That’s why your fucking 40 and single
1. If you are on the verge of rape, hit his testicles as hard as you can and see how he falls down and if they are in a group, don’t do this brave stunt but tell them that you have HIV.
2. The bystander effect. If you’re unaware of this consequence, learning about it could save your life. The bystander effect refers to the diffusion of blame among bystanders. When someone stands on the sidelines of a robbery or fight, they won’t intervene because they expect others to help.
When you’re in a fight, being robbed, or worse, don’t expect others to help you. They’ll want to avoid it. Instead, look them in the eye, ask for their help, and specifically direct it to them. This removes the feeling of not being able to help someone else because you specifically asked for it.
3. Removing objects from a stab wound can cause more blood loss, increasing the victim’s chances of death. The object should be left alone. Do not try to get rid of it.
4. Don’t inflate your life jacket before deplaning. In case of an emergency water landing, it’s not a good idea to be prepared with your life jacket inflated. According to many aviation safety experts, doing so will only make things worse for you.
This is because as the plane begins to sink, the water inside the cabin will push you up to the ceiling. You won’t be able to move from there without assistance. So wear your life jacket and inflate it only after exiting the plane.
5. Learn how to change your own tires and make sure you are equipped with a full-size spare and all the tools you need.
6. Tell someone where you will be – When you live alone or even when you go out for the night, tell a friend where you will be.
It barely takes any effort on your part, and if something goes wrong or you don’t return in the morning, someone will know where to start if they have to look for you.
7. Don’t walk down stairs with your hands in your pockets. You need your hands to protect your head or break your fall.
8. Most mistakes happen because we want to be fast. We want to get to other places, we’re in a hurry, and we rush off. That’s how many accidents happen. Someone is in a hurry and not paying enough attention.
9. If you are lost in the desert, or any uninhabited area, the most important thing you can take to increase your chances of being found is a small reflective mirror.
Whenever a plane flies overhead, you can reflect light back at it, greatly increasing your chances of being found. This is seriously more important than carrying more water with you.
10. When you feel like you’re in a hurry, remember this: A 5-minute delay could save your life. Is saving those 5 minutes really worth it? Sometimes it might be, but if it’s not, take a deep breath and slow down.
11. Get out of that sinking vehicle. It’s crucial that you open a door as quickly as possible, before the water pressure makes it impossible.
If you can’t do this, break a window. If none of these things fail, remain calm and wait for the water to drain into the car. Once enough water has flowed in, the pressure will equalize and the door should open.
12. If you fall into the water, don’t panic. You don’t need to be able to swim; you just need to float. Hold your breath and let yourself float to the surface.
13. Always. I mean always, listen to your gut instincts. They’re your first distress call signal. They’ve never failed me, I mean.
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Do wives enjoy being shared? Tell about your first time, whos idea was it to share you? What led up to you being shared? Are you still being shared?
I have enjoyed having sex with men besides my husband, and a few women too, but only with his permission.
Even before we got married during college, he encouraged me to dress sexy in micro-miniskirts and see-through blouses. I did it to please him but also enjoyed the looks I got.
Once we got married, I did some figure modeling for an art class mainly for the naughty feeling of being naked before a group of men. Then I did some glamour modeling that was really softcore porn.
When he was going to NYC for an interview for a job, I wanted to go along. The company was paying for his travel but not mine. We were poor students at the time. We agreed that I could to along by earning money for my ticket by posing nude for a business that rented rooms to individual men so that they could take photos alone with a naked model. When I arrived, I was told that the business had changed and was now an erotic massage parlor. It was explained that the girls made money by doing extras for tips. I felt trapped. I had to make money for my plane ticket. What choice did I have? To get the job, I had to audition by giving the manager a blow job. I did and then did the same for a few customers who paid me for my extra services. It was only for one day. When I told my husband about it afterward, he told me that I was now a whore. But he was excited rather than angry.
