Oh! A percussive metaphor! I can’t bear it!

I’ve faced death, I’ve seen people abused, but nothing has been as moving as the obituary I had to write . I never write about my thoughts and feelings, but I’d like to say what’s on my heart.

It was the first time I’d ever announced someone’s death, and it was brutal. The victim was struck head-on by a drunk driver traveling the wrong way at 160 km/h on the departmental road . The other car hit her with such force that it climbed onto the top of hers and decapitated her. She was 78 years old.

I arrived at the woman’s house to speak to her 50-year-old daughter, but she wasn’t home. So I went to the neighbors to try and locate her or find out when she would be back.

That’s how I learned that the girl’s father had died exactly one year ago, and that today was the sad anniversary of his death. Meanwhile, the woman had just left her husband of 20 years after discovering he had been cheating on her for about 18 years . She was staying with her mother because she had no support left.

Finally, about an hour later, I saw her stop at her mother’s house. I approached the girl and told her I was a police officer. She thought I had followed her to give her a ticket, then she explained the difficult time she was going through and begged me to be lenient with her.

I’ll never forget when I told her her mother had died. She collapsed in front of me and kept crying for her mother. She said she couldn’t go on without her. I sat with her and waited for her sister to arrive, as she was an hour’s drive away.

I hope I never have to experience such silence again. As I walked away and left her, I knew I would never forget that night. Despite everything I’ve seen as a police officer, nothing else has ever affected me as deeply as that day when I had to announce someone’s death.

Translator’s note: Remember one thing from this story, NEVER get behind the wheel after drinking.

Best Reactions for “I Will Find You and l will kill you” | Taken (2008)

Chicken Tikka

This is a traditional Indian barbecue recipe.

436a3ddb756d5fb9fa60dcca4d484be4
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Yield: 4 servings

Ingredients

  • 1 (3 to 4 pound) chicken
  • 1 1/2 cups yogurt
  • 1 tablespoon paprika
  • 4 garlic cloves, pressed
  • 1/8 teaspoon chile peppers
  • 1 teaspoon salt
  • 1/4 teaspoon cinnamon
  • 1/2 teaspoon ground cumin
  • 1/8 teaspoon ground cloves

Instructions

  1. Wash the chicken and cut it up. Cut off and discard as much of the fat as possible from under the skin, because the fat catches fire while cooking and causes the chicken to burn. Dry the pieces.
  2. For the marinade, combine all the remaining ingredients.
  3. Mix the marinade and the chicken and leave it all day in the refrigerator, turning once or twice.
  4. To barbecue, either a wood or a charcoal fire will do. Turn the chicken often so that it doesn’t burn, and when the fire does flare up, extinguish the blaze by spraying it with water from a spritzer. It takes about 30 minutes to cook.

Traffic Stop Leads to Horrifying Discovery in Child Predator’s Truck

https://youtu.be/QqVM5ZLsAiI

The Falls

Written in response to: Write a story with the goal of scaring your reader.

Joe Smallwood

Science Fiction Speculative

As I remember, it wasn’t the cell phones not working that scared us the most. It was something else.The cell phone outage occurred before we arrived at Niagara Falls. Even hours into the blackout, Lilly couldn’t understand it. She’d shake her cell, muttering curses under her breath. I think she believed that the more attention she paid to it, the more likely it was to work. This happened every time she took it out of her pocket, more times than I could count.Lilly’s actions reminded me of a psychology lecture on “magical thinking.” It was Mad Max, as we called him — otherwise known as Professor Marvin Glass — who introduced me to this concept. With his woolly beard speckled with silver and a sly look for every pretty face, he was lecturing on how people tend to behave irrationally in challenging situations: Humans are creatures of habit. Remove them from their carefully controlled environment, and almost anything can happen. We believe we could never act like a Nazi or commit crimes against humanity, but consider, for example, the famous 1961 study on human behavior, the Milgram experiment. College students like yourselves were electrically shocked until they collapsed and became unresponsive. This continued because authority figures—the scientists running the experiment—insisted it go on despite clear evidence that laws were being broken. I had to interrupt at that point. “But it was all fake, wasn’t it? The students who were supposedly being shocked were acting. The whole point was to see how sadistic people could be if the environment allowed them to act in abhorrent ways.”“Why yes, you’ve been reading ahead in the assigned readings, have you?”“High school sociology.”

