I do not have enough time to devote myself to the needs of my little daughter. She (at her age) is 24-7, and I am working multiple jobs and multiple projects.  But, you know, I always try to give her priority. So, I have these little events. One of which is an occasional movie with her and myself. I try to do it weekly.

Our time.

Give her momma a break.

So we sit down on the sofa, and watch a movie. Given her age, and my activity schedule, we usually break the movie down into two segments,; the first half on one day, and the the rest on another.

During the movie, we eat a snack. Mostly being a small bag of potato chips, or some crunchy “kid snacks”, and we sit down and watch the movie. I like “American style” Lays (yellow bag) potato chips. We set the bag down, and using scissors, cut a big hole on the side so it forms a kind of disposable tray.

I also make sure that she went to the bathroom before we get started.

Mostly we watched downloaded movies in torrent format, then saved on the drive. I just pull them up and we watch uninterrupted.

The movies that I select are based on things that I want her to concentrate on…

• Love
• Tenderness, compassion
• Independence
• Winning over adversity

And so my list is not going to be the average fare that you find on the internet. In fact, you might be surprised in the lack of Disney films (though some are included), and the high concentration of Studio Ghibli films (all in English over dub animation).

Most of the videos you can find easily on the internet with a little bit of sleuthing.  Since my child is bilingual (English and Chinese) versions of the movies in these languages are fine, and interchangeable. However, we seek out English versions (say for example) the Japanese movies.

Here’s my preferred videos, in no particular order…

Castle in the Sky

A magical adventure. All kids need one.

Full INFO

A delightful fantasy that will bring out the child in anyone

Have you ever wished that you could escape your dull and stressful life at school or work and go on a magical adventure of your own, with one of your closest friends at your side, facing all sorts of dangers and villains, and unraveling the mystery of a lost civilization that's just waiting for someone to discover all its secrets? 

Even if you're not quite that much of a fantasy-lover, have you ever wished you could simply experience what it's like to be a kid again, and not have a care in the world, for just a couple of hours? 

This is exactly what Miyazaki's "Castle in the Sky" is all about. 

Pazu, a young but very brave and ambitious engineer, lives a rustic life in a mining town until one day, a girl named Sheeta falls down from the sky like an angel and takes him on a journey to a place far beyond the clouds, while all the while they have pirates and military units hot on their trail. 

Simply put, it is just the incredible adventure that every kid dreams of at one point or another, and I can't help but feel my worries melt away every time I see it.

An English dub of this film was produced by the Walt Disney Company in 1999 (originally intended to be released that same year), but wasn’t released on DVD until 2003. The English dub shortens the title to “Castle in the Sky,” removing the word “Laputa,” since it means “the whore” in Spanish.

Cat Woman (2004)

A adult film, not an animation. Talks about a strong woman, transformation, change, righting wrongs, and being a cat.

I want my daughter to be strong, and tough. When we watch this movie, she loves the scenes of cats, and how “cat woman” behaves. For days afterwards, she acts a little cat-like in her walk, talk and playing ball. LOL.

Patience Phillips (Halle Berry) is a visual artist who is stuck working in the advertising division of a large beauty product manufacturer, Hedare. When she acquires information that could potentially put the company out of business, they try to dispose of her. Because she had previously, unwittingly passed a "test", however, she is saved by a group of cats and transformed into a Catwoman.

First, let me note that I loved this film. It's a 10 out of 10 for me. Since I'm well aware that most critics, professional and amateur alike, have trashed this film, I'll focus on why I thought it was so good. Maybe this will help some new viewers consider giving it a look, and possibly encourage some reevaluation by those who have already seen the film.

The script immediately drew me into the film, and although I'm male, I identified with Patience. I'm also a visual artist. I have also worked for a company similar to Hedare in the past (although a much smaller and less nefarious beauty product company). I lived in an apartment that looked, on the outside, almost exactly the same as Patience's apartment complex. I also had neighbors who night after night played loud music or television until three or four a.m., while I first tried to block out the sound in any way that I could, then asked politely for them to turn the music down, and so on, until I finally called the cops on them so I could get some sleep.

Not that I need to identify with a character to like a film, but that made this one have extra resonance with me in the beginning. Additionally, I was immediately drawn in by the fantastic cinematography and set design. Those kinds of things are just as important in a movie as the story is. Film is a visual and aural artform. The whole package is important. Creative, attractive visuals such as those in Catwoman are part of the package.

