again.

Flourish, flourish, scratch, on, on, stop. Flourish, flourish. I bobbed my head. I moved my lips, as did Mr. Dickens, both of us suspended, held, leant forward on the cool marble air listening to the vaults and stacks and echoes in the subterrane.

Flourish, flourish, scratch, on, on.

Silence.

“There.” Mr. Dickens nudged me.

“Ma’am!” I called ever so urgently soft.

And something rustled in the corridors.

And there stood the librarian, a lady between years, not young, not old; between colors, not dark, not pale; between heights, not short, not tall, but rather frail, a woman you often heard talking to herself off in the dark dust-stacks with a whisper like turned pages, a woman who glided as if on hidden wheels.

She came carrying her soft lamp of face, lighting her way with her glance.

Her lips were moving, she was busy with words in the vast room behind her clouded gaze.

Charlie read her lips eagerly. He nodded. He waited for her to halt and bring us to focus, which she did, suddenly. She gasped and laughed at herself.

“Oh, Ralph, it’s you and—” A look of recognition warmed her face. “Why, you’re Ralph’s friend. Mr. Dickens, isn’t it?”

Charlie stared at her with a quiet and almost alarming devotion.

“Mr. Dickens,” I said. “I want you to meet—”

“‘Because I could not stop for Death—’” Charlie, eyes shut, quoted from memory.

The librarian blinked swiftly and her brow like a lamp turned high, took white color.

“Miss Emily,” he said.

“Her name is—” I said.

“Miss Emily.” He put out his hand to touch hers.

“Pleased,” she said. “But how did you—?”

“Know your name? Why, bless me, ma’am, I heard you scratching way off in there, runalong rush, only poets do that!”

“It’s nothing.”

“Head high, chin up,” he said, gently. “It’s something. ‘Because I could not stop for death’ is a fine A-1 first-class poem.”

“My own poems are so poor,” she said, nervously. “I copy hers out to learn.”

“Copy who?” I blurted.

“Excellent way to learn.”

“Is it, really?” She looked close at Charlie. “You’re not…?”

“Joking? No, not with Emily Dickinson, ma’am!”

“Emily Dickinson?” I said.

“That means much coming from you, Mr. Dickens,” she flushed. “I have read all your books.”

“All?” He backed off.

“All,” she added hastily, “that you have published so far, sir.”

“Just finished a new one.” I put in, “Sockdolager! A Tale of Two Cities.”

“And you, ma’am?” he asked, kindly.

She opened her small hands as if to let a bird go.

“Me? Why, I haven’t even sent a poem to our town newspaper.”

“You must!” he cried, with true passion and meaning. “Tomorrow. No, today!”

“But,” her voice faded. “I have no one to read them to, first.”

“Why,” said Chadie quietly. “You have Pip here, and, accept my card, C. Dickens, Esquire. Who will, if allowed, stop by on occasion, to see if all’s well in this Arcadian silo of books.”

She took his card. “I couldn’t—”

“Tut! You must. For I shall offer only warm sliced white bread. Your words must be the marmalade and summer honey jam. I shall read long and plain. You: short and rapturous of life and tempted by that odd delicious Death you often lean upon. Enough.” He pointed. “There. At the far end of the corridor, her lamp lit ready to guide your hand … the Muse awaits. Keep and feed her well. Good-bye.”

“Good-bye?” she asked. “Doesn’t that mean ‘God be with you’?”

“So I have heard, dear lady, so I have heard.”

And suddenly we were back out in the sunlight, Mr. Dickens almost stumbling over his carpetbag waiting there.

In the middle of the lawn, Mr. Dickens stood very still and said, “The sky is blue, boy.”

“Yes, sir.”

“The grass is green.”

“Sure.” Then I stopped and really looked around. “I mean, heck, yeah!”

“And the wind … smell that sweet wind?”

We both smelled it. He said:

“And in this world are remarkable boys with vast imaginations who know the secrets of salvation…”

He patted my shoulder. Head down, I didn’t know what to do. And then I was saved by a whistle:

“Hey, the next train! Here it comes!”


We waited.

After a long while, Mr. Dickens said:

“There it goes…and let’s go home, boy.”

“Home!” I cried, joyfully, and then stopped. “But what about … Mr. Wyneski?”

“O, after all this, I have such confidence in you, Pip. Every afternoon while I’m having tea and resting my wits, you must trot down to the barbershop and—”

“Sweep hair!”

“Brave lad. It’s little enough. A loan of friendship from the Bank of England to the First National Bank of Green Town, Illinois. And now, Pip … pencil!”

I tried behind one ear, found gum; tried the other ear and found: “Pencil!”

“Paper?”

“Paper!”

We strode along under the soft green summer trees.

“Title, Pip—”

He reached up with his cane to write a mystery on the sky. I squinted at the invisible penmanship.

“The—”

He blocked out a second word on the air.

“Old,” I translated.

A third.

“C.U.” I spelled. “R.I….Curiosity!”

“How’s that for a title, Pip?”

I hesitated. “It … doesn’t seem, well, quite finished, sir.”

“What a Christian you are. There!”

He flourished a final word on the sun.

“S.H.O….Shop! The Old Curiosity Shop.”

“Take a novel, Pip!”

“Yes, sir,” I cried. “Chapter One!”

A blizzard of snow blew through the trees.

“What’s that?” I asked, and answered:

Why, summer gone. The calendar pages, all the hours and days, like in the movies, the way they just blow off over the hills. Charlie and I working together, finished, through. Many days at the library, over! Many nights reading aloud with Miss Emily done! Trains come and gone. Moons waxed and waned. New trains arriving and new lives teetering on the brink, and Miss Emily suddenly standing right there, and Charlie here with all their suitcases and handing me a paper sack.

“What’s this?”

“Rice. Pip, plain ordinary white rice, for the fertility ritual. Throw it at us, boy. Drive us happily away. Hear those bells, Pip? Here goes Mr. and Mrs. Charlie Dickens! Throw, boy, throw! Throw!”