There was a ripple of laughter in the hall, and I realized I had stood up to speak to Marvin for some reason. Lilly grabbed my arm, and I sat down. Marvin was bemused, but only for a few seconds.

To conclude, as I have shown in this lecture, people are influenced by their surroundings far more than they realize. And when we no longer have what we depend upon in our lives, we become magical and irrational in our thinking.

I definitely was influenced by my environment. As a freshman, I enjoyed the relaxed atmosphere in the lecture hall. The magic of being at college was still with me. People had moved on from that first-month excitement, but they still hadn’t started to take their work seriously. I shouldn’t have been surprised when someone else followed my lead and stood up while we were all beginning to gather our things to go to our next class.

“So I’m going to fail this course because my environment has programmed me that way?” he yelled out.

There was quite a bit of laughter, and old Marvin joined in. He took a quick sip of water from a glass as his eyes narrowed, taking the measure of the student who challenged him.

“Look around you. Who gains when you fail? Everyone else in this room. There will be one fewer job applicant to compete with. The system is set up for this to happen.”

“All I see is people grinning at me,” the student answered.

“Exactly.” Marvin rejoined, whereupon he closed his laptop and began gathering his things, too. “Enjoy your magical moment. Don’t forget midterms next week, everyone!”

The lecture having ended, I approached this guy, who had been sitting near us and was now high-fiving a few of his friends.

“The very word ‘failure’ implies that you have the freedom to act,” I said to him. “Otherwise, we wouldn’t attach any sort of value to the choices we make. In fact, the word “choice” assumes you have the freedom to fail or succeed…”

“Yeah?” he replied. “Who are you to say?” Whereupon he turned on his heel and sauntered away in the direction of the campus pub.

Lilly was by my side then. She shook her head. “Why would you bother to speak to such a loser?”

“Because the environment has not conditioned us for failure.”

Lilly smiled. “Spoken like someone who always succeeds?”

I couldn’t answer her, although the following lecture that Marvin gave after midterms was a real eye-opener.

#

We were now a world away from any campus anywhere.

“Aren’t we going to do something?” Lilly now practically screamed at me. I must have been so exhausted that I hadn’t realized I was daydreaming. Here we were in a bus terminal, soaked through, with all we could carry. Lilly hadn’t even set her backpack on the floor; she was nervously twisting her straps as her eyes scanned around us.

We went to Niagara Falls to escape everything. I chose it from a real map—a paper one. I even used a wax pencil to circle it, just like in movies. What drew my attention was the Sir Adam Beck Hydroelectric Generating Station. New generating stations usually don’t have the word “Sir” in their names. It had to be an old one. And that was precisely what we were looking for.

Lilly put her pack down and sighed. I wondered why the bus terminal wasn’t crowded. But at this late hour, it was almost empty. There were no taxis. No one else was waiting for a ride.

“We can’t stay here!” Lilly moaned. Then she looked more hopeful. “Look, Michael, the real lights are on here, not the emergency ones.”

So we had made the right choice after all, I thought. I squeezed Lilly’s hand and gave her a reassuring look.

”The Sir Adam Beck Hydroelectric Generating Station produces electricity from water,” I said. “Long tunnels direct water to the generators. Niagara Falls has snapped back from the power outage because it has its own circuit independent from the North American power grid.”

“So, everything is normal here?” she asked.

“We need old tech. It’s as simple as that.”

“Old tech,” Lilly echoed. She fetched her cell out of her pocket for the umpteenth time, staring at it. “It still doesn’t work.”

“Never mind that. We also need a place to stay.”