The script, including the subtexts, worked well for me. Catwoman is a film about discovering identities, peeling away literal and metaphorical masks, and the difference between various stages of public versus private "faces". That the plot is centered on a beauty product manufacturer, then, is perfect. These themes permeate every aspect of the film. For example, Tom Lone (Benjamin Bratt) is continually peeling away the appearances of Patience, throughout the length of the film, and Patience is doing the same for herself--discovering her "true self". I can't think of a scene that doesn't touch on this theme in some way. That's very clever and thought-provoking scriptwriting, and it doesn't end there. There are also themes about femininity cleverly woven through the film, for example.

I thought the cast did a fantastic job. Berry is great as a Catwoman, and subtly referenced most of the previous screen Catwomen. She also incorporated a lot of crafty cat-like behavior. I enjoyed the supporting cast, especially Alex Borstein as Patience's friend, Sally. The effects worked well for me, and at times they were also very subtle and clever, such as Catwoman's whip representing a tail in many shots (most of this was achieved via digital effects). I was also impressed with the creativity and different approach of many of the fight scenes. It was nice to see Brazilian martial arts incorporated for a change.

Some of the negative criticism probably stems from a kind of purism that is disproportionately found among comic book fans when it comes to comic book films. I'm not much of a purist, but in any event, for anyone paying close attention, you'd note that Berry's character isn't supposed to be Selina Kyle. In the mythology of as presented here, "Catwoman" isn't a lone token, but a type. Patience is just another instantiation of a long line of catwomen. So departures from previous portrayals of Selina Kyle aren't relevant, even if we believed that filmmakers were obligated in some way to previous depictions of the "same" fictional characters (which I don't believe, not being a purist).

Catwoman is worth a (second) chance if you can leave some of your preconceptions at the door and if you're prepared to think a bit about a comic book film.

Epic (2013)

Shrinking to the size of ants, and inhabiting a huge ancient forest; with a mad-scientist father… it’s stuff that kids just eat up. The parade scenes, and all the interplay is mesmerizing to my daughter. She just cannot keep her eyes off it.

I didn't think I'd like this movie, but I took my 10-year-old cousin to see it anyway, and I really loved it.

I've heard this film compared to everything--FernGully, The Borrowers, Avatar, etc., and while it is another film in that genre and it may be a little cliché, it does create its own fascinating world and tell its story in a unique way. Its themes are heavy (family and belonging, the balance between growth and decay/life and death) but are handled in a successfully child-friendly manner.

The animation and design are gorgeous. I love the cute fairy-like flower and leaf people; I even love the design of the goblin-like bad guys (the Boggan). I want to see more stories set in this incredible little world. I also appreciate how much care went into animating that forest.

While the characters are pretty familiar, they're still delightful. I thought the choice of voice actors was particularly good. I liked Amanda Seyfried as the main character, M.K. (Mary Katherine), I looooved Colin Farrell as Ronin, and I have to say, I was really pleasantly surprised by Beyonce as Queen Tara. She has a voice just like honey, which fits the queen's sweet, playful personality. Queen Tara emerges as one of my favorite animated characters of all time (and NO, I do not find her voice "too ghetto." I don't appreciate people sniffing down their noses at others that way) because she carried so much of the movie with what turned out to be really minimal role. Plus, I always love to see people of color portrayed positively in children's films.

I would definitely take kids to see this again, although it might be too scary for kids younger than 6 and too slow for kids older than 12. Folks have to admit, this is a fun movie to watch, and highly imaginative kids especially will love it.

Free Guy (2021)

Just fun. Modern. Interfaces clearly with social media usage by children. Totally relatable, with deep messages…

…strong woman character. Nice guy.

A message of helping others…

One glance at FREE GUY, the newest big budget offering from Hollywood's favorite action-star/comedy master Ryan Reynolds, will cause most to approach with valid skepticism. 

The plot seems like a cheap knockoff of films like Ready Player One or even The Matrix, but made in a crude fashion to make more money at the box office. 

The actual movie, however, could not be further from the worst estimates. 

Not only is FREE GUY constantly hilarious due to Reynolds and an inventive screenplay, and not only is this possibly the feel-good event of the summer, but it also has a considerable amount of thought put into the meaning of its premise and places a mirror in front of modern-day video game culture.

