The player has always had admin rights… they just forgot to log in.

They’re not.

Of all cohorts who take the bar exam in California, those who go through an apprenticeship instead of attending a law school are the worst performing. Roughly 25 percent will ever pass the ‘baby bar,’ a test that is meant to keep them from wasting money on the bar exam. Of that 25 percent, roughly 8 percent will pass the ACTUAL bar.

If you have 100 people (they never come close to that. The number of people doing apprenticeships is in the low dozens, at most) who went through an apprenticeship taking the bar, eight will pass. If you have 100 people starting an apprenticeship, and track them from beginning to ‘passing the bar,’ two. TWO will pass.

Of course, once you get the bar membership, it’s STILL useless. No one will hire you. No one will take you seriously. Most clients won’t even talk to you, because you didn’t go through law school.

Basically, Kim Kardashian has very little chance of passing the bar. And, if she did, it’ll still be pointless, and she seems mostly to intend to use a license to practice law as a means to (poorly) represent ‘celebrity criminals’ and ’causes celebre’ to raise her own stature.

Bessent “Cancel China” Disaster Collapses, US Hides Jobs Crash, US Tech Stocks Imploding

Very carefully. My parents were dirt poor. My grandmother offered to take them to Hawaii for their 25th anniversary. This would be the first time that they ever flew. You can imagine how my father felt about going on his first romantic anniversary vacation, with his mother-in-law.

My grandmother was a sweet person, and in her mind, her traveling with them was a great idea, because she had been to Hawaii before, and could show them the ropes.

My father, very delicately talked to my grandmothers best friend, and asked her to point out how awkward the anniversary trip might be.

The best friend subtly brought up the subject, and my grandmother was so happy that her daughter was OK with her vacationing with them. Her best friend said, she is just being polite, what do you expect her to say?

My grandmother sputtered , and called my mother the next day to say, that she was going to stay behind, and give them some privacy on their first vacation.

My parents had a blast. They have been gone for decades, but I still have a picture of them, wearing Hawaiian shirts and leis, with huge smiles on their faces.

In another case, while working on a ship, I suggested to a coworker, that we fly to Bali from the ship in Brunei, instead of going home for our time off. He thought this was a great idea.

Somehow my friend had run up a huge drug debt on his last time off, and his entire pay, was going to pay that so the dealer didn’t come after him. He didn’t word it that way, but that’s what he meant. He said that if I paid for the trip, that he would pay me back, after his next trip to sea. Awkward. I knew that he would never have any money, and was mad at myself for inviting him.

I told him that I had put all of my extra money in my retirement account, and couldn’t get it out. He accepted that.

Sir Whiskerton and the Jingle Bell Enigma

Ah, dear reader. I, Sir Whiskerton, must recount a tale that plumbs the very depths of existential dread, a mystery that jingled and jangled at the very soul of the farm. It is a story that proves the most profound purpose is often found not in grand actions, but in quiet presence.

The crisis began not with a shout, but with a sigh—a sigh that was followed by a soft, melancholic jingle-jangle. It came from Bartholomew the Piñata, who hung from his usual rafter, swaying in a breeze that seemed to carry the weight of the world.

  • “Sir Whiskerton,” Bartholomew said, his papery voice barely a whisper. “A question, if I may. Am I merely a cardboard vessel for future sugary destruction? Jingle-jangle. Tell me, what is my purpose?”

I paused mid-stride, one paw elegantly suspended. This was a new level of metaphysical inquiry, even for Bartholomew.

  • “Your purpose,” I stated, with the confidence of a cat who has never doubted his own, “is to be decorative. Occasionally, you are a confidant for the farmer. It is a simple, elegant existence.”

  • “But the jingling!” Bartholomew lamented, a fresh wave of sad bells accompanying his distress. “Why am I filled not with sweet potential, but with the hollow music of sleighs that will never come? It is the sound of existential angst!”

Our conversation was joined by Philo the Philosophical Penguin, who waddled over, his eyes alight with the promise of profound confusion.