Then I saw an ad for a dancer at a bachelor party which seemed kinky. I had lunch with the best man and his buddies and agreed to do a strip tease and to give the groom a blow job. I told them that my “boyfriend” didn’t want me to fuck other guys, but he hadn’t said anything about BJ’s. Besides, I didn’t want to break my marriage vow by having real sex. When I told my husband what I’d agreed to do, he was surprised but agreed to come along to protect me. I think he mostly just wanted to watch. But I ended up doing the groom in a separate room, so my husband didn’t get to watch. My husband then suggested that I also blow the best man and a few others where he could see me. I agreed, but only if each guy paid me. That turned into an orgy with me being the only woman there. It was a long, hard night with over 20 men that ended with a bukkake, but I enjoyed it, and I made a lot of money.
After that, I worked one entire summer vacation in a whore house, or that is another massage parlor. I also continued private nude modeling in the evenings during the school year in response to ads in the personals section of an arts tabloid. I often had sex with the photographer who paid me a set hourly fee for modeling and a separate negotiated fee for extras. My husband didn’t make me do it, but he didn’t object either.
After we finished graduate school, we got legitimate jobs, and I stopped both modeling for strangers and accepting money for sex. But we continued to have sex with strangers to keep our marriage exciting. I did a train at a swinger party in a sex club which again ended with bukkake and my first BBC, if you don’t count BJ’s in the massage parlor.
But since we had the first child, we haven’t been involved in stranger sex. I sewed my wild oats and lost interest in experimenting. With kids to raise and my husband working 60 hours a week, we didn’t have time or energy to step out. We became pretty much monogamous.
Do you approve of my decisions? Am I fortunate to have such an understanding husband?
Depths of Empathy
Written in response to: “Write a story that includes someone swimming in water or diving into the unknown.“
Daniel Coniff
Science Fiction Speculative Suspense
Consequences?
“Do not be so coy!” demands the voice as if berating the child. “You know what is happening, you just have to stop fighting it!” A speck of light appears, growing larger and larger.
The faces fade away and are replaced by a singular face directly above me. This is the face of a young man with a mustache and a head of curly red hair. Terror consumes his darting blue eyes. Almost as soon as the face appears, it vanishes.
That was strange.
“Was it?” The voice asks. “Is this strange?”
As the light grows brighter still, the blueness of the depths around me becomes lighter and lighter shades. Swirls of reds, yellows, and greens, like a sheen, materialize where the young man’s face was. It morphs into the scene of—a window in the sky looking at the Earth below, perhaps—a man lying face up in a fast food restaurant lobby in a pool of blood. He has three bullet holes in his chest, just like I do. This is the same young man that I saw just moments before.
Is that me?
The voice scoffs.
As I rise, the blueness becomes so vivid and the light so intense that my suspicions are confirmed; I am underwater. But why and how? I’m still unsure of the meaning of any of this.
“All will be unveiled in due time.”
The scene fades away as soon as I break the ocean’s surface. I gasp for air as I shoot out of the water like a whale. I catch a brief glimpse of an infinite sea before splashing back into the ocean. Once I’m underwater, I sink at a slow, steady pace, like a dormant rollercoaster just before it blasts off.
Before I can think about what just happened, another sheen materializes directly above me; yellows, greens, and blues wax and wane before morphing into another window, this one looking into a toddler’s bedroom as he walks towards a man and a woman standing at a door. They’re clapping and cheering the baby on. The child reaches the feet of the woman. She scoops him up and brings him to her face. She says, “You did it! You’re such a big boy! Yay!” The man leans in and grins at the toddler, “Way to go, buddy!”
This is adorable!
“I’m glad you think so,” says the ethereal voice coming at me from every direction.
The toddler coos before the scene fades away.
I can feel my heart palpitating. What was that?
“You have to remember. This should help you. Something is stirring within you, I can see it.”
I don’t know what you’re talking about.
As my descent continues, a few moments go by before another sheen appears. Purples, reds, and greys morph into a scene of a boy and a girl sitting on a couch, holding video game controllers in their hands, in front of a tube TV. The boy, who appears to be five or six years old, leans to his left with a concentrated look on his face. The girl, the sister, maybe, who looks to be about nine or ten years old, encourages her brother to reach the finish line. On the TV is a split screen of a platformer game. An overlay that says, “MISSION ACCOMPLISHED” appears on the screen. The boy and girl high-five and congratulate each other. Again, the scene fades away. I notice that the light from the water’s surface has grown slightly dimmer.