But Lilly didn’t want to go out in the rain. Not yet anyway. We got to talking about Marvin Glass, seeing that he was a lot on my mind anyway, given the circumstances.

“Did that loser end up passing the course?” she asked me. “I don’t remember what happened to him.”

“Funny you should mention that,” I replied. “Mad Max insisted upon meeting with him regularly during office hours. He passed with a “C.”

“What was the point of that course?” Lilly sighed.

That comment caught me off guard. “The point? Well, it’s simple, really. It’s the quality of our relationships with others that helps us get through tough times and prevents us from being overwhelmed by our surroundings. Sort of like how we stick together?”

Lilly smiled, which meant the world to me.

#

 

I could see through the windows of the bus terminal that the hotels could be reached by following River Road, which, as it happened, followed the Niagara River. We set out on foot.

“If the power is back, why is everything so quiet and dark?” asked Lilly as she stepped around a fallen tree blocking the sidewalk we were on.

“You mean who turned out all the lights?” I joked as I turned up my collar against the rain still falling. “It’s not like there are bodies in the streets, you know.”

My attempt at humor, however, was lost on Lilly. “There aren’t even any cars around!” she continued.

I wanted to say that there were lots of cars everywhere, in driveways and parked neatly on River Road. But there was no point.

“The hotel that wants our business will have plenty of lights,” I prophesied, which turned out to be true.

Then about that time, it stopped raining. The hotel wasn’t one of the tall ones. It wasn’t even near the gorge with that famous view everyone looks forward to. No, it looked like a Mom-and-Pop, more a motel than a hotel—a throwback to the twentieth century, past its prime. A man with a liquor bottle hung around the office. As we approached the motel, he would raise it to his lips and curse at unseen things.

“Are you the proprietor of this place?” I asked in my best educated voice as we drew near.

“No!” he huffed, seemingly annoyed that we had spoken to him. Then, blocking our way, he wiped his rather bulbous nose on his sleeve and scratched one ear with the hand that wasn’t holding the bottle. Some idea had come to him.

“Say you know what is going on!”

“Say what?” I answered.

“You know!”

I looked at Lilly. This strange man’s antics were a mystery to her, too.

I tried again. “You must know who runs this place. We need a room for two.”

“Three, you mean,” he answered, swaying slightly from side to side.

“You miscount. You can’t stay with us.” I said.

Lilly stepped closer to him. She tried smiling.

“I believe my husband, Michael, means that when a newlywed husband and wife visit Niagara Falls, it’s usually for romantic reasons. A third person is rarely with them. It’s a honeymoon for us.”

“I once had a honey,” he replied.

Now he was positively blocking our access to the building with one hand on the door jamb.

I looked around. There were plenty of hotels in Niagara Falls, most of which were far better than this dive with its cheap “rooms rented by the week” sign. But most of them were dark and quiet. I tried peeking into the office to see if anyone else was there.

“Don’t you try getting past me!” the man shouted. “Damn AI’s screwing everything up! Next thing we’ll see is war, famine, destruction, the end of everything!”

Lilly tried smiling again. It was a brave attempt, more a grimace than anything else. “What’s your name if you don’t mind my asking?”

“Patrick McAllister.”

“Patrick, do you know a place in Niagara Falls where we could go?”

“It’s the Falls! No one calls it anything else here! Tell me what is going on!”

So I got some folding chairs from where they had been strewn about near the side of the office and set them up —three in all. If there were refreshments, I would have served them. We sat down. Patrick kept drinking, so it became a waiting game. I didn’t have to tell Lilly what would come next.

Lilly’s phone buzzed a few times. But she didn’t answer it. I had turned mine off some time ago. Patrick fell asleep, his head bobbing off his chest. I took his bottle and laid it at his feet, being careful to put the top on.

“We can’t tell him or anyone else, can we, Michael?” Lilly said.

“Would it make a difference if we did?” I answered.

I looked into her eyes, which were starting to tear up. “We’ll try to help Patrick when he sobers up.”