To put it simply, perhaps the main reason this movie comes together so well is because of Ryan Reynolds' constant charisma and hilarity. Most of his dialogue is clearly either written by him or created by him on the spot (I have no idea how he hasn't received a screenwriting credit for this and the Deadpool movies), and the film is that much better as a whole because of it. He also interacts with the other actors in the film very well, including Jodie Comer and Joe Keery, two underrated actors who prove here that they aren't just one-time stars from their respective television shows (Killing Eve and Stranger Things). The ensemble combines to create the most consistently funny movie of 2021 so far.

However, this movie isn't just hilarity and crazy antics, although it could easily get by on those aspects alone. 

FREE GUY has tons of heart and authenticity despite its virtual reality-based plot, and is about very human emotions such as disillusionment, the feeling of being trapped, and, of course, love. 

There are times where the heartwarming aspects of this film resemble a charming romantic comedy and others where it gets so existential that it almost feels like The Truman Show. 

It never dives quite as deep as the latter film, but the fact that it even has the guts to include these themes made this easygoing big-budget movie a far better watch for me. 

Sure, the last thirty minutes are very cheesy and contain a lot of clichés, but the buildup is so solid that it earns some dumb rom-com moments near the end.

FREE GUY is worth going to see because it is one of the few quality films right now that increases one's faith in human nature. 

Lately I feel as though I have lost my faith in humanity with all that is happening in the world, so it is refreshing to get a movie that feels confident in the human experience. 

Maybe I'm looking too deep into the message of FREE GUY and maybe it was conceived just so Ryan Reynolds could screw around for two hours, but either way the price of admission is well worth it for an amazing time at the theater.

Home (2015)

A fun adventure about an independent girl searching for her mother (a big hit with my young daughter) and her cat. It teaches to face face your fears, friendships, promises, and handling adversity. All to a fun soundtrack.

...there's something so utterly sweet and innocent about Home that it zooms by with an enchanting charm. 

When people tell you to calm down by going to your happy place, it probably looks something like this. 

It's arguably the most child-centric movie Dreamworks have produced for a few years too. 

The adult-targeted humour is kept to a minimum and the physical comedy is amped up to levels that is normally irritating but here works an absolute treat. 

Its success can be attributed, in a big way, to the lovable alien Oh (Jim Parsons). A clumsy go-getter with endearing optimism, cuddly colour-changing looks, and amusing speech patterns, Oh steals the spotlight whenever he is on screen, which is about 95% of the time. 

As his plucky partner in adventure, Tip, Rihanna's precocious human child is fairly stock standard, whilst Steve Martin's dim-witted leader of Oh's Boov race lands a few hilarious moments among some dull ones. Vibrant, energetic and with an unexpected tear-jerking finale, Home falls on the right side of simple.

Here’s the Music Video, with scenes from the video.

Howl’s Moving Castle (2004)

In a time of war and falsity here it is a dancing poetry from Japan against all the cruelty and pain.

The moving castle leads us to a magic place where life has a strong value and elderly people have an important role to play. Also in an apparent hostility or in a scarecrow, Hayao Miyazaki gives us the chance of finding a friend and not letting the dream go down.

The perfect technique and the emotional stream are in complete harmony. If the jury of the Venice Film Festival had been more far-seeing, it would have given a more prestigious prize to this masterpiece.

Kikis Delivery Service (1989)

One of our favorites. A young girl leaves home with her cat to begin her start as a young witch. Calm, peaceful and enchanting. My little girl loves the imagery, pace and feeling of the movie.

This ranks up there with Pinocchio as the greatest movie for children ever made. One huge problem with most animated children's films are that the plots are so conventional and often contain very 1950s ideals for society that they become detrimental to society. 

One's childhood is the most impressionable time in their life, so movies that are directed towards them teach them what places different sorts of people play in society. 

There is a very humorous, but also very serious bit of dialogue in a film called The Last Days of Disco where characters discuss the effects Lady and the Tramp could have on little girls, depicting a young female dog falling for a vagabond Tramp. 

This, they muse, sets young women up to fall for rebellious men later in life. 

This may seem like a humorous idea, but it's absolutely true. 

Even good Disney movies give children these standards. As nice as The Little Mermaid or Beauty and the Beast or Cinderella or Snow White and the Seven Dwarves may be, they basically teach that it is the woman's place to grow up and get married, prefereably to a handsome rich man (perhaps the rich part is never said, but both the main male characters in these films do happen to own castles). 

The writers of these films probably had no idea that that is what they were doing, but it is.