I threw and ran, ran and threw, and them on the back train platform waving out of sight and me yelling good-bye, Happy marriage, Charlie! Happy times! Come back! Happy … Happy…

And by then I guess I was crying, and Dog chewing my shoes, jealous, glad to have me alone again, and Mr. Wyneski waiting at the barbershop to hand me my broom and make me his son once more.

And autumn came and lingered and at last a letter arrived from the married and traveling couple.

I kept the letter sealed all day and at dusk, while Grandpa was raking leaves by the front porch I went out to sit and watch and hold the letter and wait for him to look up and at last he did and I opened the letter and read it out loud in the October twilight:

“Dear Pip,” I read, and had to stop for a moment seeing my old special name again, my eyes were so full.

“Dear Pip. We are in Aurora tonight and Felicity tomorrow and Elgin the night after that. Charlie has six months of lectures lined up and looking forward. Charlie and I are both working steadily and are most happy…very happy … need I say?

“He calls me Emily.

“Pip, I don’t think you know who she was, but there was a lady poet once, and I hope you’ll get her books out of the library someday.

“Well, Charlie looks at me and says: ‘This is my Emily’ and I almost believe. No. I do believe.”

I stopped and swallowed hard and read on:

“We are crazy, Pip.

“People have said it. We know it. Yet we go on. But being crazy together is fine.

“It was being crazy alone I couldn’t stand any longer.

“Charlie sends his regards and wants you to know he has indeed started a fine new book, perhaps his best yet … one you suggested the title for, Bleak House.

“So we write and move, move and write, Pip. And some year soon we may come back on the train which stops for water at your town. And if you’re there and call our names as we know ourselves now, we shall step off the train. But perhaps meanwhile you will get too old. And if when the train stops, Pip, you’re not there, we shall understand, and let the train move us on to another and another town.

“Signed, Emily Dickinson.

“P.S. Charlie says your grandfather is a dead ringer for Plato, but not to tell him.

“P.P.S. Charlie is my darling.”


“Charlie is my darling,” repeated Grandpa, sitting down and taking the letter to read it again. “Well, well…” he sighed. “Well, well…”

We sat there a long while, looking at the burning soft October sky and the new stars. A mile off, a dog barked. Miles off, on the horizon line, a train moved along, whistled, and tolled its bell, once, twice, three times, gone.

“You know,” I said. “I don’t think they’re crazy.”

“Neither do I, Pip,” said Grandpa, lighting his pipe and blowing out the match. “Neither do I.”

The End

Fictional Story Related Index

This is an index of full text reprints of stories that I have read that influenced me when I was young. They are rather difficult to come by today, as where I live they are nearly impossible to find. Yes, you can find them on the internet, behind paywalls. Ah, that’s why all those software engineers in California make all that money. Well, here they are FOR FREE. Enjoy reading them.

Movies that Inspired Me

Here are some movies that I consider noteworthy and worth a view. Enjoy.

The Seventh Voyage of Sinbad.
Jason and the Argonauts
The Golden Voyage of Sinbad (1973)
The Abominable Dr. Phibes (1971)

Stories that Inspired Me

Here are reprints in full text of stories that inspired me, but that are nearly impossible to find in China. I place them here as sort of a personal library that I can use for inspiration. The reader is welcome to come and enjoy a read or two as well.

Link
R is for Rocket
Space Cadet (Full Text) by Robert Heinlein
Link
Link
Link
Correspondence Course
Link
Link
Link
Link
Link
The Last Night
The Flying Machine
A story of escape.
All Summer in a day.
The Smile by Ray Bradbury
The menace from Earth
Delilah and the Space Rigger
Life-Line
The Tax-payer
The Pedestrian
Time for the stars.
Glory Road by Robert Heinlein
Starman Jones (Full Text) by Robert Heinlein.
The Lottery (Full Text) by Shirley Jackson
The Cold Equations (Full Text)
Farnham's Freehold (Full Text) by Robert Heinlein
Invisible Boy (Full Text) by Ray Bradbury
Job: A Comedy of Justice (Full Text) by Robert Heinlein
Spell my name with an "S" by Isaac Asimov
The Proud Robot (Full Text)
The Time Locker
Not the First (Full Text) by A.E. van Vogt
The Star Mouse (Full Text)
Space Jockey (Full Text) by Robert Heinlein
He who shrank (Full Text).
Blowups Happen by Robert Heinlein
Uncle Eniar by Ray Bradbury
The Cask of Amontillado

My Poetry

My Kitten Knows

Art that Moves Me

An experiment of a bird in a vacuum jar.

Articles & Links

You’ll not find any big banners or popups here talking about cookies and privacy notices. There are no ads on this site (aside from the hosting ads – a necessary evil). Functionally and fundamentally, I just don’t make money off of this blog. It is NOT monetized. Finally, I don’t track you because I just don’t care to.

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Some fun videos of Asia; to include China, Thailand, Vietnam, and Japan. (Part 14)

Yes. Here we are going to explore Asia. This entire post is devoted to this. Except that we are going to take just a little bit of time to talk about something else.

As we continue in our video exploration of Asia, and my various rants of stuff, let’s first explore one of my all time movies. You know which one, don’t you? It’s from the photo splash screen above.

The movie is “Casablanca”, and it’s a classic.

I am so amazed at how many millennials have never heard of this move, nor watched it. It is stunning to me. Which is, perhaps, why I am going to spend a larger than usual amount of time writing about it.
Of all the gin joints in all the towns in all the world, she walks into mine.

Lost in Love in Casablanca.

Casablanca is a film about the personal tragedy of occupation and war. It speaks to the oppression of the one side – and the heroism and self-deprecation of the other. From opportunists, to isolationists – from patriots to disenchanted lovers – the film has everything a man or woman would enjoy.

I cannot go with you or ever see you again.

Bravery, courage, intrigue, romance, beauty and love. Leading actors to please any appetite.