  • “According to my philosophy,” Philo began, striking a contemplative pose on a nearby milking stool, “does the jingle-jangle not echo the un-plucked banjo string of the soul’s third act? Is the piñata not the ultimate symbol of contained potential, and the jingle the desperate cry of that which wishes to be heard, yet fears the stick of revelation?”

  • “…fears the stick of revelation!” chirped Ditto, my fluffy shadow, who had been listening intently. He then tried to mimic the jingling sound with a sad little “jing-jang?

We were now a quartet of despair: a questioning piñata, a confusing penguin, an echoing kitten, and a detective on the verge of a headache.

The absurdity deepened when the farmer himself wandered by, stopping to lean against Bartholomew’s post.

  • “Another tough day, Bartholomew,” the farmer sighed, staring into the middle distance. “The turnips are looking… judgmental. Martha said hello today. I think. Or she was talking to the scarecrow. It’s hard to tell.”

  • The farmer paused, as if listening to the piñata’s silent, jingling wisdom. He nodded slowly. “You’re right, old friend. I should just be myself. Even if myself is a man who talks to a piñata about his turnip-related anxieties. Thanks for the advice.” And he wandered off, visibly cheered.

Bartholomew jangled in bewildered frustration. “He believes my jingles are wise, silent advice! The burden! The sheer cognitive dissonance!”

I observed this entire scene: the farmer finding solace, Philo spiraling into deeper layers of nonsense, and Ditto creating a perfect, tiny echo of the chaos. And I saw the truth, as clear as a sunbeam on a quiet morning.

  • “Bartholomew,” I said, cutting off Philo who was about to ask if the jingle had a migratory pattern. “You are asking the wrong question. You are fixated on what you are filled with, rather than what you provide.”

  • “And what is that?” he jingled, despondent.

  • “You are the farm’s patient listener,” I declared. “You do not judge the farmer’ quirks. You absorb Philo’s ramblings without complaint. You provide a silent, stationary presence in our chaotic world. Your purpose is not to be smashed for candy or to have all the answers. Your purpose is to be. And in that being, you offer a comfort none of us can.”

A profound silence fell, broken only by a single, soft jingle from Bartholomew. It sounded… thoughtful.

  • “The purr of existence, not the crack of the stick,” Philo mused. “Deep.”

  • “…deep!” Ditto echoed, with feeling.

Bartholomew swayed gently, the jingling of his bells now sounding less like angst and more like a quiet, contented acknowledgment. He had found his purpose. He was the farm’s confidant, its silent, slightly melancholy sage. And for a piñata filled with sleigh bells, that was more than enough.

The End.


Moral: Listening is a superpower. The one who doesn’t speak—or who only jingles—can offer the greatest comfort simply by being a patient, non-judgmental presence.

Best Lines:

  • “Am I merely a cardboard vessel for future sugary destruction? Jingle-jangle. Tell me, what is my purpose?” – Bartholomew the Piñata

  • “Does the jingle-jangle not echo the un-plucked banjo string of the soul’s third act?” – Philo the Philosophical Penguin

  • “He believes my jingles are wise, silent advice! The burden! The sheer cognitive dissonance!” – Bartholomew the Piñata

  • “Your purpose is not to be smashed for candy… Your purpose is to be.” – Sir Whiskerton

Post-Credit Scene:
A few days later, Doris the Hen approaches Bartholomew. “My sources say you’re giving out free therapy!” she clucks. “So, about the geese… they’re definitely plotting a coup. Your thoughts?” Bartholomew remains silent. “Brilliant!” Doris declares. “So subtle! Lillian, write this down!” Lillian faints.

Key Jokes:

  • The farmer misinterpreting Bartholomew’s jingling angst as profound life advice.

  • Philo’s increasingly nonsensical philosophical questions about the nature of the jingle.

  • Ditto’s attempts to echo both the deep questions and the sad jingling sounds.