That is why Pinocchio is the best Disney movie. It is probably the only Disney animated film that I can think of that actually concerns the predicament of its target audience: children. I can hardly think of a single (American) animated film besides it that has a child as its main character (oh, the Jungle Book, which is also excellent). 

Then comes Kiki's Delivery Service. 

It is an absolutely perfect movie about a young girl out on her own trying to handle the responsibilities of life. It is, in my opinion, the best movie that a child can watch. 

And not only will it teach children, it is also marvelously animated, directed, and written. 

There is a plethora of great characters, exciting moments, and imaginative situations. It should also expand a child's mind, not only because of the imagination involved, which will help to break children away from conventions in their film experience, thus making them more intelligent, but because it comes from another culture. 

It doesn't overtly show its Japaneseness, unless you count the imagination involved (though you should count that as a credit towards Hayao Miyazaki, who is the greatest genius of animation as far as I'm concerned). But it may spark an interest in children old enough to understand that someone from another country made it. Also, for younger kids, Miyazaki's fantastic, equally good My Neighbor Totoro. 10/10

(ps: I have only seen the English dubbed version of this film. I find it perfectly acceptable and great. 

Nothing made me cringe, anyway. I think Kirsten Dunst did a very good job characterizing Kiki, a much better job than Claire Danes did characterizing San from Princess Mononoke.)

Labyrinth (1986)

A kids’ movie. I remember watching this on Betamax in the late 1980’s. But my daughter absolutely adores it.

Labyrinth was directed by Jim Henson of the Muppet and The Dark Crystal fame. It was produced by George Lucas and featured David Bowie as the villain Goblin King. It's also one of Jennifer Connelly's first films. And it just might be the best live-action Alice in Wonderland film ever made.

Sarah (Connelly) is a proud cloudcuckoolander, someone whose head is permanently stuck in the clouds and who can very easily lose entire days playing make-belief in the parks. And then she's given the unenviable task of looking after her baby brother while her parents go out on a date. And of course the kid gets kidnapped by goblins within fifteen minutes. Top notch job there, Sarah.

To Sarah's credit, she's obviously distraught by this and does everything she can to get her brother back. Nevertheless, her character is a bit tough to get behind most of the time. You can see that her heart is in the right place, but otherwise she's a brat. Not helping the matter is Connelly's acting. It's atrocious, especially in the early scenes. As the movie progresses, she does get better, but she's not going to be winning any Oscars anytime soon. (Which is ironic because fifteen years later she did just that with her role in A Beautiful Mind.)

But, putting that aside, the film is otherwise a whole lot of fun. David Bowie is an absolute blast, although the songs he's given to sing could have been better. Jim Henson's puppet work is also on full display and is easily the best part of the film. Furthermore, the story has that mad, no logic whatsoever dream quality to it, which makes it enjoyable to watch, and the characters aside from Sarah are very enjoyable.

Mars Needs Moms (2011)

This plays upon the “must save momma” theme that my daughter is a big fan of. Her eyes are glued to the video, and he’s hopping up and down as they race to save “momma”. It’s one of our favorites.

I wasn't going to watch this movie at all because of the terribly low score (4) on IMDb. Luckily, my kids talked me into it, and I was very pleasantly surprised indeed.

I am amazed that this movie scored so low. Yes, granted, its nothing groundbreaking; there are plenty of well-worn formulas applied. But its far from unusual in this regard, and the story is full of fun situations and characters.

Visually, its very nice to look at, and I found myself thoroughly enjoying the time I spent watching it. So did my kids, 8 and 10, who both thought it was great! I don't usually review movies here, but I often check the ratings before watching films. In this instance, I am amazed at the low rating this film received, and feel its unrepresentative of the actual quality.

I wasn't expecting this at all. I really wasn't. I hadn't read the bad reviews, however I saw the trailer and figured it would be quite cheesy and probably lame. Oh no aliens took my mother and I have to stop them! Sounded like a cheesy cartoon which would involve shooting aliens and running around to find his mom and save her, yada yada yada.

Well... boy was I surprised.

The movie started out with the whole alien world and because I knew the title was Mars needs Moms it implied the aliens were looking for moms. I watched them show two moms who's kids weren't listening, then it showed a third one who minded his mom. Satisfied by this result, it shows the boy and his mom and how the boy is in that age where he doesn't know why he should listen to his mom. Before they go to bed he says he wishes he didn't have a mom. The emotion from that makes you feel so bad.