Watching this film is to step back to a world that doesn’t exist – yet to know it. It is to experience lives that have never been lived – but are “real to you.” It is to know pain and joy, pride and pity for characters that are a fiction – yet are so real that you can’t help but get lost in their story.

So what exactly is so special about it? Is it its great genre mix, never  equaled by another film? When we think of 'Casablanca' first, we  remember it as a romantic film (well, most of us do). 

But then again,  its also a drama involving terror, murder and flight. 

One can call it a  character study, centering on Rick. And there are quite a few moments of  comedic delight, just think of the pickpocket ("This place is full of  vultures, vultures everywhere!") or the elderly couple on the last  evening before their emigration to the US ("What watch?"). 

But  'Casablanca' is not only great as a whole, it still stands on top if we  break it apart and look at single lines of dialog, scenes or  performances alone. 

Amazing cast, memorable dialogue, unforgettable story. Through this film, Casablanca will always live in my heart and I will think of its characters as family.

Seeing it for the first time is truly the start of a romance with ideals that will live in you long after credits end.

Casablanca 1
Not only is the dialog great, it’s unforgettably delivered, especially by Humphrey Bogart (“I was misinformed.”) and Claude Rains (“I am shocked, shocked to find that gambling is going on here”). Many of scenes have become a part of film history; the duel of ‘Die Wacht am Rhein’ and ‘La Marseillaise’ is probably one of the greatest scenes ever shot, and the last scene is probably even familiar to the few people who’ve never seen ‘Casablanca’.

The Nazi envoy, Major Heinrich Strasser puts it: ‘Human life is cheap in Casablanca.” Of course because a man may be executed in its crowded market before Marshal Pétain’s portrait or where a charming girl may guarantee an exit visa by spending her night with the Prefect of Police…

Rick’s Café is the point of intersection, the espionage center, the background for Allied offensive, the focal point as refugees from Nazi-occupied Europe seek to gain exit visas to Lisboa…

The interesting club so well organized, leads to an open arena of conspiracy, counterspies, secret plans, black market transactions, in which the games and fights are between arrogant Nazis, patriotic French, idealists, murderers, pickpockets and gamblers around a roulette wheel, where a ball could rest on Rick’s command against the settled number 22…

Casablanca a love lost.
The cast is one of its main strengths, not just Bogart and Bergman but also the fine supporting cast. Rains, Greenstreet, Lorre, and the others are indispensable to the atmosphere and the story, and each has some very good moments.

“Casablanca” is an adventure film which victory is not won with cannons and guns… The action, the fight, the war takes place inside Rick’s walls rather than outside…

But who is this Rick? What is his magical power? His secret weapon? Rick is the anti-fascist with hard feelings, the former soldier of fortune who has grown tired of smuggling and fighting, and is now content to sit out the war in his own neutral territory…

Hum... A little like myself, eh?

Even loyalty to a friend doesn’t move him as he refuses to help Ugarte, a desperately frightened little courier who is fleeing from the police…

Casablanca 3
This is a film that MUST belong in every video collection in the U.S. is not in the world. The stories about it’s making are legendary from the constant rewrites to the apocrypha of casting stories. What is amazing to me, and the reason I believe it holds audiences almost spellbound in successive viewings, is the connection with the horrors of World War II was almost every single cast member.

Emphatically, Rick says, “I stick my neck out for nobody.”

Play it again Sam.

Ah, but we know he will do just that in a very short time, for into his quiet life comes a haunting vision from his past, the beautiful woman he still loves and bitterly remembers…

But…

But…

But, she is married to an underground leader and she desperately needs those papers Rick conveniently now has in his possession…

OMG!

The cynical Rick’s facade of neutrality begins to weaken as he recalls the bittersweet memories of his past love affair, memories triggered repeatedly when the strains of “As Time Goes By” come from Sam, his piano-playing confidante…

But “Casablanca” basic message is a declaration of self-sacrifice… War. World II demanded all!

The words stated by Rick at the airport had their impact: ‘The problems of three people don’t amount to a hill of beans in this crazy world.’ It goes without saying that Bogart is incomparable when he seems most like himself…

His way with a line makes “Casablanca” dialog part of the collective memory: ‘I remember every detail. The Germans wore gray. You were blue.’

Rick and lost in love.
Everyone in this film is fabulous, but it is the chemistry of Rick (Bogart) and Ilsa (Bergman) been truly holds the film together. When I saw this film almost frame by frame in the limited book series of classic films that were produced in the late 1960s, I was stunned by the subtlety of facial expressions that conveyed so much of Rick Blaine’s character by a marvelous actor Humphrey Bogart.

There is a reason why he was named the actor of the century. While every person in the film becomes a real flesh and blood presence, the story of Rick and Ilsa is the center of this cinema feast.

Intermixed in this intrigue are all the fascinating and beautifully acted supporting roles…. With his customary skill, Claude Rains plays Major Renault, a prefect of police who is like Bogart in many ways…

He, too, claims neutrality, but is definitely against the Nazis…

He is Rick’s most devoted adversary, tauntingly calling the man a “sentimentalist” and delivering his share of cynically amusing lines…

But, what about us?

When he makes a small bet and is encouraged to make a bigger one, he remarks that he is only a “poor corrupt official.”

Ingrid Bergman is fascinating as the lovely heroine, the mysterious impossible woman of an impossible love, the tender mood of every man, the love-affair, the quality of being romantic, the traditional woman enclosed by two rivals, symbol of a besieged Europe…

Time to say goodby.
CASABLANCA is the best treatment ever of the ancient theme of the love triangle. Set in World War II Casablanca, a Moroccan city under the control of the collaborationist Vichy French government, the movie starts with a news wire that two German couriers have been murdered and their letters of transit stolen. Each letter will permit one person to leave Casablanca to a neutral country.