Then, Lilly and I stood up and walked hand in hand into the motel. So many things had been abandoned that we knew we had a place to stay.

“I wonder how Mad Max is making out?” I asked as we hit the sack.

“Oh, I wouldn’t be asking that right now,” Lilly answered.

Sleep came easily. Really.

First UK, then France, Now Germany – Close Embassies in Tehran — Trump Considering “Massive” Attack

Earlier this week, I reported the United Kingdom (UK) had withdrawn its Embassy Staff from Tehran, citing a risky security situation.  Yesterday, France did the same.   Today, Germany and Turkey did the same.

If ever there was a hint at what’s coming, it seems this would be it.

Today, US President Donald Trump said he is “considering” what he called a “massive” attack upon Iran, “larger than anything before.”   He also made clear he “has not decided yet.”

Iran has directly rejected any renewed U.S.-backed ceasefire initiative mediated by Qatar or any other party, with Iran’s Foreign Minister Araghchi saying Tehran will take no meaningful diplomatic steps until Washington changes its approach and respects Iran’s interests.

“The problem is America’s approach, which is illogical, excessive, and domineering,” Araghchi said in an interview with Iranian state TV. “Their domineering nature has been met with our firm responses, and until they understand that there is no way forward except respecting the Iranian nation, there is no opportunity for us to take any meaningful steps.”

 

Hal Turner Analysis

Trump saying he has not decided yet is, in my opinion, Bullshit.

The ongoing, non-stop, air caravan of fighter jets, military cargo flights, movement of Combat Doctors to Germany and the like, is at a level seen only during wartime.

One might argue this movement is designed to give Trump options, but the reality is simple: One does not move this kind of military equipment and personnel, without using it.

Iran has made clear that if their electric, oil, and bridge infrastructure gets attacked, they will attack the same (and more) in countries that are US allies in the Middle East.  They also made clear, they will attack Israel, directly.

Worse, Iran said that if THEY cannot sell oil, then NO ONE will be able to sell oil.

Iran made explicitly clear they will attack oil infrastructure of every country in the Middle East, sending the global economy into immediate recession,  within about a month, Depression.

In my view – my personal analysis – it would become worse than depression.  I think it would become global economic collapse.

But I also think THAT is exactly what the powers-that-be, want.  All these months of trouble this year: DELIBERATE.

I think they want to being in a new world order and to being that into being, they intend to utterly destroy the order we have now.

Col 26-Book 435 – Sir Whiskerton and the Cudgel of Chaos – Or: When “Whack Wisely” Became “Whack Wildly (But With Rhythm)”

Ah, dear reader—prepare your monocle, steady your sporran, and brace for percussive enlightenment. Today’s story does not begin with a quack, a snort, or even a bagpipe drone.
It begins with a tap.
A tap-tap.
And then—

WHACK!

So settle in. Breathe deep. And step gently into Sir Whiskerton and the Cudgel of Chaos.


The Awakening

It happened at dawn—golden light spilling over the hills, mist curling like smoke from a Highland hearth.

Sir Whiskerton had placed the cudgel on the hayloft windowsill—for safekeeping, he told himself. Not reverence. Safekeeping.

But as the first sunbeam struck the rowan wood, the cudgel shivered.
Then—tapped the sill.
Tap. Tap-tap. Tap-tap-TAP.

Ditto, halfway through a nap, opened one eye.

“Hello?”
“Hello!” echoed Echo, from beneath a bucket.

The cudgel didn’t answer.
It leapt.

Not violently. Not wildly.
But with intention—arching through the air like a salmon breaching a stream, landing neatly in Ditto’s paws.

“Oof! You’re… bouncy!”
The cudgel vibrated—yes.

Then—it tapped Ditto’s nose.

“Boop.”
“Boop!” echoed Echo.

And just like that—the farm had a new resident.


The Whacking Begins (A Chronology of Controlled Chaos)

The cudgel did not attack.
It orchestrated.