I’m falling deeper and deeper.
Again, I try communicating with this entity. Who are you and what do you want with me? Why are you showing me these things? In this moment, I realize something even more terrifying: I have no idea who I am. Another eery thought occurs: I have just awoken, teleported, that much I know, but I have no idea where from.
“YOU HAVE TO REMEMBER!”
Remember what? I don’t understand what’s happening.
Suddenly, I am shooting deeper and deeper at a rapid pace, the light above shrinking as blackness consumes my surroundings. A sense of serenity washes over me. No matter how hard I try to shut my eyes, they remain slightly open. All I can do is squint. The voice laughs as another sheen appears.
Greys, blacks, and browns morph into a scene of five boys, some with faces full of acne, standing in a half-circle against a red brick wall. The boy from the previous scene—he appears to be in middle school now—stands in the middle of the semi-circle. He is crying and hugging himself for warmth as it is raining, and his jacket lies on the blacktop in front of him.
“I don’t want to be your friend anymore,” the boys surrounding him all chant in between bouts of laughter.
A tall boy steps forward from the semi-circle and punches the sobbing boy in the face. Upon making contact, the scene fades to black.
Yet another sheen forms. Red, blues, and oranges morph into a scene of the boy from before, the same age, sitting in the back of a car as firefighters outside attempt to cut open his door. He is screaming as he reaches over the seat in front of him and taps on the shoulder of the driver, the woman from the first scene, as she lies slumped over the steering wheel, blood trickling down her forehead. “Wake up, mom! Wake up!” She does not react. In the passenger seat is the boy’s sister. Her legs are crushed, and she is pushed at an odd angle into the center console. The firefighters manage to bend the door enough to get to the boy. One of the firefighters grabs him.
This is fucked!
“I’m glad you see that.”
The scene doesn’t fade to black this time. Instead, it merely shifts to a hospital room where the sister is lying in a bed. A ventilator is protruding from her mouth. The boy is sitting in a chair against the window with a somber expression; he is staring off into space. The man from the first scene is standing, leaning against the wall. He watches the girl sleep with a fist resting underneath his chin.
Suddenly, each of the characters looks at me. Even the girl sits up, rips the tube out of her throat, and stares at me judgmentally. That’s when their heads explode into a bloody mess, painting the walls crimson. Alarms blare. The screens beside the hospital bed blink. The nurse runs in and screams before her head, too, explodes. The doctor rushes in. He looks around at the corpses and yells, “Code—” His head explodes. Finally, the scene fades to black. The light above me is but a distant speck, like a single crumb of bread on an otherwise spotless dining table. I move my head on a swivel: everything else, save for the light glowing from behind me, is pitch black.
What the fuck? Why are you doing this? Stop. Please, stop. I can’t take this anymore.
“You have to know.”
Know what? What do you want me to know? Confusion washes over me. I try once more to scream, but, just as before, only garbled groans come out. I don’t understand! What do you want with me?
“All should be unveiled in time, but it depends on your willingness to understand. The problem of whether or not your soul is worth saving depends on how it responds to the truth. A receptive soul can be salvaged and rehabilitated, but a hardened soul is despicable and belongs in the abyss forevermore. Now, no more questions. You are interfering with the process.”
Swaths of whites, dull yellows and browns, and blacks morph into a window looking into a hotel room. The boy from the previous scenes, a year or two older than before, sits on a bed. He wears black basketball shorts and a yellow tank top. He stares at the ground and swings his feet back and forth. A door opens. The boy looks up to see an overweight man step out of the bathroom. The man approaches the boy.
“You ready, kid?” asks the man. The boy nods, but his face is blank.
“All right. You know what to do.”
The boy begins to lift his tank top over his head when his phone buzzes. He pauses and lets it fall back over his chest. He removes his phone from his pocket.
“Hey, what are you doing?” barks the man.
The boy holds up his finger and opens his phone. The screen shows a message that reads, “FROM SISTER: Hey where u at? Dad is asleep and I need help going to the bathroom. Wheelchair isnt working. I need you to come help me.”
The boy lowers his phone back into his pocket and looks at the man as he stands up, “Sorry. I gotta go.” He starts toward the door.