Now many scenes later the mom got abducted by the aliens, and the boy managed to hitch a ride and meets some new friends and learns a lot. By the time the ending comes you really hope he can save his mom. 

The emotions I felt were amazing. 

More amazing though was the fact that I eve got some tears near the end. I won't say what happens, but it was very emotional and powerful to me.

So I would recommend this movie to anyone. And I'm 18 for your information, so hearing that a young adult got tears from a movie like this must be something.

Meet the Robinson’s (2007)

“Keep on moving forward”

Lewis is an 12-year-old orphan who is always inventing things. However, in a science fair, he meets Wilbur, a 13-year-old boy from the future who is chasing after a Bowler Hat Man who came to the past to steal Lewis' invention, a machine that shows memories. When he steals it, Wilbur takes Lewis to the future, as Wilbur explains he is chasing the villain due to him stealing a time machine. This would lead to an adventure where Lewis meets Wilbur's family, The Robinsons, and stop The Bowler Hat Man from changing the future.

This is a horribly underrated film. 

The characters are actually enjoyable, especially the members of Wilbur's family, from Uncle Art, the galactic pizza delivery guy voiced by the late Adam West, to Tiny The T-Rex, each character has an unique personality and talent. 

Also, the film is beautifully animated and teaches a lesson: keep going forward, despite your failures. 

This is worth checking out.

Moana (2016)

Just fun, and a great happy movie with depth.

Wow, what a great great movie! The visuals in this movie are breathtaking!! They are so gorgeous! But, besides the visuals there is such a heart and imagination and creativity to this movie. Moana is such a likable, smart, and relatable person. the voice work for Moana is so sweet and so good. The chemistry between Moana and Maui is so great and so natural. The songs in this movie are so charming, catchy and fun! But, How Far I'll Go is such an emotional song and it has such heart...I dare say I like it a little more than Let It Go! The way Moana sings it and you can feel it!! Wow, I just looved this movie and it is great for kids and adults. I will always love it and I wanna see it again!

My Neighbor Totoro aka Tonari no Totoro (1988)

This is our all-time favorite movie to watch. If you are a father, and you want to spend an afternoon with your daughter, this is perfect. Track down the English version. I got mine via a torrent.

This is the movie I watch to restore my faith in humanity

I first saw "My Neighbor Totoro" when I was maybe seven.At the time, I thought that it was really boring(that was still when I liked Disney movies). Years later, when I discovered "Princess Mononoke" I learned that MNT was by the same director and watched it again. And I find that I appreciate this film a whole lot more now then I did when I was seven.

The animation is absolutely stunning(as with all Miyazaki films)and the story is deceptively simple, told with patient, subtle attention to detail. The best example IMO is the scene where Mei falls asleep on Totoro's stomach.It's fruitless to try and describe it;you have to see it for yourself.

I absolutely agree with Roger Ebert who called "My Neighbor Totoro", "One of the most beloved of all family films". 

Its colorfully bright and sparkling animation is enchanting. 

It is incredibly realistic and at the same time makes us along with two main characters, the young sisters ready for a miracle to happen any minute. 

The gentle story is touching, uplifting, funny, and tender without being overly sentimental or didactic. 

The film takes place in the early 50s, when 10-year-old Satsuki and her baby sister, curious and energetic 4-year-old Mei spend one summer in an old house in the country side with their University professor father while their mother recovers from a serious illness in the nearby hospital. 

The great master Hayao Miyazaki remembers well what it is like to be a child, to see magic in the everyday life and be always ready to encounter it. 

This ability usually disappears as the child becomes adult but it stays forever in a few chosen, and they become the visionary Artists - just like Miyazaki himself. 

The film is partially autobiographical for the writer/director/storyboard artist. "When Miyazaki and his brothers were children, his mother suffered from spinal tuberculosis for nine years, and spent much of her time hospitalized. 

It is implied, yet never revealed in the film, that Satsuki and Mei's mother also suffers from tuberculosis. 

He once said the film would have been too painful for him to make if the two protagonists were boys instead of girls." (From the IMDb film trivia)

Totoro of the title is an adorable funny blue forest spirit who lives in the nest beneath a huge tree and makes the trees grow and the winds blow. 

Totoro becomes the friend and protector of the sisters and one day he sends them on the bus journey that is like nothing they and the viewers could ever imagine. 