  • Sir Whiskerton solving an existential crisis with simple, practical observation.

Starring:

  • Sir Whiskerton (The Feline Logician and Existential Detective)

  • Bartholomew the Piñata (The Melancholy Vessel of Jingling Dread)

  • Philo the Philosophical Penguin (The Purveyor of Profound Nonsense)

  • Ditto the Kitten (The Echoing Chorus of Despair)

P.S. A wise cat once observed: The universe does not need to be understood to be appreciated. Sometimes, it just needs to be listened to. Even if it jingles.

There is no particular ‘distinct smell’ when you enter a war zone.

You will probably see some artillery shell explosions or the big cloud of a Russian KAB gliding bomb hitting a building. If you don’t, you will definitely hear them, but smell?

And when you get closer to the frontline, you will sooner or later hear the buzzing sound of an FPV drone (hopefully one from your own side and not from the enemy) and maybe some machine gun fire, but everything will still smell pretty normal.

To smell something extraordinary, you need to get quite close to the action. It’s at least three hundred feet before your olfactory senses (what a word) will detect a rotting corpse, always depending on the direction of the wind.

How does widespread destruction smell? It doesn’t. (Picture by the author of this post)

To smell a burning house or car, you need to be even closer, maybe sixty feet. And to get a whiff of the bad breath of a soldier or his dirty socks, fifteen feet is the maximum distance.

Human feces will be noticed at around the same distance, depending on wind direction and the weather.

We should not complain. None of the smells on the frontline is particularly pleasant. The only exception:

The mix of cigarettes and diesel fumes at night, when you climb on the back of an army truck after a ten-day-long foot patrol in enemy territory.

This smell is unforgettable; it’s the smell of war.

Back to Home

Written in response to: Write a story from the POV/perspective of a non-human character.

Marcia H.

Drama Fiction Science Fiction

I woke up dead again.The sun is too bright. It hurts my eyes like someone shoved shards of glass inside of them, forcing me to squint through ragged slits in my eyelids. Or maybe it is just rot. It is hard to tell anymore.Something smells sweet. Sweet like meat. I try to remember what meat is. But the memory slides around in my rotting brain like fish in oil, too slippery to catch. I used to know a lot of things. I knew words, faces, laughter. Oh yes–laughter. That memory sparks in the very back of my skull for a moment but then it’s gone.I know only hunger now. And hunger is always screaming.I stagger to my feet, one bone-white ankle cracking sideways because my foot is barely hanging on. It doesn’t matter. I move forward anyway dragging the bad leg through the mud, dirt and grass. Every step I take feels wrong, too loose, like my body is a costume I never learned how to wear properly.

The others are like me.

We don’t talk.

Sometimes we make sounds. We make rattling groan noises. They aren’t words. The wind speaks more than we do, pushing its cold fingers through my empty rib cage and whistling through my broken teeth. I used to have words. I can almost taste them sometimes like I can taste the smoke in the air after the fire.

The sweet smell grows stronger. I follow it. The others follow too.

We find the things that smell sweet. It runs on two legs like I do but faster and smoother. Its eyes are wide and wet. Its mouth moving too quickly for me to understand. It throws noise at us. A high sharp noise. I think maybe this noise is words but my ears don’t know anymore.

The thing trips.

 

The sweet smell explodes when it hits the ground.

 

We fall on it.

Teeth tear. Bones crack.

I chew but my jaw doesn’t work like it should. Half of the time I miss my mouth. Fingers, arms, pieces of my face, none of it tastes the way I remember food tasting but it fills the scream inside of me for a moment.

When it stops moving we stop eating. Not because we want to because it wasn’t warm anymore. And warm tastes better.

I stare down at what’s left. I tilted my head to one side. Something about the curve of its cheekbone, the line of its jaw was familiar.

Then no. My brain pushes the thought, slow but dull like rotting gears turning underwater. But then it slips away and I am empty.

Always empty.

Night comes.

I don’t sleep.