Paul Henreid is Victor Laszlo, the anti-Nazi resistance leader, seeking in Morocco the two letters of transit signed by General De Gaulle…

Here’s looking at you kid.

Sidney Greenstreet is the black marketeer on good terms with Rick, the rival owner of the ‘Blue Parrot,’ the acceptable face of corruption…

Peter Lorre is Ugarte, the racketeer, the dealer of anything illegal, the killer, driven into a corner by the Vichy police, who has given Rick two letter of transit…

Enter Humphrey Bogart as Rick Blaine, owner of the shady but cheerful Cafe Americaine. Rick  is a cynical and hard-nosed man whose motto is, "I stick my neck out  for nobody." Like many a cynic, Rick is an embittered ex-idealist, still  nursing his wounds from being abandoned by his lover Ilsa (Ingrid  Bergman). By chance he falls into possession of the missing letters of  transit. 

Enter  Ilsa, who comes to Casablanca on the arm of Czech Resistance leader  Victor Laszlo (Paul Henreid), a few steps ahead of the Nazi police. We  now have three people and two letters of transit. Who will reach  America, and who will stay in Casablanca? I know no other movie that so  perfectly balances humor, romance, and drama. 

The  soul of good drama lies in presenting characters with hard choices, and  few choices are as hard, or as illuminating of the protagonists'  makeup, as the choices in CASABLANCA. All of the characters must decide  what they will give up for love, for honor, and for themselves. The  scenes of Rick and Ilsa's love, years ago in Paris, are some of the  finest romantic scenes in cinema. 

And  the humor, particularly in the person of Casablanca's Prefect of  Police, Louis Renault, has contributed dozens of dry witticisms to our  everyday language - "I am shocked! Shocked! - "The Germans wore gray,  you wore blue." - "I was misinformed." - "It would take a miracle to get  you out of Casablanca, and the Germans have outlawed miracles." 

So  perfectly blended are these three major elements that you cannot point  to a single shot or scene that should have been eliminated from the  movie. Never try to watch only one scene from CASABLANCA; you will  inevitably be absorbed until the very end of the film. It is little  short of miraculous that the chaotically mismanaged shooting of this  movie resulted in such a magnificent final product; it speaks volumes  for luck and for Owen Marks' and Michael Curtiz' post-production  editing.  
At the table in Casablanca.
A scene still from the 1943 Academy Award®-winning film “Casablanca” features (l to r) Humphrey Bogart, Claude Rains, Paul Henried and Ingrid Bergman. Bogart received an Academy Award nomination in the Lead Actor category while Claude Rains was honored with a nomination in the Supporting Actor category. “Casablanca” received eight Academy Award nominations in total and won three Oscars® including Best Picture. Restored by Nick & jane for Dr. Macro’s High Quality Movie Scans Website: http:www.doctormacro.com. Enjoy!

Conrad Veidt is the very essence of German rigidity, unfeeling, unconcerned about life, but firmly believing in the foolish ideology of his Nazi compatriots…

“Casablanca” covers many highlights: The Marseillaise against the Horst Wessel song inspiring sequence; the blissful days in Paris; Ilsa’s emotional words to Rick in occupied Paris; the champagne toast; Ilsa’s request to Sam; the poetry of the magic words and the beautiful voice of Dooley Wilson; Captain Renault’s words in the airport; and the farewell…

The magic that developed from the teaming of Bogart and Bergman is enough to make a new romantic figure out of the former tough guy…

To his cynicism, his own code of ethics, his hatred of the phoniness in all human behavior, he now added the softening traits of tenderness and compassion and a feeling of heroic commitment to a cause…

They helped him complete the portrayal of the ideal man who all men wished to rival…

Casablanca and the fat man.
In December 1941, American expatriate Rick Blaine owns an upscale nightclub and gambling den in Casablanca. “Rick’s Café Américain” attracts a varied clientele, including Vichy French and German officials, refugees desperate to reach the still-neutral United States, and those who prey on them.

Although Rick professes to be neutral in all matters, he ran guns to Ethiopia during its war with Italy and fought on the Loyalist side in the Spanish Civil War. Petty crook Ugarte boasts to Rick of “letters of transit” obtained by murdering two German couriers. The papers allow the bearers to travel freely around German-controlled Europe and to neutral Portugal, and are priceless to the refugees stranded in Casablanca. Ugarte plans to sell them at the club, and asks Rick to hold them.

Before he can meet his contact, Ugarte is arrested by the local police under the command of Captain Louis Renault, the unabashedly corrupt Vichy prefect of police. Ugarte dies in custody without revealing that he entrusted the letters to Rick.

One can look at hundreds of films produced during this period without finding any whose composite pieces fall so perfectly into place…

Its photography is outstanding, the music score is inventive, the editing is concise and timed perfectly…

Bogart’s and Bergman’s love scenes create a genuinely romantic aura, capturing a sensitivity between the two stars one would not have believed possible…

Rick in love in Casablanca.
Humphrey Bogart and Ingrid Bergman starred in “Casablanca,” the Oscar®-winning film of 1943. Bogart was nominated for an Academy Award® in the Lead Actor category for his portrayal of Café Americain owner Rick Blaine. In total, “Casablanca” received eight Oscar nominations and won three, including Best Picture. Restored by Nick & jane for Dr. Macro’s High Quality Movie Scans Website: http:www.doctormacro.com. Enjoy!

“Casablanca” is a masterpiece of entertainment, an outstanding motion picture which brought Bogart his first Academy Award nomination (he lost to Paul Lukas for “Watch On the Rhine”) and won Awards for Best Picture of the Year, Best Director and Best Screenplay…

 There is a scene about halfway through the movie Casablanca that has  become commonly known as 'The Battle of the Anthems' throughout the  film's long history. A group of German soldiers has come into Rick's  Café American and are drunkenly singing the German National Anthem at  the top of their voice. Victor Lazlo, the leader of the French  Resistance, cannot stand this act and while the rest of the club stares  appalled at the Germans, Lazlo orders the band to play 'Le Marseilles  (sic?)' the French National Anthem. With a nod from Rick, the band  begins playing, with Victor singing at the top of HIS voice. This in  turn, inspires the whole club to begin singing and the Germans are  forced to surrender and sit down at their table, humbled by the crowd's  dedication. This scene is a turning point in the movie, for reasons that  I leave to you to discover. 