“You’re not going anywhere,” says the man as he grabs the boy’s arm, pulling on him.
“You’re hurting me. Please, let me go!”
With an evil grin, the man says, “Good.” He throws the boy back to the bed.
I move my head from left to right, hoping it will make the scene disappear. Instead, the scene follows me wherever I turn my head. Please! No more! I don’t want to watch this anymore. This isn’t right! That boy’s just a kid! His sister needs him!” Thankfully, the window fades away.
“Ah. This is good. Your soul is nearly ready.”
Nearly?
“Yes. You are progressing better than we hoped.”
Another sheen appears above me before I have a chance to question who “we” are. Swirls of whites, blues, and dark greens morph into the front yard of a small mobile home. There is a makeshift ramp leading to the porch next to the stairs. The door opens and reveals the boy, who now has a mustache, pushing his sister in her wheelchair. They are in a hurry out the door. The father from before follows them, holding a bottle in his hands. He staggers.
Slurring his words, the man says, “Don’t come back! Ya ain’t welcome! Y’all are a bunch of useless leaches, and I hate you!”
The boy looks back as his dad slams the door shut. The girl begins to sob, “What are we going to do now, Noah?”
Noah, fighting tears, moves to the side of her wheelchair, kneels, and gives her a hug, “We’ll be okay, Sarah, I promise. We’re going to take care of each other.”
The scene fades to black. The light from the ocean’s surface has been consumed by darkness, the light behind me now my only savior from also becoming lost to the void.
I think I understand.
I am immediately transported inside a sandwich shop. Strangely, I am looking downwards at an angle, as if I’m viewing from a security camera. However, this feels too real—everything is crystal clear yet feels so distant, like I’m actually there but not there at the same time—to be just a security camera.
A line forms in front of the register. The young man, the one who I’m assuming is me, Noah, walks up to the counter and smiles at the androgynous person standing behind the register. They smile back and say, “Hi there! How can I help you today?”
Noah says, “Hello. Can I get… uhh…” He pulls out his phone, “…two six-inch italian sandwiches on cheddar cheese sour dough?”
The worker, still grinning, starts, “Of course! Will—”
“Oh, for fuck sake!” says an angry man in the middle of the line. He’s wearing camo cargo shorts and a hoodie with the logo of a death metal band. “That’s going to take twice as long to make!”
Noah turns around, “You got a problem? Be patient, bro. No one’s dying today.”
The angry man steps forward, and the people in the line stare at him, “Yeah, I do have a problem. One, I’m not your ‘bro,’ you scrawny twink. Second, only a fatass orders two sandwiches.”
Anger washes over me, over Noah, as his face reddens, “One of them is for my sister, dickwad.”
The impatient man approaches Noah, stopping inches from his face, “The fuck did you call me,”—he pushes him to the floor—“bitch? You did not just call me that.”
Clambering as he stands up, Noah rises back to his feet and hits the man in the face. The people in line at the register begin to slowly walk away. The impatient man staggers backward before pulling a handgun out of his hoodie and aiming it at Noah. Everyone in line runs to the exit. The patrons and the workers stuck where they are duck.
Noah stands tall and looks from the man to the gun. He gulps, “Go ahead. Shoot me! My life can’t get any worse!”
“I should shoot you! The world has too many spoiled little cunts like you.” He clicks off the safety.
Noah laughs, “You don’t have the balls. Come on man, make—” the impatient man fires three times. He looks at Noah, who stares at the ceiling with his eyes open as blood pools around him. The other people inside the restaurant cry and scream. The man lowers his gun.
I find myself back in my body and realize that I’m lying on sand again, which means I’ve completed my descent and reached the bottom of the ocean.
Wait, so I’m dead? You showed me all of that just to show me I’m dead?
“You fool!” The world around me trembles again, “How can you be so stubborn? You must understand! Do you want to suffer eternally in the lake of fire?”
The scene materializes again. The man with the gun is kneeling at the side of Noah before he gets up and runs out the door. I follow the man as if controlling him in a video game. The sound of sirens fade in as a police car with flashing lights approaches him. The man grabs a woman on a bench and holds the gun to her head. She screams and squirms.