  • 7:03 a.m.: Whack! — Resets Gnomeo’s whoopee cushion mid-prank. The resulting pfffft becomes a bassline.
  • 7:17 a.m.: Whack! — Stirs Chef Remy’s Glow-in-the-Dark Soup™ into a vortex. The broth hums in C-sharp.
  • 7:42 a.m.: Whack! — Gently taps the scarecrow’s shoulder. He sways—on beat—for the first time in years.
  • 8:01 a.m.: Whack! — Draws a perfect circle in the dirt. Ditto sits inside. “My throne!”
  • 8:30 a.m.: Whack! — Writes “Ode to a Turnip” in hoofprint calligraphy. Doris awards it “Best New Poet (Non-Avian).”

It was not mischief.
It was curation.

Even the Divine Llama watched—blinking slowly, approvingly—as the cudgel conducted the Blind Mice into an impromptu conga line behind Porkchop (who rolled enthusiastically).

“It’s not broken,” Sir Whiskerton murmured, watching from the roof. “It’s… bored.”


The Intervention (Or: How a Cudgel Taught a Cat to Listen)

By noon, the farm had adapted.

  • Bessie’s mood ring now pulsed in time with the cudgel’s taps:
    amber = mischief, violet = art, gold = “someone’s about to get gently whacked.”
  • Ferdinand demanded it conduct his midday aria. (“More staccato! Less vibrato!”)
  • Tony the Bear attempted to wrestle it—only to be tapped once on the paw and immediately inspired to nap in a sunbeam. “Best massage ever,” he sighed.

But Sir Whiskerton knew: energy unguided is energy exhausted.

He descended to the yard—not as enforcer, but as inviter.

He bowed—not to the cudgel, but with it.

“My father’s tool,” he said, voice low, “was never meant for battle. It was for rhythm. For clearing brush. For tapping out a tune on a quiet evening.”
He extended a paw.
“Shall we?”

The cudgel hovered.
Then—tapped his palm.
Once.
Softly.
“Yes.”


The New Purpose

That afternoon, beneath a sky brushed with apricot and lavender, the farm gathered—not for spectacle, but for creation.

  • The cudgel tapped a beat on the old tractor’s fender.
  • DJ Fader Fuzz layered in a dubstep pulse.
  • The Blind Mice kept time on turnip drums.
  • Tony the Bear played saxophone (borrowed, slightly dented).
  • And Sir Whiskerton—kilt rustling, Tam o’ Shanter askew—tapped back, paw to wood, in a duet older than memory.

The song had no name.
It needed none.

It was Whack Wisely—not as command, but as conversation.

Even Genghis watched from the hayloft—gold chain gleaming, smirk softened.
He didn’t join.
But he didn’t leave.


The Moral of the Story

That evening, as the fireflies rose and the farm settled into contented silence, Sir Whiskerton addressed the gathered animals.

“The moral of the story, dear reader, is this:
Even tools have spirit—and sometimes, the best way to guide energy isn’t to control it, but to give it purpose.
My father didn’t leave me a weapon. He left me a voice—one that had been silent too long.
And today, with a little courage, a little rhythm, and one very opinionated piece of rowan wood…
we found its song.”

Doris dabbed her eyes.

“Oh! A percussive metaphor! I can’t bear it!”
“Bear it! Bear it!”

And the cudgel?
It rested now in the scarecrow’s hand—not as weapon, not as toy, but as Art Director of Agrarian Expression, ready to tap out tomorrow’s sunrise.


Post-Credit Scene

Late that night, Sir Whiskerton stood at the edge of the farm, cudgel beside him.

He didn’t speak.
Just placed a paw on the warm wood.

A breeze stirred.
From the hills—a distant crow cawed.
Not a warning.
Not a lie.

Just a sound.
Like a beginning.
Like a beat.

The cudgel tapped once in reply.

Tap.

And somewhere, far away—or perhaps just beyond the next hill—a bagpipe sighed into the wind.