The others don’t sleep either. We stand in a field full of crickets, broken fences and the bones of things that once moved. I try to remember why I move at all. Sometimes my legs just work without me asking. They drag me through mud, dirt, grass, rocks and ash. They drag me past cars with their doors open like broken mouths, past windows staring back with blank eyes.

We move because hunger tells us too. But what if there was no hunger? Would we just fall down and stop?

I wanted to ask the others but they would not answer. They don’t like that.

Maybe I don’t either.

One night a different thing finds us. It doesn’t run. It rides on wheels, lights blazing, a loud metal voice which is coughing smoke into the sky. There are so many warm things inside. They point sticks at us that roar like thunder. Some of us fall.

I don’t fall.

I move toward the noise. I move slow and steady even as the fire crackles in the air all around me. Something tears through my side. But the pain feels like nothing now. It feels like just pressure. Just the distance between what I was and what I am. The warm things shout to each other. One of them sees me.

He freezes. I freeze too. Because of his face. I know that face.

The memory hits me like lightning splitting a tree branch in half. His name was David. I had a name once too. I had a life. I had a house painted yellow and white. I had a kitchen which smelled like coffee and banana muffins. I see all of it for a second before the wind blows and takes it out again leaving only smoke.

“Mom?” The warm thing says.

His voice cracks and breaks open.

Mom.

The word is like a knife sliding into something that is deep inside of me. I want to answer him. I want to tell him that I am here and that it is cold inside my head and that I did not mean to leave the stove on that day. I didn’t mean for any of this to happen. But my mouth only makes that rattling sound.

“Mom.” He says again, softer this time. His stick drops to the hard ground. The others yell at him to point the stick and pull but he does not move.

Neither do I.

We stand there in the ruined field. Both mother and son. Both of us were shaking. The distance between us is bigger than the dark sky above our heads. I try to step closer. He lifts his hands like he might catch me if I fall. Then the thunder roars again. Not from him. But from the others.

Fire through my chest. I felt it through my throat and the place where my name used to be. The world went sideways and then I fell.

The hunger goes quiet for the first time since the sky felt like it fell down and the world burned. Before the screaming began. The hunger is not there. I thought that I would feel free. I thought that I would feel different. But all I feel is cold. Very cold. And then I feel something else.

I feel a hand on mine, small and warm. It was David’s hand. It felt like when he was little and used to crawl in my bed after he would have a nightmare. I can almost smell the shampoo in his hair, and hear the soft whisper of his voice when the thunder shook the windows.

The hand squeezes mine. Maybe it is the memory. Maybe it is him. I don’t know anymore. But for a moment I am not a thing that eats, walks and rots. I am just a mother.

And then the dark takes me.

 

The Cub was designed to be an alternative to walking or riding a donkey. At 20 mph it will do over 200 mpg. Ridden in such a fashion it will do over 100,000 miles. The first gear of the three speed transmission was intended for off road/heavy load use and second and third for on road use.

The innovative use of polythene in the leg shields and front mudguard allowed it to be dropped on rough trails without damage.

The gearbox is semi-automatic. the bike was designed to be ridden one handed.

it can be started in any gear yet will idle without trying to move in first second or third. It can move off from a start in any of the gears although only first and second are meant for starting from rest.

Moving the gearshift disengages the clutch while the gear changes

The engine can be rebuilt by pretty much anyone on the side of the road and the monocoque frame and suspension can cope with carrying huge loads or numerous people.

The earliest models came out in 1958 and those versions are just as practical today as they were then .

No motor vehicle has given so many people the gift of distance mobility which is why over 70 MILLION have been made. It is by far the most successful and popular motor vehicle the world has ever known. It has been in continuous production for 60 years

1958 … 50cc, 4 bhp, carburettor fed overhead valve horizontal single cylinder engine revving to 10,000 rpm.

2018 … 50cc or 125cc 9.3 bhp fuel injected overhead cam horizontal single engine revving to 8000 rpm.