As I watched this movie again  tonight for what must be the 100th time, I noticed there was a much  smaller scene wrapped inside the bigger scene that, unless you look for  it, you may never notice. Yvonne, a minor character who is hurt by Rick  emotionally, falls into the company of a German soldier. In a land  occupied by the Germans, but populated by the French, this is an  unforgivable sin. She comes into the bar desperately seeking happiness  in the club's wine, song, and gambling. Later, as the Germans begin  singing we catch a glimpse of Yvonne sitting dejectedly at a table alone  and in this brief glimpse, it is conveyed that she has discovered that  this is not her path to fulfillment and she has no idea where to go from  there. As the singing progresses, we see Yvonne slowly become inspired  by Lazlo's act of defiance and by the end of the song, tears streaming  down her face, she is singing at the top of her voice too. She has found  her redemption. She has found something that will make her life never  the same again from that point on. 

Basically, this is Casablanca  in a nutshell. On the surface, you may see it as a romance, or as a  story of intrigue, but that is only partially correct.

The thing  that makes Casablanca great is that it speaks to that place in each of  us that seeks some kind of inspiration or redemption. On some level,  every character in the story receives the same kind of catharsis and  their lives are irrevocably changed. Rick's is the most obvious in that  he learns to live again, instead of hiding from a lost love. He is  reminded that there are things in the world more noble and important  than he is and he wants to be a part of them. Louis, the scoundrel, gets  his redemption by seeing the sacrifice Rick makes and is inspired to  choose a side, where he had maintained careful neutrality. The stoic  Lazlo gets his redemption by being shown that while thousands may need  him to be a hero, there is someone he can rely upon when he needs  inspiration in the form of his wife, who was ready to sacrifice her  happiness for the chance that he would go on living. Even Ferrai, the  local organized crime leader gets a measure of redemption by pointing  Ilsa and Lazlo to Rick as a source of escape even though there is  nothing in it for him. 

This is the beauty of this movie. Every  time I see it (and I have seen it a lot) it never fails that I see some  subtle nuance that I have never seen before. Considering that the  director would put that much meaning into what is basically a throw away  moment (not the entire scene, but Yvonne's portion) speaks bundles  about the quality of the film. My wife and I watched this movie on our  first date, and since that first time over 12 years ago, it has grown to  be, in my mind, the greatest movie ever made. 

-A Masterwork for all Time
A great romance.
“Casablanca” is a great romance, not only for being so supremely entertaining with its humor and realistic-though-exotic wartime excitement, but because it’s not the least bit mushy. Take the way Rick’s face literally breaks when he first sees Ilsa in his bar, or how he recalls the last time he saw her in Paris: “The Germans wore gray, you wore blue.”

There’s a real human dimension to these people that makes us care for them and relate to them in a way that belies the passage of years. For me, and many, the most interesting relationship in the movie is Rick and Capt. Renault, the police prefect in Casablanca who is played by Claude Rains with a wonderful subtlety that builds as the film progresses. Theirs is a relationship of almost perfect cynicism, one-liners and professions of neutrality that provide much humor, as well as give a necessary display of Rick’s darker side before and after Ilsa’s arrival. But there’s so much to grab onto with a film like this.

You can talk about the music, or the way the setting becomes a living character with its floodlights and Moorish traceries. Paul Henreid is often looked at as a bit of a third wheel playing the role of Ilsa’s husband, but he manages to create a moral center around which the rest of the film operates, and his enigmatic relationship with Rick and especially Ilsa, a woman who obviously admires her husband but can’t somehow ever bring herself to say she loves him, is something to wonder at.

My favorite bit is when Rick finds himself the target of an entreaty by a Bulgarian refugee who just wants Rick’s assurance that Capt. Renault is “trustworthy,” and that, if she does “a bad thing” to secure her husband’s happiness, it would be forgivable.

Rick flashes on Ilsa, suppresses a grimace, tries to buy the woman off with a one-liner (“Go back to Bulgaria”), then finally does a marvelous thing that sets the whole second half of the film in motion without much calling attention to itself.

Time to go in Casablanca.
Love and sacrifice during WWII underlie the story about a café owner named Rick (Humphrey Bogart), and his link to two intellectual refugees from Nazi occupied France. Ilsa (Ingrid Bergman) and Victor Laszlo (Paul Henreid) seek asylum here in politically neutral Casablanca and, like other European refugees, gravitate to Rick’s upscale café, near the city’s airport, with its revolving searchlight.

Rick is a middle-aged cynic who also has a touch of sentimentalism, especially for people in need, like Ilsa and Victor. The film’s story is ideal for romantics everywhere.

I wish I didn’t love you so much.

Sorry, for that long narrative. Let’s get back to Asia, shall we.

Faded. Music in China.

First stop is a DJ version of the song “Faded”. Faded is a song made popular by Alan Walker. It is very popular in China. As such, there have been many people who have used the song and music to manufacture “DJ” versions of the song.

There are many of them. Some of the best mix a kind of pop-rock with guitar solos and a background of war and machine-gun fire. Others, just take the melody and mix in Chinese dialog.

When done this way, it becomes a track that would evoke period of deep reflection while remembering the words of others who may or may not have been close to you. In the example below, you can well guess the complexity of those thoughts even though most would not have a clue as to what anyone was saying.