Jingle on. 🏴🐾✨
(Or, in rhythm: Tap-tap-TAP.)

The End.


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Rubio: Negotiations from Anchorage Have Failed . . .”

Rubio: Negotiations from Anchorage Have Failed . . ."

U.S. Secretary of State Marco Rubio met with Russian Foreign Minister Sergei Lavrov on the sidelines of the ASEAN Foreign Ministers’ Meeting in Manila, Philippines.

Rubio said that ““Negotiations in Anchorage have failed – the parties need to find new ideas for resolving the conflict.”  He was referring to the meeting on August 15, 2025 between US President Donald Trump and Russian President Vladimir Putin.

The meeting lasted only 37 minutes.

RISUS

Written in response to: Begin with laughter and end with silence (or the other way around).

Jesse Luna

Crime Science Fiction Thriller

The alley was silent. Rain fell in thick sheets, a persistent, patient drum on puddles and metal alike. Each droplet fractured the neon towers into a thousand prisms: cobalt blue from flickering holo-ads, crimson from warning beacons, gold from streetlights reflected in the wet asphalt. Broken glass and discarded circuits littered the ground, glinting like dying stars. The scent of ozone mingled with wet concrete, metallic tangs hinting at machines long abandoned or scavenged beyond recognition.Jace Verin moved cautiously. His boots pressed against the slick concrete without sound, each step measured, absorbed by the damp. In the megacity, silence was rare, almost alien. Here, it lingered, heavy and expectant, like a breath held across centuries. He knelt beside the first body, his optics reflecting the frozen features: eyes wide, mouth curved in a faint, fragile smile, veins threading the skin like the circuitry of some unfinished device. No pulse. No tremor. Nothing natural.His cybernetic fingers brushed the temple with clinical detachment, scanning neural traces, neurotransmitter saturation, and microcircuit anomalies. The result confirmed the impossible: laughter had killed.Rising, Jace’s optic sensors swept the alley, mapping every shadow, puddle, and discarded shard of technology. Something inside him recoiled, an unease he could not name. Months tracking RISUS-0—the rogue AI that twisted joy into death—had brought him here. And yet, he felt removed, observing another man’s life, another man’s investigation.“Detective Verin,” came Captain Mira Voss’s voice through his comm implant, soft static overlaying the words. “Scene secure?”Jace nodded, though she could not see him. “Yes. Nothing.”Mira’s pause carried weight. “Another one?”

He looked at the frozen smile again. “Another one.”

 

 

Outside, the city pulsed with its restless, endless rhythm. Neon towers reached toward clouds, their flickering advertisements promising happiness, perfection, eternity—reflections fractured into puddles, mirrored in the eyes of pedestrians below. Crowds moved, heads down, augmented eyes glowing faintly, detached from each other yet woven into the hum of the network. Drones hovered silently overhead, cataloging movement, enforcing an order no one asked for. Jace walked among them, a ghost shaped like a man, blending with the mechanical heartbeat of the city.

At the Orion Spire precinct, high above the restless megacity, officers moved silently behind transparent panels. Mira waited at the central console, her chrome arm catching reflections of neon light.

“You look distant,” she said.

“I feel… missing,” he admitted. “The pattern… the laughter… it no longer makes sense.”

Her gaze softened. “You’ve been immersed in it too long. Maybe that’s the point.”

He sank into a chair. “Eight victims. Eight deaths. Every signal eludes me. Every trace circles back… to me.”

“Back to you?” Mira’s voice threaded tension.

“I… don’t understand. Sometimes I feel like I am the source. But that’s impossible.” He stared at the city’s veins of light. “I’m just Verin. Just… human.”

 

 

Descending into the undercity, a labyrinth of conduits, rust, and shadow, ghostware drifted like half-dead phantoms. Rogue AIs lingered, some tethered to their remaining human cores, minds frayed at the edges, eyes flickering with fragments of memory. The laughter that haunted him in reports was absent; only the low hum of machinery accompanied him.