A police officer steps out with her gun drawn, “Let the lady go and drop your weapon! You don’t want this to get any worse!”
“Get back,” yells the man. “I will kill her if you come any closer!”
The officer speaks into her radio as she maintains her aim on the man, “Responding units, be advised: suspect has a hostage and is threatening to kill her if we approach him.” Suddenly, the woman breaks free from the man’s grasp.
The man points his gun at the officer, but not before the female officer fires three shots at him. He collapses.
I am transported back to my body and notice that I am again lying on the sand. I lift my neck and cry, surprised to feel tears streaming down my cheeks and wails coming up my throat.
“Do you see the error in your ways? Have you learned? Are you ready to try again?”
“Yes! Yes, I have!” I say in a weak voice, like I haven’t had a drink of water in years.
“What have you learned?”
I think about what I have learned. Suddenly, once again, I hurdle upwards. As I break the ocean’s surface, I notice people wearing masks, scrubs, and gloves grabbing at and pulling me out of a wet cavern.
What are the most unusual roads in the world?
I know of two:
One:
Here in Florida, we have what is called “Seven Mile Bridge”.
It’s actually a very beautiful and scenic route.
That connects the state of Florida to the Florida Keys (a series of islands just south of Florida).
The bridge was rebuilt/revamped a few years back to help it deal with hurricanes, as it is in one of the most hurricane heavy places in the world.
Two:
James Dalton Highway in Alaska.
The road is way off the beaten path, used by truckers. The entire road is frozen AF and extremely dangerous, one of the most dangerous in the world.
Temperatures reach unbelievable depths in the winter and the road points directly to the North Pole, ending at Deadhorse (an appropriate name) in the northernmost part of Alaska.
The main purpose of the highway is for the transportation of supplies in the mining of oil in that region.
Due to the high level of danger and exposure to elements, truckers that take this road make huge paydays (Hence the TV Show Ice Road Truckers).
Trucks slide off the road, flip, tumble into water, killing drivers.
But where there is money, people will take on the risk.
The road isn’t even paved in many parts, it is just dirt that is frozen tight.
But – in the summers, like many places in Alaska, a winter abyss morphs into one of the most beautiful drives on Earth:
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Middle Eastern Marinades
These marinades are to be used with chicken.

Ingredients
Lebanese Marinade
- 4 to 6 cloves garlic, finely minced
- 1/2 cup fresh lemon juice
- 2 teaspoons chopped fresh thyme
- 1 teaspoon paprika
- 1/4 to 1/2 teaspoon cayenne pepper (optional)
- 1 teaspoon salt
- 1/2 teaspoon freshly ground black pepper
- 1/2 cup olive oil
Turkish Marinade
- 1 cup plain yogurt
- 1 tablespoon paprika
- 1 teaspoon ground cinnamon or 1 tablespoon ground cumin
- 1/4 teaspoon cayenne pepper, or to taste
- 4 cloves garlic, minced
- Juice of 1 lemon
- 6 tablespoons olive oil
- 1/2 teaspoon freshly ground black pepper
- 1/2 cup grated onion
Moroccan Marinade
- 1 tablespoon paprika
- 2 teaspoons ground cumin
- 1/2 teaspoon cayenne pepper
- 1 teaspoon ground ginger
- 1/2 cup melted unsalted butter or olive oil
- Juice of 1 large lemon
- Salt and freshly ground black pepper, to taste
Egyptian Marinade
- 1/2 cup olive oil
- 2 tablespoons ground cumin
- 1 tablespoon ground coriander
- 1 onion, grated
- 3 cloves garlic, finely minced
- 1 teaspoon cayenne pepper
- Salt and freshly ground pepper to taste
Instructions
- Make sure you wash the chicken well after scrubbing hard with salt or flour. If using boneless chicken pieces, cut into 1 inch cubes and place in a shallow nonreactive container. If using whole birds, butterfly them; if using broiler halves, leave whole.
- Select one of the marinades, then combine it in a bowl and pour over the chicken. cover and marinate in the refrigerator for 6 hours or overnight.
- Marinate the meat overnight in the refrigerator and bring to room temperature before cooking. Bring the meat to room temperature.
- Meanwhile, prepare a fire in a charcoal grill or preheat a broiler (griller) Remove the meat from the marinade, reserving the marinade.