DJ Ricardo – Faded (英雄联盟台词版)

El Rusbo’ notices the roar of silence…

You know, El’ Rusbo had a great dialog on his progam on 7Aug19. In it he discussed what is going on while the American news media are going full-bore anti-Trump, anti-middle class America. Here’s an excerpt…

 
Trump Support Grows Stronger — and More Quiet — by the Day
Aug 7, 2019 
                                            
x----snip

 Well, it’s not entirely true, but I’ll try to make the point. There  aren’t any, per se, Republican voters right now. There are Trump voters.  There are Trump supporters and everybody else. Most of them are  Republican, and Trump’s approval rating within the Republican Party  still stands at 90 to 92%, and it may be even higher now. Those people  are totally behind Trump. They are fully, quietly supportive of Trump  and his agenda. They grow stronger and more quiet by the day, and that’s  the great dichotomy. They are growing stronger, but they are shutting  up.
 
They don’t want to make themselves targets. But they are seething out  there. This is what I think the breakdown is. I think there are more  and more Trump voters. Trump’s approval rating is at 49%. You go to  state by state, and some states show him the losing there, but this is  16 months before the election. So there’s way too much time for any  polling data here to be accurate. It’s nothing more than an interesting  point of conversation at this point. But I really think that tends to  describe the political lay of the land.

 And the one thing that I think that is happening (just to reinforce  this) that nobody is reporting on at all — not even what you would  consider friendly outlets like Fox — is I think that the base support  for Trump is solidifying and I think it is growing because I think those  people are seething. They are the ones being called white supremacists.  They are the ones being called white nationalists. They are the ones  being blamed for all this, and they know they are not responsible for  it, and they know that Donald Trump isn’t responsible for it.

 They know that most of the rhetoric in this country that is inciting  extremism emanates from the left. Most of the activity that incites  extremism and violence emanates from the left. Do I need to give you the  organizations? Antifa. Black Lives Matter. I could go down the list.  Planned Parenthood. These are people who do this as a way of life. The  basic Trump supporter (you), you’re just out there. Some of you are  probably not totally invisible, but the grand majority of Trump  supporters is just out there seething.

 Look, I think I’m a typical Trump supporter, as far as you can define  “typical.” And I am. I’m seething over this stuff. Each and every day,  I’m seething over it. Now, don’t misunderstand. This doesn’t mean I’m  depressed. This stuff literally ticks me off! Every time I hear these  clowns throw out the term “white supremacist,” “white supremacy,” it  ticks me off, and it makes me want to defeat them even more. It makes me  want them to go down in flames even more — and in this, I believe I am  typical. 

I like his phrase “seething”.

It is what is going on. Be advised.

Chinese Hospital

China, as an enormous nation, has a wide hospital network. These include smaller local clinics and hospital branches. Like in the United States, they also have training and teaching hospital as well. The quality varies from region to region, but it is very easy to find a hospital suitable for what ever problem ails you.

In general, I have found the hospitals to be competent, staffed with caring and trained workers, and while the appearance varies from one hospital to the next, most Chinese hospitals are up to date and equipped with the latest in technology.

Aside from the handful of village hospitals that I have attended, most hospitals (and I have attended them for various reasons, many and yes, many times) all tend to look like this…

All with costs and prices far, far, far, FARRRRRR below what you would find in the United States. I think that the reason for this is that if the hospital or doctor tries to scam you or work in some kind of “kick-back” scheme through insurance or other legalized-bribery method, the Corruption Police will be unleashed.

Many regulations, agencies that require registration to work, fees, and other hidden costs are legalized ways for collecting bribes. Over the last 100 years, people have gamed the United States to extract as much money as possible from the citizens living there.

People, you DO NOT WANT the corruption police crashing through your window at night.

Thailand Beauty

My other posts were so serious with all the protests in China, and all that. I know these people “just want” “freedom and democracy”, though they are trying to appeal to Americans who live in an Oligarchy disguised as a Democracy (as evolved from a Republic). It’s all messed up.

The world has been gamed by the wealthy over the last 100 years, and now most people are serfs working on a plantation where everything they do has some kind of cost associated with it. This is most especially true in the United States and the UK. No so much elsewhere.

Life is all about love.

Here is some “lighter fare”. This is a cute girl in Thailand. I like the local rural restaurant that looks like an airplane, the green lush trees, and the blue skies. If it wasn’t for the gold temples over the next hill you would think that it’s in China.

Chinese Beauty

For comparison purposes, here is a similar video of a girl in China. As you can well see, that while the fashions are different, and the behavior and demeanor is different, there is a similarity that cannot be ignored. Ah. I do so love Asia.

European Beauty

Sometimes I get emails from trolls and other confused people. They seem to be under the impression that I need to curb what I write, or present so as not to offend anyone.

Nonsense!

If you are offended you can leave. I am far too old and too grouchy to tone down my thoughts for someone who has the emotions of an infant.

That being said, I do not want people to think that I do not appreciate other forms of human beauty. I am an equal-opportunity girl-watcher. I find so many women beautiful, and you would be so absolutely stunned at how wide ranging my tastes are.

For starters… here’s an European beauty. Isn’t she awesome? Wouldn’t you just love to take her out on a date, eat some fine steak or fish with a nice wine, and then go to a club or jazz bar? I would. I’ll tell you what.

OMG! I am such a sucker for a big toothy smile, and big hair. (Hint, hint to all you heavier girls out there…)

How to Cook Chicken Legs – Chinese Style

Here’s a quick video on how to cook chicken legs on the stove in a pan. This is the traditional Chinese cooking method, as most Chinese do not have ovens. It is not only tasty and healthy, but it uses far less electricity than cooking in a stove.

And as I finish this particular bunch of micro-videos about Asia, take a deeper look into my life as an American expat why don’t ya.

The Cafe American.

I have many more videos, but I just cannot put them into a single post. It will bog down your computer terribly. So to watch the rest of the videos in this post, please continue…

Continued-graphic-arrow

If you want to go to the start of this series of posts, then please click HERE.

Links about China

Here are some links about my observations on China. I think that you, the reader, might find them to be of interest. Please kindly enjoy.