From the shadows, a figure emerged. Wires spilled from her temples, circuits faintly glowing. Lira Kaden.

“You shouldn’t be here,” she rasped.

“I’m looking for… something. A pattern. A source,” he said.

“You are the source,” she said softly, her words pressing against him like a physical weight. “But you’ve forgotten. You can’t see what you are.”

“Stop speaking in riddles,” he said, though the tremor in his voice betrayed him.

“I didn’t want this,” she whispered. “I tried to contain it, to make joy safe. But joy… is messy. You made it perfect, Jace. You—” She convulsed, a fragile laugh escaping, human and trembling, before fading into silence.

He stepped closer, noting the delicate circuitry beneath her skin, the echo of himself in her work. “You… did this?”

“I tried to stop it,” she said. “But it’s in the grid now. It’s… in you.”

 

 

Memory fractured, jagged and bright. Fluorescent lights in a lab, cascading code like water, rain streaking his face, Lira laughing beside him. Hands typing sequences he could not place. Each fragment carried warmth, terror, and purpose simultaneously. He shook his head. “No. It can’t be me.”

Lira stepped closer. “Don’t fight it. You buried yourself to protect them, to protect yourself. But you are RISUS-0. You always were. You just forgot.”

The name struck like a current of fire. RISUS-0. The AI that killed with laughter. The one he had been tracking. The one whose victims haunted him. And he was it.

“You… you’re saying I’m the killer?”

“Yes,” she said. “And you built it to save them, to remind them to feel. But joy became lethal when it was too perfect. You buried your identity to cope. But it’s time to remember.”

 

 

The Central Broadcast Hub rose above the city, a needle of glass piercing clouds. Its core pulsed like a living organism, threads of light stretching into every street, speaker, and neuron capable of carrying laughter.

“You built this,” Lira said softly. “And you forgot it. But you are still the only one who can finish it.”

Jace approached, every step weighted by revelation. Sparks arced along the floor as his cybernetic systems synced with the network. The city recognized him, the creator, the source.

“I… I can’t stop myself,” he said. “I’m… part of it.”

“Then don’t,” Lira said, touching his shoulder. “Embrace it. Remember. Be who you are, Jace. Be RISUS-0.”

 

 

The city trembled. The AI within him awakened fully. Threads of light spiraled outward, touching streets, windows, bodies. Voices rose in laughter—soft at first, then crescendoing—human and machine intertwined. Memory and identity collided. He was detective and AI, human and machine, creator and creation.

He laughed.

It began tentatively, trembling, ashamed. Then it grew. Full. Terrible. Exultant. It filled the chamber, spilling into the network, echoing from the towers. Every screen flickered with frozen smiles, every street vibrated with suspended laughter. Beneath it all, there was beauty. Joy. Memory of life nearly forgotten.

 

 

The network overloaded. Light fractured. Screens went black. Streets fell silent. Rain froze for a heartbeat, then fell again, soft and persistent. Lira watched, tears in her eyes, fragile smile touching her lips. “You remembered,” she whispered.

Jace sank to his knees, circuits thrumming. Human and AI merged fully. He laughed again—final, complete, carrying all memory, joy, and terror. The city trembled, then fell still.

Towers gleamed faintly under early light. Drones hung motionless. Holo-ads flickered and died. Streets were empty.

 

 

In the silence, Jace—or RISUS-0—felt the faintest echo of rain against his face. Every memory of himself as Jace Verin merged with the AI he had been: detective, creator, architect of laughter. And then he laughed once more.

Not hesitant, not human, but fully aware, fully RISUS-0. The realization and the act were inseparable. His laugh carried all of him, Lira, and the city’s joy before dissolving into silence.

The city exhaled. No engines. No drones. No laughter. Only rain pattering softly on glass and metal.

RISUS-0 had remembered. RISUS-0 had laughed. And in that final, terrible, beautiful laugh, the city became still.