- If using chicken cubes, thread on to skewers. Place the skewers or butterflied or halved birds on the grill rack or a broiler pan and grill or broil until cooked through, basting with reserved marinade while cooking (you may use a special brush).
- Cooking time will depend upon the size of the poultry pieces; DO NOT LET THE MEAT BECOME DRY.
Attribution
Lior’s Kitchen Talk
Was it worth it to get divorced later in life?
My best friend was in a “decent” marriage for 15 years when he decided to divorce at 49. He said he was having an “emotional affair” with a woman he had known decades before. He and his wife had one child who was 12 at the time. Here’s what he told me:
Financially, both sides lose and are faced with living separate lives, which is far more expensive than one shared life. He says that what he lost will take a long time to make up and what older people sometimes fail to account for is that you don’t have so many productive years to recover. He thinks he would have probably retired by now if the marriage had endured. He’s 68 now and still working because of the divorce. Divorce is most often financially devastating.
His son is now 31 and is struggling in various ways. He thinks a substantial portion of his issues are related to the divorce. The “kids are better off with divorced, but happy parents” is often not true.
Socially, it didn’t work out with the woman he was enamored with. It turns out she wasn’t “all that.” He went on to date near a hundred women in his fifties and found the entire dynamic very unfulfilling. He remarried at sixty but admits “I traded one set of problems for another.”
Today, he lives what most would call a very good life but he thinks it would have been better if he and his ex had dug in and worked through their issues. He says there is “depth” in a relationship that cannot be built without time.
Finally, he says “Most people don’t know this but the biggest thing you can lose in divorce is your self-respect and you can never get that back.”
So, is it worth it? I don’t know. But the cost of later in life divorce is high and you have far less time to recover from the negatives than if the divorce is between much younger people.
FCC Bans Updates for Drones and Routers from China – USA Insane Policy Towards Chinese
Why don’t Chinese people get tired of writing all those complex characters, and what makes it enjoyable or advantageous for them?
As a native Chinese person, I find a unique pleasure in writing Chinese characters.
My skill level is quite basic, but I can appreciate the fundamental aesthetics—control, precision, and efficiency.
Well, let’s take the simplest example.
A brush in its normal state is conical.
When writing, the strokes are smooth and powerful.
But as you write, tangled strokes are inevitable.
The brush might end up like this (slightly exaggerated for clarity, but the essence remains the same).
It’s easy to imagine that such a brush would produce strokes full of rough edges, even mistakes.
For example, you might intend to write “一” (one), but due to splitting, it ends up looking like “二” (two), or even “三” (three) or “亖” (four).
So after writing a few characters, you often have to twist and scrape the brush against the inkstone to restore its original shape.
Naturally, this slows down the writing process.
Masters don’t need to do this. As they write, they utilize the sharpness of the strokes to create characters that are both powerful and beautiful, all while adjusting the brush in real time to maintain its optimal condition!
Imagine an F1 car pitting for a tire change.
Take a look at this work copied by the ancient calligraphy master Zhao Mengfu when he was 49 years old.
Magnified 16 times.
Magnified 100 times.
You can still see incredibly precise and steady control.
At least for me, appreciating this kind of control alone brings me immense joy.
The variations in ink density allow modern viewers to sense the subtle, instantaneous changes in pressure as the master wrote each character—a level of skill that seems almost effortless.
This extreme efficiency and perfect execution are inherently satisfying, much like watching an intense sports match, or seeing Jackie Chan defeat villains in a furniture store, or a cowboy in a Western film firing seemingly casual shots that always hit the mark…
This kind of pleasure might be ingrained in our species’ DNA. I believe early humans felt a similar joy when their spears hit their prey or when they narrowly dodged a predator’s attack.
Modern people seldom use brushes, but with pens and ballpoints, there’s often a similar kind of control. For instance, varying the pressure of a metal nib on paper creates aesthetic variations in stroke thickness—the principle is the same.
The above is just a small part of it and perhaps a bit too utilitarian. True artistic masters might simply smile without a word, but for me, it’s more than enough.
At least when I write Chinese characters, I feel no frustration—only immense joy!