Popular Music of China
Chinese weapons systems
Chinese motor sports
End of the Day Potato
Dog Shit
Dancing Grandmothers
Dance Craze
When the SJW movement took control of China
Family Meal
Freedom & Liberty in China
Ben Ming Nian
Beware the Expat
Fake Wine
Fat China
Business KTV
How I got married in China.
Chinese apartment houses
Chinese Culture Snapshots
Rural China
Chinese New Year

China and America Comparisons

As an American, I cannot help but compare what my life was in the United States with what it is like living in China. Here we discuss that.

SJW
Playground Comparisons
The Last Straw
Leaving the USA
Diversity Initatives
Democracy
Travel outside
10 Misconceptions about China
Top Ten Misconceptions

The Chinese Business KTV Experience

This is the real deal. Forget about all that nonsense that you find in the British tabloids and an occasional write up in the American liberal press. This is the reality. Read or not.

KTV1
KTV2
KTV3
KTV4
KTV5
KTV6
KTV7
KTV8
KTV9
KTV10
KTV11
KTV12
KTV13
KTV14
KTV15
KTV16
KTV17
KTV18
KTV19
KTV20

Learning About China

Who doesn’t like to look at pretty girls? Ugly girls? Here we discuss what China is like by looking at videos of pretty girls doing things in China.

Pretty Girls 1
Pretty Girls 2
Pretty Girls 3
Pretty Girls 4
Pretty Girls 5

Contemporaneous Chinese Music

This is a series of posts that discuss contemporaneous popular music in China. It is a wide ranging and broad spectrum of travel, and at that, all that I am able to provide is the flimsiest of overviews. However, this series of posts should serve as a great starting place for investigation and enjoyment.

Part 1 - Popular Music of China
Part 3 -Popular music of China.
Part 3 - The contemporaneous music of China.
part 3B - The contemporaneous music of China.
Part 4 - The contemporaneous popular music of China.
Part 5 - The contemporaneous music of China.
Part 5B - The popular music of China.
Part 5C - The music of contemporary China.
Part D - The popular music of China.
Part 5E - A happy Joe.
Part 5F - The contemporaneous music of China.
Part 5F - The popular music of China.
Post 6 - The contemporaneous music of China.
Post 7 - The contemporaneous music of China.
Post 8 - The contemporaneous music of China.
Part 9 - The contemporaneous music of China.
Part 10 - Music of China.
Post 11 - The contemporaneous music of China.

Parks in China

The parks in China are very unique. They are enormous and tend to be very mountainous. Here we take a look at this most interesting of subjects.

Parks in China - 1
Pars in China - 2
Parks in China - 3
Visiting a park in China - 4
High Speed Rail in China
Visiting a park in China - 5
Beautiful China part 6
Parks in China - 7
Visiting a park in China - 8

Really Strange China

Here are some posts that discuss a number of things about China that might seem odd, or strange to Westerners. Some of the things are everyday events, while others are just representative of the differences in culture.

Really Strange China 1
Really Strange China 2
Rally Strange China 3
Really Strange China 4
Really Odd China 5
Really Strange China 6
Really Strange China 7
Really Strange China 8
Really Strange China 9
Really Strange China 10
Really Strange China 11
Really Strange China 12
Really strange China 13
Really strange China 14

What is China like?

The purpose of this post is to illustrate that the rest of the world, outside of America, has moved on with their lives. That while they might not be as great as America is, they are doing just fine thank you.

And while America has been squandering it’s money, decimating it’s resources, and just being cavalier with it’s military, the rest of the world has done the opposite. They have husbanded their day to day fortunes, and you can see this in their day-to-day lives.

What is China like - 1
What is China like - 2
What is China Like - 3
What is China like - 4
What is China like - 5
What is China like - 6
What is China like - 8
What is China like - 8
What is China like - 9

Summer in Asia

Let’s take a moment to explore Asia. That includes China, but also includes such places as Vietnam, Thailand, Japan and others…

Summer Snapshots 1
Summer Snapshots 2
Summer Snapshots 3
Summer Snapshots 4
Snapshots Summer 5
Summer Snapshots 6
Summer Snapshot 7
Summer Snapshots 8
Summer Snapshots 9
Summer Snapshots 10
Summer Snapshots 11
Summer Snapshot 12

Articles & Links

You’ll not find any big banners or popups here talking about cookies and privacy notices. There are no ads on this site (aside from the hosting ads – a necessary evil). Functionally and fundamentally, I just don’t make money off of this blog. It is NOT monetized. Finally, I don’t track you because I just don’t care to.

  • You can start reading the articles sequentially by going HERE.
  • You can visit the Index Page HERE to explore by article subject.
  • You can also ask the author some questions. You can go HERE to find out how to go about this.
  • You can find out more about the author HERE.
  • If you have concerns or complaints, you can go HERE.
  • If you want to make a donation, you can go HERE.

What Visiting a Park in China is like (part 2)

This is the second page of an on-going post describing what Chinese parks are like. If you would like to start at the beginning, please go HERE. Otherwise enjoy…

Please kindly note that this post has multiple embedded videos. It is important to view them. If they fail to load, all you need to do is to reload your browser.

The Views are Beautiful

There is no question that the views are glorious. For beautiful is a word that just doesn’t cut it. I love the fresh air, the scent of the trees, and the cool breezes that caress my face. There is a certain romance with the way the forests are and the rocks and stone. I find it enthralling.

You might wonder why the stones have these traditional Chinese characters on them. Well, I have.