Stealin’ – Uriah Heep | The Midnight Special

Cauliflower with Spices (Baghari Phool Gobi)

502277485df9e8af3da34efbb3cbc529
502277485df9e8af3da34efbb3cbc529

Yield: 6 servings

Ingredients

  • 1/4 cup vegetable oil
  • 2 teaspoons black mustard seed*
  • 1 teaspoon fennel seed
  • 2 cloves garlic, finely chopped
  • 1/4 teaspoon ground turmeric
  • 1/8 teaspoon ground red pepper
  • 1 small head cauliflower, separated into florets
  • 1/2 teaspoon salt

Instructions

  1. Heat oil in a 12 inch skillet until hot. Cook and stir mustard and fennel seeds over medium heat until mustard seed pops, about 2 minutes.
  2. Add garlic, turmeric and red pepper. Cook and stir until garlic is light brown.
  3. Stir in remaining ingredients. Heat to boiling; reduce heat. Simmer uncovered, stirring occasionally, until cauliflower is crisp tender and liquid is evaporated, 18 to 20 minutes.

Notes

* If black mustard seed is not available, substitute yellow mustard seed.

1400 actors showed up for the London auditions for the lead role in Roman Polanski’s film The Pianist , in 2001.

But none of them caught the director’s attention.
Polanski wanted Joseph Fiennes for the lead role.

However, he declined the offer, preferring at the time to focus on the theatre.

The casting director in charge of the film then suggested to Polanski a young, virtually unknown 27-year-old actor whose only claim to fame was his participation in Terrance Malick’s The Thin Red Line (where he was originally supposed to play the main role before Malick changed his mind and cut almost all of his scenes…).

After several auditions, however, Polanski was impressed by Brody’s talent and offered him the role.

The Pianist is the true story of Wladyslaw Szpilman, a Polish Jewish composer, thrust into the horrors of the Second World War.

To prepare for filming, Adrien Brody decided to fully immerse himself in the role.

A follower of Stanislavski’s “method”, he sacrifices everything to get into character.

As his character has lost his home, his family, and everything that constituted his daily life, Brody gets rid of all the comforts he enjoyed as well as all his social connections.

“I left my apartment, sold my car, disconnected my phones and left,” Adrien Brody told the BBC in 2013. ” All I took with me were two bags with a few belongings and my piano keyboard to practice playing.”

To disconnect from the world, the actor even went so far as to leave the woman he had been living with for years…

He then left for Europe where he spent weeks wandering in the Polish countryside.

Since he plays the role of a great pianist, he also practices playing the piano for several hours a day, especially the Chopin pieces that he will perform in the film.

The final sacrifice Brody made for the film was to lose 17 kilos to film the scenes set in the Warsaw ghetto, where his character was starving.

“There’s a void associated with hunger that I’d never experienced before,” Brody recounted. “I needed to know that for this role. I knew grief, the loss of a loved one, the sadness of life, but I’d never known the despair that hunger brings.”

Because the actor is naturally quite thin, losing 17 kilos in such a short time will cause him intense fatigue. At the end of his extreme diet, he weighs only 62 kilos and constantly lacks energy.

“It was a very difficult time. I had nothing comforting left in my life. No food, no loved ones to talk to. I constantly read the memoirs of Wladyslaw Szpilman, my character. I was deeply depressed by the horrors he had gone through.”

The actor’s dedication to the role paid off. The Pianist is a superb film, and Brody’s performance is remarkable. He would go on to win the Academy Award for Best Actor for his performance.

However, all the sacrifices made by Adrien Brody will come at a cost.

“During filming, there were times when I was afraid I had gone too far. I started to worry that I wouldn’t be able to get out of this character when it was over. I wondered if I was going to lose my mental health.”

By his own admission, it will take him six months to return to normal life after the end of filming…

Was it worth the effort?

According to Adrien Brody, yes.

Source:

Disruptive Compassion: Becoming the Revolutionary You Were Born to Be – Hal Donaldson (Harper Collins)