I wish I could ride that cat bus. 

What a wild and kind imagination an artist should have to create it. 

How much happier we all are knowing that Hayao Miyazaki exists and makes his amazing films at the Studio Ghibli for which King Totoro is the mascot.

Spirited Away (2001)

No only a classic, but a movie about a young girl who is trying to get her parents back. There’s magic, dragons, friends, and so many details to mention that it boggles the mind.

This is a wonderfully imaginative and fantastical children's fantasy. It is easy to see why it was perhaps the critical hit of 2002. The film is glorious to look at. It is a testament to old fashioned animation techniques that seem to be resigned to foreign animations. Of course there is some use of computer imagery for certain shots but they blend seamlessly and the overall artistry involved is superlative.

This is the first Hayao Miyazaki film I have seen and I will certainly watch his others. The story plays on many elements successful with kids films, that transport you back to your own childhood and also allows the young audience to connect with the themes in the movie too. The story centres around Chihiro, a young girl about to move into a new place and who feels insecure about the new environment she will be living in. These fears become a part of her encounter with a strange abandoned amusement park that she and her parents find when they reach a dead end in their car. At the park they find that their is a stall that is seemingly open, with glorious displays of mouth watering food. There are no people about but Chihiros parents decide to gorge themselves on this bounty and pay later. As Chihioro explores she comes across a strange boy who warns her to get out before dark. It is too late however, because as night falls, ghosts are awakened, and then by the time she gets back to her parents they are turned into pigs. She then finds that the route she came from is gone and she is now trapped in this place, her only allie being the boy she met earlier. She is told to get a job at the centre piece of the park, a bath house run by Yubaba, an evil power mad witch. This is a bath house for the spirits and Chihiro has to find a job there before she is found and turned into an animal herself, then unable to save her parents.

The story is imaginative and the characters and animations endlessly unique and strange. This is just so much more creative than Hollywood. The characters are likeable and we become engrossed with Chihiros adventures inside this bathhouse, and the characters she comes into contact with as she tries to get her parents back as humans and whilst trying to get back to the human world. What I also loved in this film is that the animation gives it a real sense of cinematography, the drawing makes the film stand out in a way that American animations rarely do. Another film I think of that looked really good was Bellville Rendezvous. Another great point in fact the best part of it, is the fantastic score. It really is uplifting and very original. This is just great film making.

The Adventures of Tintin (2011)

Oh, the dog; Snowy makes this movie fun for the young kids, it’s really fun for the entire family. Treasure, adventure, high-seas adventure, planes, desert, and so much more…

As you may know Tin Tin is a very old character and there has been books and TV programs made about his great adventures by his inventor Hergé. 

This new film has been voted the best animated film and once you've seen this film you'll know why. 

The film is well paced out and there's never a dull moment in this film. The 3D in this film is spectacular and it's well worth seeing this film in 3D if you can. 

The film is around 1 hour 47 minutes long and in this time Steven Spielberg manages to squash in a good few adventures into one in this film. 

This makes it much more exciting and you really get to know how Tin Tin and Captain Haddock were in the old days. 

As a projectionist, I've seen this film about 6 times now and I still don't get bored watching it. 

Absolutely brilliant film, I really recommend going to see this film as soon as you can. 

Hope the review helps your thoughts on the film. Thanks for reading, I'll be making more reviews on the films that I see at my cinema so you can get the latest thoughts from me on the films. Thanks again BPH projectionist

The Cat Returns (2002)

One of my daughter’s favorite movies. Cats, kids. School. And magical adventure. The English dub version is just lovely.

After the wild but fully justified furore surrounding Spirited Away, Studio Ghibli's next production is a much lower key affair, clearly aimed at a younger market. Having said that, this cynical thirty-something loved it to bits. Ghibli purists seem to be somewhat snobbish about the studio's output, but If this is an example of one of their films designed more for harmless family entertainment, I can stand to see a lot more of it.

This is a wonderful fantasy film, cute and funny, and full of remarkable and memorable characters. The animation is solid and detailed, occasionally even breathtaking, and the soundtrack is gorgeous. The brisk running time ensures the light story doesn't outstay its welcome. In fact, I could easily have watched more, and I'm already looking forward to Ghibli's or Miyazaki's next flight of fantasy.

Up (2009)

There are many more that I can add, but I really want to add this masterpiece. It is well known, but should never be over-looked if you want to share some time with your daughter….