Well, it turns out that this is what the Chinese like to do. You know, like how Americans like to put a plastic pink flamingo (or an entire flock of them) in their front yard, or those plywood cutout of bent-over granny’s, or flying duck whimsy’s in their yards. Or those gnomes… Or those buried bathtubs with a statue of the Virgin Mary inside…

Or putting folding chairs in the parking spots on the streets of Pittsburgh…

Kitsch America
During the 1950’s and the 1960’s Americans would put these Pink Flamingos in their front lawns. It was considered a very trendy thing to do at the time. Now, it is looked upon as Kitsch.
Kitsch, also called cheesiness or tackiness, is art or other objects that, generally speaking, appeal to popular rather than "high art" tastes. Such objects are sometimes appreciated in a knowingly ironic or humorous way. The word was first applied to artwork that was a response to certain divisions of 19th-century art with aesthetics that favored what later art critics would consider to be exaggerated sentimentality and melodrama. Hence, 'kitsch art' is closely associated with 'sentimental art' .
-Wikipedia

Travel within the Park

Often you might need or opt to take a tram or light-rail train to some of the more remote areas in the parks. This can be an amazing experience.

Often you will ride in and out of the clouds. You will pass under and through trees and vine tangled gorges. You will watch light glimmer off of shattered stone surfaces, and witness rainbows form over enormous cascading waterfalls.

Wildlife

Being China, you will see all kinds of native flora and fauna that is unavailable in the rest of the world. Bird watchers end up experiencing some special treats.

The birds not only look different, but they make different sounds as well. Instead of hearing “cup of tea” from a grackle, you might hear some kind of prehistoric screech that seems like it belongs in a grade B horror flick.

Entertainments

Being a mountainous nation, the Chinese love to take advantage of the natural beauty and scenery. As such, they enjoy building recreational themed structures and venues on the tops of mountains and the sides of cliff faces.

It is pretty common to have these enormous swings that you can ride from one mountain top to the other, or glass floored bridges that you can walk in the clouds by…

There are often all kinds of fun things to do. There are many, many kinds of amusements. I personally like the hour-long water slides that go down the mountain. Awesome! It’s like you are riding some of those logs in the hills of Sacramento (Auburn), California back in the gold-rush days.

Remember them?

Wooden sluice
Here is a sluice from the gold rush days. The water would be diverted and used to help mine, process and separate the gold. In cases of timber logging, the sluices would not have such drastic bends and curves.

It’s sort of like this. And yes, you can experience this kind of ride all over China. It’s as common as bumper stickers on cars. It’s as common as having packages stolen off your porch once Amazon.com delivers them (or the UPS does). It’s as common as shoelaces on shoes.

It is sort of like this…

Riding down one of these things reminds me of a scene from the old television show Here Come the Brides.

There was a scene, in a long ago, half-remembered scene, where they rode down the sluice to get away (?) from some bad guys (?). All this kind of reminds me of that. I well remember wanting to ride one of those trees going down a sluice. Ah, it didn’t happen until over fifty years later. Eh?

The brides lived in an area much like a Chinese park.
Screen capture from the late 1960’s – early 1970’s American television show “Here comes the brides”.

There are all kinds of different versions of this. From little life-raft thingys to miniature go-carts, to mechanics roller beds . Here’s another version at a different park…

It kind of reminds me of sled-riding in the dead of Winter on snowy January nights in Western Pennsylvania. The logging roads in the woods would be blocked off from traffic, and the snow would be packed down by snowmobile. Then the cub-scouts would organize a “wiener roast” or “hot dog” party at the base (or often) at the summit of the hill.

Well, that’s enough micro-videos for this section. Let’s go to the next page of this post to see what other surprises that await us in the parks of China.

Now, let’s go to the next part of this post. (If I throw in too many micro-videos nothing appears and the post takes forever to load.) So to continue, please go follow this arrow…

Continued-graphic-arrow

If you want to go to the start of this series of posts, then please click HERE.

Links about China

Popular Music of China
Chinese weapons systems
Chinese motor sports
End of the Day Potato
Dog Shit
Dancing Grandmothers
Dance Craze
When the SJW movement took control of China
Family Meal
Freedom & Liberty in China
Ben Ming Nian
Beware the Expat
Fake Wine
Fat China
Business KTV
Chinese apartment houses
Chinese Culture Snapshots
Rural China
Chinese New Year

China and America Comparisons

SJW
Playground Comparisons
The Last Straw
Leaving the USA
Diversity Initatives
Democracy
Travel outside
10 Misconceptions about China
Top Ten Misconceptions

The Chinese Business KTV Experience

This is the real deal. Forget about all that nonsense that you find in the British tabloids and an occasional write up in the American liberal press. This is the reality. Read or not.

KTV1
KTV2
KTV3
KTV4
KTV5
KTV6
KTV7
KTV8
KTV9
KTV10
KTV11
KTV12
KTV13
KTV14
KTV15
KTV16
KTV17
KTV18
KTV19
KTV20

Learning About China

Pretty Girls 1
Pretty Girls 2
Pretty Girls 3
Pretty Girls 4
Pretty Girls 5

Contemporaneous Chinese Music

This is a series of posts that discuss contemporaneous popular music in China. It is a wide ranging and broad spectrum of travel, and at that, all that I am able to provide is the flimsiest of overviews. However, this series of posts should serve as a great starting place for investigation and enjoyment.

Part 1 - Popular Music of China
Part 3 -Popular music of China.
Part 3 - The contemporaneous music of China.
part 3B - The contemporaneous music of China.
Part 4 - The contemporaneous popular music of China.
Part 5 - The contemporaneous music of China.
Part 5B - The popular music of China.
Part 5C - The music of contemporary China.
Part D - The popular music of China.
Part 5E - A happy Joe.
Part 5F - The contemporaneous music of China.
Part 5F - The popular music of China.
Post 6 - The contemporaneous music of China.
Post 7 - The contemporaneous music of China.
Post 8 - The contemporaneous music of China.
Part 9 - The contemporaneous music of China.
Part 10 - Music of China.
Post 11 - The contemporaneous music of China.

Articles & Links

  • You can start reading the articles by going HERE.
  • You can visit the Index Page HERE to explore by article subject.
  • You can also ask the author some questions. You can go HERE to find out how to go about this.
  • You can find out more about the author HERE.
  • If you have concerns or complaints, you can go HERE.
  • If you want to make a donation, you can go HERE.